The Department of Film and Television Studies is also pleased to offer one 3-year PhD scholarship covering fees (£4,347 in 2018/19) and stipend (£14,800 in 2018/19). All applicants will be considered for the scholarship and a separate application form is not required.The deadline for applications is 1 March 2019 and results will be announced in May. This scholarship is only open to those applying to the Department of Film and Television Studies.
Applications will be judged by a departmental panel, according to the following criteria:
- Academic record to date
- Quality of proposal for study
- Quality of academic references
- Performance in a face-to-face or phone interview
We look forward to receiving your applications!
The Department offer an MPhil and PhD by individual research, within the areas of expertise of the teaching staff.
Strong priorities are:
- Film and television aesthetics;
- European and other national cinemas (including their popular dimension);
- Representation and identity, and issues of gender;
- British television history.
In addition to individual supervision, MA by research/MPhil/PhD students have access to:
- Study Skills Training
- University and Faculty training (e.g. computer, language skills).
- University and departmental resources.
- Auditing of one or more MA courses.
- Teaching opportunities, where feasible.
- The Department's Research Seminar series.
- The Department's Postgraduate Methods Reading Group
- The Postgraduate Research Group, a venue for sharing and discussing research and ideas in a friendly, informal atmosphere with other postgraduates.
Teaching Staff and Areas of Expertise
|Michele Aaron||Death, film and social justice, ethics, race, queer theory, applied film|
|José Arroyo||National and sexual identity in the media; Spanish cinema; Hollywood/Action Cinema; Canadian and Quebécois cinemas|
|Charlotte Brunsdon||Cinema and the city; British film and television; spaces of film and television|
Silent cinema; British cinema; Hollywood cinema
|Catherine Constable||Philosophy and film; feminist film theory; film adaptation|
|Tiago de Luca||World cinema; cinematic realism; Brazilian and Latin American cinemas; slow cinema; time and temporality; the global and the planetary|
|Stephen Gundle||Italian film history; politics and the media; the history of glamour|
|John King||(Comparative American Studies): Latin American literature and film|
|James MacDowell||Hollywood cinema, American independent cinema, Film aesthetics, Film narrative, Romantic comedy|
|Rachel Moseley||Gender in Popular Film and Television; film stars; women's television; factual entertainment|
Video Art and Experimental Film; Projection; Sound; Film and Architecture.
Film history and aesthetics; French cinema; Japanese cinema; contemporary world cinema; Hollywood in its European contexts
Film theory; art cinema; realism; the photographic image; political cinema; queer theory
|Richard Wallace||Documentary, fact/fiction hybridity, mockumentary, film and television comedy, pop music on film and television|
|Helen Wheatley||Television history and aesthetics; television drama; popular genres in television and film; British television; factual entertainment|