15 CATS one-term module, starting in January 2019.
Lecture: Monday at 10.00 - 11.00am.
Seminars: Tuesdays, 4-5 and 5-6.
This module can be paired with EN353 Early Modern Drama (15 CATS, one term, starting in October) to make a coherent 30 CATS two-term option which deals with English drama and its contexts 1574-1709, but students are welcome to pair it with any other 15 CATS module as they wish.
This module explores the drama during one of the most exciting and innovative periods of English theatre. When the monarchy was restored in 1660 - following more than a decade of Puritan rule - the theatres were reopened. But after 18 long years during which public performance had been criminalized and the playhouses shut, it wasn't simply a case of actors and theatre managers picking up where they'd left off. New performance spaces, new kinds of drama, and new repertories had to be created. Crucially, women were, for the very first time, permitted to appear on the public stage: this is the age of the first actresses.
In this module, we'll particular attention to the relationship between the forms of drama that emerged in the period and the material and political contexts of the theatre. The late seventeenth century English stage is perhaps best known for its comedies and we'll consider both how far the conventions of this genre changed over the course of the period and the extent to which comedy offered writers a vehicle for reinforcing or contesting contemporary conceptions of sexuality. At the same time, we'll look at examples of heroic drama, the burlesque, Shakespearean adaptation and tragedy, as a means of exploring the broader history of generic experimentation in decades shaped by a sequence political and religious crises that saw the beginnings of party politics and constitutional monarchy.
Please note that weeks 3 and 8 require you to read 2 plays, so don't leave it too late!
Weeks 1-5: Comedy and the rake's progress
1. Introduction / Comedy and the libertine
George Etherege, The Man of Mode (1676)
2. Comedy, carnival, and sexual violence
Aphra Behn, The Rover (1677)
3. Comedy after the Revolution
Colley Cibber, Love's Last Shift (1696) and and Sir John Vanbrugh, The Relapse (1696)
4. Comedy beyond the capital
George Farquhar, The Recruiting Officer (1706)
5. Comedy on the reformed stage?
Susannah Centlivre, The Busie Body (1709)
Jeremy Collier, excerpts from A Short View of the Immorality and Profaneness of the English Stage (1698)
Weeks 7-10: Experiments in the politics of dramatic form
7. Reworking Shakespeare
John Dryden, All for Love (1677)
Thomas Rymer, from A Short View of Tragedy (1693)
9. Burlesque: theatre about theatre
George Villiers, The Rehearsal (1671)
John Dryden, "Of Heroic Plays" (1672)
10. Tragedy and the suffering woman
Thomas Otway, Venice Preserv'd (1682)
John Dryden, from An Essay of Dramatic Poesie (1668)
The coursebook will be Restoration Drama: An Anthology, ed. David Womersley (Oxford: Wiley-Blackwell, 2000). All the primary texts are in this anthology.
An extensive reading list for this module can be found here: http://readinglists.warwick.ac.uk/modules/en352
The module is 50% assessed (a 3000 word essay) and 50% examined (a one-hour examination paper).