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Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub for food and drinks.


Useful Info

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: 30-minute presentation, followed by Q&A.

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


đź“… Format


  • Presentation: 30 minutes
  • Open Discussion / Q&A: 30 minutes
  • Material: Anything, really -- assessed essay (for MAs), a supervision essay (for MPhils), or a thesis section (for PhDs), ...
  • Style: Flexible -- slides, handouts, or simply talking.
  • Audience: No prior reading or background knowledge expected. Visiting PhDs should can present.

🤔 Should I present? ("I have nothing to present; I hate public speaking; etc.")


  • Are you a postgraduate? Then yes, you should present.
  • In other words, all graduates are encouraged to present at least once.
  • The WIP is a unique opportunity for graduates to develop their public speaking / writing skills, take risks, test out theses, and get constructive feedback from peers.*
  • Presentations need not (in fact, should not) be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process -- first drafts, substantial sets of notes, etc.
  • Simply signing up for a date is a great way to give yourself a deadline to work towards. (This is what most people do.)
 
NEXT TALK

Alin Cristian Simion

(PhD)

Kant


Thursday 21/05/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

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Postgraduate Work in Progress Seminar

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Location: S2.77 Cowling Room

Abstract:

Objects can look different in different conditions of illumination while retaining their colour: for instance, a directly illumined part of a uniformly white wall and a shadowed part of that wall look different in spite of being, and looking to be, the same colour. These familiar cases of changing appearances have been used to motivate substantive philosophical theories of appearances. On these views, in order to explain how things look, we need to posit some special subject - or context-dependent properties, such as colours, shapes and sizes (e.g. Shoemaker 2000, 2006, Noë 2004, Schellenberg 2008, Hill-Bennett 2008, Genone 2014).

In this paper, Giulia argues that changes in colour appearance under different illuminants can be explained in terms of ordinary, objective properties we visually perceive and do not motivate a metaphysical commitment to properties of a different kind. She first appeals to evidence from theories of colour constancy, colour matching experiments and phenomenological considerations to show that visual appearances exhibit a structural complexity that can only be explained by acknowledging that properties other than colours contribute to the way things visually appear. Giulia will then argue that the best explanation for this complexity is that we can visually perceive the illumination of surfaces and that illumination distinctively contributes to determining visual appearance. She concludes that cases of changing appearances involving colours under different illuminants do not support the appearance properties view. Finally she discusses an alternative proposal, on which illumination is a dimension of colour appearance (Hilbert 2005, Jagnow 2010), and argues that we have no reason to accept its counter-intuitive consequences. Changing appearances do not require us to abandon the näive view on which the way the objects we perceive appear is explained by their perceivable, objective properties.

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