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Bibliography

Primary Texts

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Pratchett, Terry, The Carpet People (London: Colin Smythe, 1971; repr. London: Corgi Books, 2004)

   

Pratchett, Terry, Truckers (London: Doubleday, 1989; repr. London: Corgi Books, 2004)

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Pratchett, Terry, Diggers (London: Doubleday, 1990; repr. London: Corgi Books, 2004)



Pratchett, Terry, Wings (London: Doubleday, 1990; repr. London: Corgi Books, 2004)

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Pratchett, Terry, Only You Can Save Mankind (London: Doubleday, 1992; repr. London: Corgi Books, 2004)


Pratchett, Terry, Johnny and the Dead (London: Doubleday, 1993; repr. London: Corgi Books, 2004)

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Pratchett, Terry, Johnny and the Bomb (London: Doubleday, 1996; repr. London: Corgi Books, 2004)

   

Pratchett, Terry, The Wee Free Men (London: Corgi Books, 2004)

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Pratchett, Terry, A Hat Full Of Sky (London: Corgi Books, 2005)

   
Pratchett, Terry, Wintersmith (London: Corgi Books, 2007)
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Pullman, Philip, Northern Lights (London: Scholastic, 1995)
   
Pullman, Philip, The Subtle Knife (New York: Dell Yearling, 1997)
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Pullman, Philip, The Amber Spyglass (London: Scholastic, 2000)
   
Reeve Philip, Mortal Engines (London: Scholastic, 2001)
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Reeve Philip, Predator’s Gold (London: Scholastic, 2003)
   
Reeve Philip, Infernal Devices (London: Scholastic, 2005)
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Reeve Philip, A Darkling Plain (London: Scholastic, 2006)



Secondary Texts

Armbruster, Karla, ‘Bringing Nature Writing Home: Josephine Johnson’s The Inland Island as Bioregional Narrative’, in Reading Under the Sign Of Nature: New Essays in Ecocriticism, ed. by John Tallmadge and Henry Harrington (Salt Lake City, University of Utah Press, 2000), pp. 3-23

Austin, Linda, M., ‘Children of Childhood: Nostalgia and the Romantic Legacy’, Studies in Romanticism, 42.1 (Spring 2003), 75-98

Bate, Jonathan, ‘Romantic Ecology Revisited’, Wordsworth Circle, 24:3 (Summer 1993), 159-62

---, Romantic Ecology: Wordsworth and the Environmental Tradition (London: Routledge, 1991)

---, The Song of the Earth (London: Picador, 2000)

Baudrillard, Jean, Simulacra and Simulation, trans. by Shelia Faria Glaser (Ann Arbor: University of Michigan Press, 1994)

Beckett, Sandra, L., ed., Transcending Boundaries: Writing for a Dual Audience of Children and Adults (New York: Garland Publishing, 1999)

Bennett, Michael, ‘Different Shades of Green’, College Literature, 31.3 (2004), 207-12

Bradford, Clare, and others, eds., New World Orders in Contemporary Children’s Literature: Utopian Transformations (Basingstoke: Palgrave Macmillan, 2008)

Bramwell, Peter, ‘Fantasy, Psychoanalysis and Adolescence: Magic and Maturation in Fantasy’, in Modern Children's Literature: An Introduction, ed. by Kimberley Reynolds (Basingstoke: Palgrave Macmillan, 2005), pp. 142-55

Buell, Lawrence, ‘The Ecocritical Insurgency’, New Literary History, 30.3 (Summer 1999), 699-712

---, The Environmental Imagination: Thoreau, Nature Writing and the Formation of American Culture (Cambridge, MA: Harvard University Press, 1995)

---, The Future of Environmental Criticism: Environmental Crisis and Literary Imagination (Malden, MA: Blackwell Publshing, 2005)

Coleridge, Samuel, Taylor, Biographia Literaria, ed. by James Engell and W. Jackson Bate, 2 vols (Princeton, NJ: Princeton University Press, 1983), I (1817)

Cronon, William, ed., Uncommon Ground: Rethinking the Human Place in Nature (New York: W. W. Norton & Co, 1996)

Dobrin, Sidney I., and Kenneth B. Kidd, eds., Wild Things: Children’s Culture and Ecocriticism (Detroit, MI: Wayne State University Press, 2004)

Evernden, Neil, The Social Creation of Nature (London: Johns Hopkins University Press, 1992)

Fadem, Richard, ‘Coleridge, Habit, and the Politics of Vision’ in Coleridge’s Biographia Literaria: Text and Meaning, ed. by Frederick Burwick (Columbus, Ohio State University Press, 1989), pp. 88-104

Foot, Bonnie, ‘The Narrative Interactions of Silent Spring: Bridging Literary Criticism and Ecocriticism’, New Literary History, 38.4 (2007), 739-53

Foucault, Michel, ‘Of Other Spaces’, trans by Jay Miskowiec, Diacritics 16:1 (Spring 1986), 22-27

Garrard, Greg, Ecocriticism (London: Routledge, 2004)

---, ‘Ecocriticism and Education for Sustainability’, Pedagogy, 7.3 (Fall 2007), 359- 83

Gifford, Terry ‘Towards a Post-Pastoral View of British Poetry’, in The Environmental Tradition in English Literature, ed. by John Parham (Aldershot: Ashgate, 2002), pp. 51-63

Glotfelty, Cheryl, and Harold Fromm, eds., The Ecocriticism Reader: Landmarks in Literary Ecology (Athens, GA: The University of Georgia Press, 1996)

Godek, Sarah, ‘Fantasy – Postwar, Postmodern, Postcolonial: Houses in Postwar Fantasy’, in Modern Children's Literature: An Introduction, ed. by Kimberley Reynolds (Basingstoke: Palgrave Macmillan, 2005), pp. 89-107

Head, Dominic, ‘The (im)possibility of ecocriticism’, in Writing the Environment: Ecocriticism and literature, ed. by Richard Kerridge and Neil Sammells (London: Zed, 1998), pp 27-39

Heise, Ursula K., ‘Greening English: Recent Introductions to Ecocriticism’, Contemporary Literature, 47.2 (Summer 2006), 289-98

Hitt, Christopher, ‘Toward an Ecological Sublime’, New Literary History, 30.3 (Summer 1999), 603-23

Hunt, Peter, and Millicent Lenz, eds., Alternative Worlds in Fantasy Fiction (London: Continuum, 2001)

Jackson, Rosemary, Fantasy: The Literature of Subversion (London: Routledge, 1988)

Kinnie, Nicola, ‘Crossing over: “Coming of Age” in twentieth-century children’s literature’ (unpublished master’s dissertation, Cardiff University, 2006).

Knoepflmacher, U. C., ‘Mutations of the Wordsworthian Child of Nature’ in Nature and the Victorian Imagination, ed. by U. C. Knoepflmacher and G. B Tennyson (Berkeley: University of California Press, 1977), pp. 391-425

Lenz, Millicent, ‘Am I My Planet's Keeper? Dante, Ecosophy, and Children's Books’, Children’s Literature Association Quarterly, 19.4 (Winter 1994), 159-64

Lesnik-Oberstein, Karin, ‘Children’s Literature and the Environment’, in Writing the Environment: Ecocriticism and literature, ed. by Richard Kerridge and Neil Sammells (London: Zed, 1998), pp. 208-17

Levin, Jonathan, ‘Beyond Nature? Recent Work in Ecocriticism’, Contemporary Literature, 43.1 (Spring, 2002), 171-86

Love, Glen, A., ‘Ecocriticism and Science: Toward Consilience?’, New Literary History, 30.3 (Summer 1999), 561-76

---, Practical Ecocriticism: Literature, Biology and the Environment (Charlottesville, University of Virginia Press, 2003)

McKusick, James, C., Green Writing: Romanticism and Ecology (Basingstoke, Macmillan, 2000)

Moretti, Franco, The Way of the World: The Bildunsroman in European Culture (London: Verso, 1987).

Natov, Roni, The Poetics of Childhood (New York: Routledge, 2003)

Parham, John, ‘What is (ecological) ‘nature’? John Stuart Mill and the Victorian Perspective’, in Culture, Creativity and Environment: New Environmentalist Criticism, ed. by Fiona Becket and Terry Gifford (Amsterdam: Rodopi, 2007), pp. 37-54

Phillips, Dana, ‘Ecocriticism, Literary Theory, and the Truth of Ecology’, New Literary History, 30.3 (Summer 1999), 577-602

Rigby, Catherine, Topographies of the Sacred: The Poetics of Place in European Romanticism (Charlottesville: University of Virginia Press, 2004)

Rueckert, William, ‘Literature and Ecology: An Experiment in Ecocriticism’, in The Ecocriticism Reader: Landmarks in Literary Ecology, ed. by Cheryl Glotfelty and Harold Fromm, (Athens, GA: The University of Georgia Press, 1996), pp. 105-23

Scheese, Don, ‘Some Principles of Ecocriticism’, in The Association for the Study of Literature and Envrionment [online] <http://www.asle.org /site/resources/ecocritical-library/intro/defining/scheese/> [accessed 3 December 2008].

Slovic, Scott, ‘Ecocriticism: Containing Multitudes, Practising Doctrine’, in The Green Studies Reader: From Romanticism to Ecocriticism, ed. by Laurence Coupe (London: Routledge, 2000), pp. 160-62

Smith, Eric, Todd, ‘Dropping the Subject: Reflections on the Motives for an Ecological Criticism’, in Reading the Earth: New Directions in the Study of Literature and Environment, ed. by Michael P. Branch, and others (Moscow, ID: University of Idaho Press, 1998)

Sooke, Alastair, ‘He’s got the whole world in his hands’, Telegraph Online, 27 March 2007, <http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/ 2007/03/24/ bagoldsworthy124.xml> [accessed on 26 November 2008].

Soper, Kate, What is Nature? Culture, Politics and the non-Human (Oxford: Basil Blackwell, 1995)

Spirn, Anne, Whiston, ‘Constructing Nature: The Legacy of Frederick Law Olmsted’ in Uncommon Ground: Rethinking the Human Place in Nature, ed. by William Cronon (New York: W. W. Norton & Co, 1996), pp. 91-113

Swartz, Richard, G., ‘"The terrors came upon my tenfold": Literacy and Ghosts in John Clare’s Autobiography’, in Lessons of Romanticism: A Critical Companion, ed. by Thomas Pfau and Robert F. Gleckner (Durham, NC: Duke University Press, 1998), pp. 328-48

Swinfen, Ann, In Defence of Fantasy: A Study of the Genre in English and American Literature Since 1945 (London: Routledge & Kegan Paul, 1984)

Tallmadge, John, and Henry Harrington, eds., Reading Under the Sign Of Nature: New Essays in Ecocriticism (Salt Lake City, University of Utah Press, 2000)

Todorov, Tzvetan, The Fantastic: A Structural Approach to a Literary Genre, trans. by Richard Howard (Ithaca, N.Y: Cornell University Press, 1975)

Trott, Nicola, ‘The Picturesque, the Beautiful and the Sublime’, in A Companion to Romanticism, ed. by. Duncan Wu (Oxford: Blackwell, 1998), pp. 72-90

Tucker, Nicholas, Darkness Visible: Inside the World of Philip Pullman (London: Wizard, 2003)

Wallace, Allison, B., ‘What is Ecocriticism?’, in The Association for the Study of Literature and Envrionment [online] <http://www.asle.org/site/resources /ecocritical-library/intro/defining/wallace/> [accessed 5 December 2008].

Wall, Barbara, Narrator's Voice: the Dilemma of Children's Fiction (New York: St. Martin’s Press, 1991)

Williams, Raymond, The Country and the City (London: Chatto and Windus, 1973)

Wordsworth, Jonathan, ‘The Infinite I AM: Coleridge and the Ascent of Being’ in Coleridge’s Imagination: Essays in Memory of Pete Laver, ed. by Richard Gravil, Lucy Newlyn and Nicholas Roe (Cambridge: Cambridge University Press, 1985), pp. 22-52

Yollen, Jane, ‘Fabling to the Near Night’, in Fantastic Literature: A Critical Reader, ed. by David Sandner (Westport, CT: Praeger, 2004), pp. 326-33

‘Glurk gripped the rough bark of a hair and hauled himself upright, straining against the storm that whipped round him. Far overhead the tip of the hair creaked and rattled, and all round the hairs waved like a grey sea’ The Carpet People
‘He remembered hunting alone, running along the deep furrows in the big field behind the motorway. There was nothing around but earth and flints, stretching into the distance. The whole sky was an upturned bowl with him at the centre’ Truckers
‘You mean the roads were made?’ [...] ‘That’s what he said […] You didn’t think they was nat’ral, did you?’ Diggers
‘In those days the world had ended at the motorway on one side and the woods beyond the field on the other side. Now it had no kind of boundaries at all, and more problems than he knew what to do with’ Wings
They strolled past what had been, in 1965, an environmental green space and was now a square of dog-poisoned earth where the shopping trolleys went to die’ Only You Can Save Mankind
It was beautiful. There were fountains in front of it, and quite old trees carefully placed here [...] And the sky above it was a glorious blue, which was pretty unusual for Blackbury, where most of the time the sky was that off, soapy colour you’d get if you lived in a Tupperware box. Johnny stared at it for some time, while the rain fell in the real world and the blue sky glittered on the sign’ Johnny and the Dead
‘Beyond them was the sloping field they had arrived in. It wasn’t particularly pretty. It had that slightly grey tint that fields get when they’re right next to a town and know that it’s only a matter of time before they’re under concrete’ Johnny and the Bomb
‘Everything felt real, but maybe he’d just gone mad and taken everyone else with him’ Johnny and the Bomb
‘You dream all the time. You, especially, dream all the time. Your picture of the world is a landscape with you in the middle of it’ The Wee Free Men
‘The sky was black, even though the sun was high. It hung at just past noon, lighting the landscape as brilliantly as a hot summer day, but the sky was midnight black, shorn of stars. This was the landscape of Tiffany Aching’s mind’ A Hat Full Of Sky
‘When the killing weather was blind nature, you could only cuss, but if it was walking about on two legs … then it was war’ Wintersmith
‘Buildings and pictures were designed to be read like books. Everything stood for something else; if you had the right dictionary you could read Nature itself’ Northern Lights
‘There were no leaves to stir in this wilderness, but the air buffeted his body and made his hair stream away from his face; it was wild outside him and wild within’ The Subtle Knife
‘Suppose that all this time, little by little, Dust had been leaking out of the wounds the subtle knife had made in nature’ The Amber Spyglass
‘She hardly recognized the main island. The mountains lay bare and black, and only a few hidden valleys facing away from the sun had retained a little snow in their shaded corners; but what was the sun doing here anyway, at this time of year? The whole of nature was overturned’ The Amber Spyglass
‘Tom was horrified by the idea that people still actually lived on the bare earth' Mortal Engines
‘The widening gap revealed a narrow landing-apron jutting from the cliff outside, and fog, fog all around the Roost, a dense white dreamscape of hills and folds and billows veiling the sea’ Predator’s Gold
‘In her imagination […] she was crossing the Dead Hills, the lakes of Vineland were shining blue below her, and her parents were running to greet her as she touched down in the field of Anchorage’ Infernal Devices
‘She was still terrified that she would lose the others and be left wandering in this insane rust-scape all alone’ A Darkling Plain
‘It’s human beings that are the problem. Everything that they do pollutes and destroys […] If we are really to protect the good earth we must first cleanse it of human beings’ A Darkling Plain