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Issue 4 of Film and Television Studies Newsletter

Issue 4 of the Department of Film and Television Studies' regular newsletter is now available for download.

Michael Pigott speaks about sound, cinema and field recording at University of York

The dept’s Michael Pigott is giving a Research Seminar at Dept. of Theatre, Film and Television at the University of York this Wednesday (9 May) titled 'Sounds of the Projection Box: Liner Notes for a Phonographic Method'. The seminar will take place at 12.30pm in room TFTV109. This seminar will focus on research that emerged from The Projection Project, and leads to the release of the Sounds of the Projection Box album, which comes out in July.

Sounds of the Projection Box: Liner Notes for a Phonographic Method.

Abstract: In order to investigate, document and analyse the soundscape of the analogue projection box, before it passes into history, a series of audio recordings was made within functioning boxes, a selection of which will be released as an ‘album’ on the Gruenrekorder label in 2018. The recordings, made in UK boxes that maintain both 35mm film projection and digital projection, also capture the shifting sonic texture of this environment as it changes from primarily analogue to primarily digital operation. This paper will explore the role of phonographic field recording as a practical methodology within a film historical research project (the UK AHRC funded Projection Project), which investigates the role of the film projectionist and cinematic projection throughout the history of cinema exhibition in the UK. Through an analysis of both the recordings themselves, and the experience of making the recordings, it will extract some observations regarding the character, history and culture of the projection box as a lived environment and workplace. Just as cinema-goers seldom get to see inside this hidden room at the back of the auditorium, these sound recordings also reveal it to be a sound-proofed box, a noisy environment in which the interface between operator and machine takes audible form, in which noise of one sort indicates smooth operation, while another sort indicates faults that need to be addressed. It will consider the legibility of noise and propose that the relationship between projectionist and machine is significantly aural as well as visual and tactile.

Dr. Helen Wheatley blogs about new project Ghost Town: Civic Television and the Haunting of Coventry

Dr. Helen Wheatley has written a blog about an exciting new project she is organising: Ghost Town: Civic Television and the Haunting of Coventry

Dr. Michael Pigott speaks on 'Cities on Film' at Oxford University

On Thurs 2nd February, Dr. Michael Pigott spoke as part of the 'Cities on Film' series of events at Oxford University. Michael chose the films Dredd (Travis, 2012) and Side/Walk/Shuttle (Gehr, 1993) to be shown as part of the series and the screening was followed by a discussion between Michael and Dr. Peter Wynn-Kirby, who is an environmental specialist, ethnographer, and Research Fellow in the School of Geography and the Environment, University of Oxford.

Organised by the Oxford Forum and Stanford University Centre in Oxford

For more information about the event click here

"Films about cities are both part of modern urban experience and a mode of our reflecting on that experience. Over the last century both cinema and cities have been in flux. What have we learned from films that explore cities? About cities? About films? About tradition? About modernity? About fantasy? About reality? About beauty? About ugliness? About living? About ourselves? About making sense or nonsense of any or all of these? In this series of Film events, the Oxford Forum and Stanford University Centre in Oxford are showing entrancing films about cities, followed by dialogues and discussion."


Mon 06 Feb 2017, 15:47 | Tags: staff News Research news Research seminars

Dr. Helen Wheatley gives research seminar on 'Television Death' at University of Sussex

On November 16th Dr. Helen Wheatley gave an invited research seminar at the University of Sussex, on the representation of death and the dead on television. The abstract is below:

Television Death

This paper examines the representation of death and the dead on television. In doing so, it moves off from work on death on film to think about the ways in which television mediates death for its viewers, providing encounters with death which may be disturbing or reassuring, offering viewers the frisson of an engagement with our own mortality or holding death at a safe distance from everyday life. I will explore a series of ‘death genres’ on television, including the ‘human body’ documentary, the anatomy spectacular, and televisual encounters with assisted dying during this paper.

Sun 20 Nov 2016, 15:39 | Tags: staff, Research impact, Research news, Research seminars

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