TOP STORY: Professor Nicolas Whybrow is Retiring
Professor Nicolas Whybrow is retiring early at the end of October 2020 owing to recent ill health. He is a long-time member of Theatre and Performance Studies at Warwick, joining in February 2004. A former Head of School (2014-2017), Nicolas taught across a range of modules, most notably Performance and the Contemporary City and Live Art and Performance. In 2010 he won the Warwick Award for Teaching Excellence.
Nicolas played a leading role in the University’s research culture, being appointed as thematic lead for two of its GRPs, Sustainable Cities and Connecting Cultures. In 2017-2020 he was the PI on a 3-year AHRC-funded practice-as-research project entitled Sensing the City, which culminated in a multi-medial exhibition at the Herbert Art Gallery, Coventry and an edited book, Urban Sensographies (2021). Meanwhile, his book Contemporary Art Biennials in Europe: the Work of Art in the Complex City appeared in 2020.
Further details about Nicolas are available on his staff profile on the Theatre and Performance Studies website. Happily, he retains his connection to the University as Emeritus Professor.
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Outcomes from The body, making & (s)languaging Workshop
For anyone that might be interested in learning more about the outcomes of our workshop The body, making & (s)languaging last month @ Birmingham Rep, here is a little film and blog post covering it: https://www.creativeml.ox.ac.uk/blog/exploring-multilingualism/performing-languages-we-live
SCAPVC’s Lucy Brydon is serving as a judge on the The Hibernation Film Festival Bear Jam Productions:
Bear Jam Productions proudly presents The Hibernation Film Festival. A festival born out of the recent events that have unfolded across the globe. However, despite being confined to our homes, we are turning this pandemic on its head and want to celebrate filmmakers’ work from around the world. So, we have decided to not only “Do More Video,” but to host our very own online festival.
SHUT DOWN BUT SCRATCHING
As we find ourselves in deeply challenging times, now more than ever emerging artists need support. The doors to the creative industry have been slammed shut and with that, almost all of the opportunities to make new work.