“The Disenchanted Island: A Political History of The Tempest, 1760-1830.” Shakespeare Quarterly 63.4 (Winter 2012): 487-517.
“Discoveries and Recoveries in the Laboratory of Georgian Theatre.” New Theatre Quarterly 27.3 (2011): 229-243.
“Godwin, Sheridan, and the Theatre of Politics.” Bodleian Library Record 24.1 (2011): 80-87.
“Coalition Dances: Georgian Caricature’s Choreographies of Power.” Music in Art: International Journal for Music Iconography 36 (2011): 117-130.
“‘The Fate of Empires’: The American War, Political Parody, and Sheridan’s Comedies.” Eighteenth-Century Studies 42.2 (2009): 379-95.
“Wordsworth at the Theater: Illegitimate Spectacle in Book 7 of The Prelude.” European Romantic Review 20.1 (2009): 77-93.
"Cato and the Crisis of Rhetoric," in Essays on Addison, ed. Paul Davis (Oxford University Press, 2019). Forthcoming.
"Staging the War at Sea: Race, Re-enactment, Nationhood," in The Cultural History of the Sea: The Long Eighteenth Century, ed. Jonathan Lamb (Bloomsbury, 2019). Forthcoming.
"The Practice of Parody," in The Oxford Handbook of Eighteenth-Century Satire, ed. Paddy Bullard (Oxford University Press, 2018-19). Forthcoming.
“Gillray's Gulliver and the 1803 Invasion Scare,” in The Afterlives of Eighteenth-Century Fiction, ed. Daniel Cook and Nicholas Seager (Cambridge University Press, 2015), 212-32.
“Rochester, the Playhouse, and Restoration Theatricality,” in Lord Rochester in the Restoration World, ed. Matthew C. Augustine and Steven N. Zwicker (Cambridge University Press, 2015), 121-40.
“Theatre Managers and the Managing of Theatre History,” in The Oxford Handbook of the Georgian Theatre, 1737-1832, ed. Julia Swindells and David Francis Taylor (Oxford University Press, 2014), 70-88.
“Caricaturing Sheridan,” in Richard Brinsley Sheridan: The Impresario in Political and Cultural Context, ed. Jack DeRochi and Daniel Ennis (Bucknell University Press, 2012), 259-83.
“Shakespeare and Drama,” in Shakespeare in the Nineteenth Century, ed. Gail Marshall (Cambridge University Press, 2012), 129-47.
Entries for Emily; or, The History of a Natural Daughter (1756), Herbert Lawrence's The Life and Adventures of Common Sense (1769), and Edward Henry Iliff's Angelo, A Novel (1796), in The Cambridge Guide to the Eighteenth-Century Novel, 1660-1820, ed. April London (forthcoming with Cambridge University Press).
“Sheridan, Richard Brinsley,” in The Encyclopedia of British Literature 1660-1789, ed. Jack Lynch and Gary Day (Wiley-Blackwell, 2015), 1143-9.
Review of Frederick Burwick, Romantic Drama: Acting and Reacting and Alexander Dick and Angela Esterhammer, eds., Spheres of Action: Speech and Performance in Romantic Culture, in European Romantic Review, 23.1 (Jan. 2012), 101-107.
Review of Daniel O’Quinn, Staging Governance: Theatrical Imperialism in London, 1770–1800, in Romanticism, 14.2 (2008), 203-5.
Review of John Barrell, The Spirit of Despotism: Invasions of Privacy in the 1790s, in Romanticism, 13.2 (2007), 189-191