Coronavirus (Covid-19): Latest updates and information
Skip to main content Skip to navigation

Theatre & Performance Studies News

Nicolas WhybrowNicolas WhybrowTOP STORY: Professor Nicolas Whybrow is Retiring

Professor Nicolas Whybrow is retiring early at the end of October 2020 owing to recent ill health. He is a long-time member of Theatre and Performance Studies at Warwick, joining in February 2004. A former Head of School (2014-2017), Nicolas taught across a range of modules, most notably Performance and the Contemporary City and Live Art and Performance. In 2010 he won the Warwick Award for Teaching Excellence.

Nicolas played a leading role in the University’s research culture, being appointed as thematic lead for two of its GRPs, Sustainable Cities and Connecting Cultures. In 2017-2020 he was the PI on a 3-year AHRC-funded practice-as-research project entitled Sensing the City, which culminated in a multi-medial exhibition at the Herbert Art Gallery, Coventry and an edited book, Urban Sensographies (2021). Meanwhile, his book Contemporary Art Biennials in Europe: the Work of Art in the Complex City appeared in 2020.


Further details about Nicolas are available on his staff profile on the Theatre and Performance Studies website. Happily, he retains his connection to the University as Emeritus Professor.

Select tags to filter on

Theatre and Performance Studies Staff Launch 5 New Publications

On Wednesday 14th October 2020 Theatre and Performance Studies hosted a book launch from 4.30pm-6pm

During this session we celebrated the fact that researchers in Theatre and Performance Studies at Warwick will have published five monographs in the six months from July 2020:

Nicholas Drofiak - Irusan: or, Canting for Architects, gta Verlag / eth Zürich

Milija Gluhovic - Theory for Theatre Studies: Memory, Bloomsbury

Nadine Holdsworth - English Theatre and Social Abjection: A Divided Nation, Palgrave

Silvija Jestrovic - Performances of Authorial Presence and Absence: The Author Dies Hard, Palgrave

Nicolas Whybrow - Contemporary Art Biennials in Europe: the work of Art in the Complex City, Bloomsbury

Each author gave brief introduction to their book outlining the things that inspired them and the central arguments they make. There was time to ask questions and to raise a virtual glass to this achievement.


Promotion and Publication: Prof. Silvija Jestrovic

Silvija Jestrovic Today brings bumper news for Silvija Jestrovic. This summer Silvija has published her latest monograph: ‘Performances of Authorial Presence and Absence: The Author Dies Hard’. Silvija is running a third year module around this research in the 2020/1 academic year.

This summer it was also announced that Silvija has also been promoted to Professor of Theatre and Performance Studies. Congratulations Silvija and enjoy the celebrations!

Mon 07 Sep 2020, 10:06 | Tags: Dr Silvija Jestrovic

Call for papers: Cultures of the Left in the Age of Right-Wing Populism - Manifestations and Performances - Keynote Speaker: Professor Chantal Mouffe

Monday 15th- Wednesday 17th April 2019

Warwick University in Venice

Palazzo Pesaro Papafava

Keynote Speaker: Professor Chantal Mouffe

This event is the culmination of a substantial period of research funded by the British Academy Partnership and Mobility grant (2016-19) that brought together an interdisciplinary group of scholars from Warwick University (UK) and Jawaharlal Nehru University (India) as well as researchers, artists and activists from other European and overseas institutions and places. We are asking how could both the historical legacy of the Left and its current manifestations and performances contribute to formulating an aesthetic of resistance not only as a reactive practice, but as a way to sustain the politics of inclusion, equality, care for the commons and social justice? The concept, coined by playwright Peter Weiss against the backdrop of raising fascism in the 1930s—asserts that art and culture, by formulating an aesthetic of resistance, are the means of finding new modes of political action and new forms of social understanding. The urgency of this project is to explore the politics and aesthetics of these forms as means of dissent, but even more importantly, as strategies of sustaining the progressive political agenda both against the backdrop of the alarmingly rising Right and on its own term.