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Further Reading

GENERAL

Sandra Barriales-Bouche and Marjorie Attignol Salvodon (eds), Zoom in, Zoom out: Crossing Borders in Contemporary European Cinema (Newcastle upon Tyne: Cambridge Scholars Press, 2007).

Daniela Berghahn and Claudia Sternberg (eds), European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe (London: Palgrave-MacMillan, 2010).

Richard Dyer and Ginette Vincendeau (eds), Popular European Cinema (London: Routledge, 1992).

Thomas Elsaesser, European Cinema: Face to Face with Hollywood (Amsterdam: Amsterdam University Press, 2005).

Wendy Everett, European Identity in Cinema (Bristol: Intellect, 2005).

Elizabeth Ezra (ed.), European Cinema (Oxford: Oxford University Press, 2004).

Angus Finney, The State of European Cinema: A New Dose of Reality (London: Cassell, 1996).

-----------------, The International Film Business: A Market Guide Beyond Hollywood (London: Routledge, 2010).

Jill Forbes and Sarah Street, European Cinema: An Introduction (London: Palgrave, 2000).

Catherine Fowler (ed.), The European Cinema Reader (London: Routledge, 2002).

Rosalind Galt, The New European Cinema: Redrawing the Map (New York: Columbia University Press, 2006).

Anne J├Ąckel, European Film Industries (London: BFI, 2003).

Myrto Konstantarakos (ed.), Spaces in European Cinema (Bristol: Intellect, 2000).

Mariana Liz (ed.), Portuguese Cinema as Global Cinema (London: I. B. Tauris, 2017).

Yosefa Loshitzky, Screening Strangers: Migration and Diaspora in Contemporary European Cinema (Bloomington: Indiana University Press, 2010).

Tijana Mamula and Lisa Patti (eds), The Multilingual Screen: New Reflections on Cinema and Linguistic Difference (New York: Bloomsbury, 2016).

Ewa Mazierska and Laura Rascaroli, From Moscow to Madrid: Postmodern Cities, European Cinema (London: I. B. Tauris, 2003).

Hamid Naficy, An Accented Cinema: Exilic and Diasporic Filmmaking (Princeton: Princeton University Press).

Duncan Petrie (ed.), Screening Europe: Image and Identity in Conetmpoary European Cinema ((London: BFI, 1992).

Guido Rings, The Other in Contemporary Migrant Cinema: Imagining a New Europe (New York: Routledge, 2016).

Luisa Rivi, European Cinema after 1989: Cultural Identity and Transnational Production (London: Palgrave-MacMillan, 2007).

Alissa Timoshinka, Mary Harrod and Mariana Liz (eds), The Europeanness of European Cinema: Identity, Meaning, Globalisation (London: I. B. Tauris, 2014).

Fabio Vighi, Sexual Difference in European Cinema: The Curse of Enjoyment (London: Palgrave-MacMillan, 2009).

Ginette Vincendeau (ed.), Encyclopaedia of European Cinema (London: BFI/Cassell, 1995).

Mike Wayne, The Politics of Contemporary European Cinema: Histories, Borders, Diasporas (Bristol: Intellect, 2002).

Mary P. Wood, Contemporary European Cinema (London: Hodder Arnold, 2007).