In Memoriam - Professor Jim Davis
It is with a very heavy heart that we write to let you know that Professor Jim Davis passed away on Saturday 4th November following a stroke. Everyone who had the pleasure of encountering Jim will appreciate that this is a huge loss for his family, friends, colleagues, collaborators and the wider research community. He was a fantastic scholar and unwavering champion for the discipline and theatre historiography. He was such an important part of the Theatre and Performance family at the University of Warwick and will be missed for his leadership, mentorship, friendship and unfailing sense of fun and mischief.
Jim Davis joined Warwick in 2004 as Head of Department (2004-2009) after eighteen years teaching Theatre Studies at the University of New South Wales in Sydney, where he was latterly Head of the School of Theatre, Film and Dance. In Australia he was also President of the Australasian Drama Studies Association and member of the Board of Studies of the National Institute of Dramatic Art. Prior to leaving for Australia he spent ten years teaching in London at what is now Roehampton University. He co-organised many conferences including for the International Federation of Theatre Research (IFTR) in New South Wales and at Warwick. He convened Historiography Working Groups for both IFTR and for TaPRA. He served as an editor for the journal Nineteenth Century Theatre and Film.
He published widely and with considerable critical acclaim in the area of nineteenth-century British theatre. His most recent bookComic Acting and Portraiture in Late-Georgian and Regency England (2015) won the TaPRA David Bradby Prize for Research in International Theatre and Performance in 2017 and was shortlisted for the 2015 TLA George Freedley Memorial Award. His other publications include Theatre & Entertainment (2016), Dickensian Dramas: Plays from Charles Dickens Volume II (2017) and European Theatre Performance Practice Vol 3 1750-1900 (editor, 2014). He was also joint author of a study of London theatre audiences in the nineteenth century Reflecting the Audience: London 1840-1880 (2001), which was awarded the 2001 Theatre Book Prize. He contributed numerous chapters including essays on nineteenth-century acting to the Cambridge History of British Theatre and on audiences to the Cambridge Companion to Victorian and Edwardian Theatre. He also published many articles in Theatre Journal, Theatre Survey, Theatre Notebook, Essays in Theatre, Themes in Drama, New Theatre Quarterly, Nineteenth Century Theatre, Theatre Research International and The Dickensian. He was also responsible for many of the theatrical entries in The Oxford Readers' Companion to Dickens and contributed to the Oxford Encyclopaedia of Theatre and Performance, The Cambridge Encyclopaedia of Stage Actors and Acting and the New Dictionary of National Biography. For several years he wrote an annual review of publications on nineteenth-century English Drama and Theatre for The Year's Work in English Studies.
There will be an event to celebrate Jim’s life in the New Year – we will post details when we know more.
We are delighted to announce that a Commonwealth Shared Scholarship is available for the MA Applied Theatre 2024/25.
This scheme supports a student from the global South to study for this degree at Warwick. In order to be considered, candidates must apply to Warwick and to directly to the Commwealth Shared Scholarships Scheme. The deadline for applications is 14th December 2023 and more information can be found on theCommonwealth Shared Scholarships website.
Candidates will need to check that their qualifications and nationality are eligible for the scheme before applying
Assistant Professor White Wins 2023 TaPRA Early Career Researcher Award
Dr. Bryony White, Assistant Professor of Theatre and Performance Studies and Director of Graduate Studies at Warwick's Department of Theatre and Performance Studies, has won the 2023 TaPRA Early Career Researcher Award for her article in the Summer issue of the peer-reviewed Art Journal, 'Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta's Rape Scene'.
New Book, 'Performance, Theatricality and the US Presidency - The Currency of Distrust', By Julia Peetz Published
A new book by Dr. Julia Peetz, Leverhulme Early Career Fellow in Performance and Politics at the Department for Theatre and Performance Studies, Performance, Theatricality and the US Presidency - The Currency of Distrust, has been published by Edinburgh University Press. At a time when the issue of lying in politics has assumed a new saliency on both sides of the Atlantic, the book proposes a new, interdisciplinary perspective on the contemporary rise of mainstreamed populism by exploring features of populist-style politics through the lens of distrust.
Dr. Peetz argues that, rather than being a flaw or corruption, the potential for political distrust must be understood as an essential feature of representative democracy because representation works through performance. The book explores performance as a constellation of factors: scripts, embodiment, ideas of selfhood, and historical norms and ideals. It draws on key scholarship of political representation, rhetoric, and populism; on theories of performativity, theatricality, and acting; and on interviews the author conducted with political speechwriters spanning presidential administrations and campaigns from Ronald Reagan to Barack Obama to demonstrate both that distrust is inherent in representative politics and that in mainstreamed populism distrust becomes a focal point around which the theatre of politics revolves.
Going beyond well-worn and simple theatrical metaphors to describe political action, Julia Peetz’s new book offers a sophisticated – and genuinely interdisciplinary - blend of performance and political analysis. Readers will find compelling new approaches to, and arguments about, crucial factors in political life, from legitimacy and representation to distrust, authenticity and populism. The book’s in-depth engagement with the past and present of US presidential performance is both illuminating and insightful. – Michael Saward, University of Warwick
'On Protest', new double issue of Performance Research edited by Julia Peetz and Andy Lavender, is published
On Protest, a new special double issue of Performance Research edited by Julia Peetz, Leverhulme Early Career Fellow in Performance and Politics at Warwick TPS alongside former Head of School Andy Lavender, has been published. The issue includes an extended editorial by the two.