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    <title>Early Modern Forum &#187; Brief Lives: Biographies from Early Modernity (tag [19th Century])</title>
    <link>https://warwick.ac.uk/fac/arts/history/ecc/archive/emforum/projects/brieflives/</link>
    <description>The latest from Early Modern Forum &#187; Brief Lives: Biographies from Early Modernity (tag [19th Century])</description>
    <language>en-GB</language>
    <copyright>(C) 2026 University of Warwick</copyright>
    <lastBuildDate>Mon, 08 Jul 2013 14:43:52 GMT</lastBuildDate>
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    <category>16th Century</category>
    <category>17th Century</category>
    <category>18th Century</category>
    <category>19th Century</category>
    <category>America</category>
    <category>Britain</category>
    <category>France</category>
    <category>Italy</category>
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      <title>Amabel Hume-Campbell (nee Yorke)</title>
      <link>https://warwick.ac.uk/fac/arts/history/ecc/archive/emforum/projects/brieflives/amabel_hume-campbell_nee/</link>
      <description>&lt;p&gt;Amabel Yorke (1751 &amp;ndash; 1833) left behind an extensive archive of letters and diaries, carefully documenting her life, her observations, and her strong political opinions. Growing up immersed in a culture of intellectual debate, Amabel longed to participate in political life. She wrote extensively on the French Revolution, and described herself as an old English Whig. Discussed here by Serena Dyer, PhD candidate at the University of Warwick. &lt;/p&gt;</description>
      <category>19th Century</category>
      <category>Britain</category>
      <category>18th Century</category>
      <pubDate>Mon, 08 Jul 2013 14:43:52 GMT</pubDate>
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      <title>Elizabeth Helme</title>
      <link>https://warwick.ac.uk/fac/arts/history/ecc/archive/emforum/projects/brieflives/elizabeth_helme/</link>
      <description>&lt;p&gt;Elizabeth Helme (1772-c.1810/1813) was an English novelist, translator, educational writer, teacher, and headmistress. Although much of her work did well critically and commercially, since the mid-nineteenth century it has largely been ignored. For more information, please listen to the podcast by Kate Scarth.&lt;/p&gt;</description>
      <category>19th Century</category>
      <category>Britain</category>
      <category>18th Century</category>
      <pubDate>Tue, 15 May 2012 12:27:13 GMT</pubDate>
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      <title>Augustus Wall Callcott and Maria, Lady Callcott</title>
      <link>https://warwick.ac.uk/fac/arts/history/ecc/archive/emforum/projects/brieflives/the_calcotts/</link>
      <description>&lt;div class="news-thumbnail" style="float: left; margin-right: 10px; margin-bottom: 5px;"&gt;&lt;img class="thumbnail" width="100" height="100" src="https://warwick.ac.uk/sitebuilder2/file/fac/arts/history/ecc/archive/emforum/projects/brieflives?sbrPage=%2Ffac%2Farts%2Fhistory%2Fecc%2Farchive%2Femforum%2Fprojects%2Fbrieflives&amp;newsItem=094d43a236eeb36401375023c81e6958" alt="image"&gt;&lt;/div&gt;&lt;p&gt;&amp;ldquo;[Callcott] painted everything tolerably, and nothing excellently; he has given us no gift, struck for us no light, and though he has produced one or two valuable works&amp;hellip;they will, I believe, in future have no place among those considered representative of the English School.&amp;quot;&lt;/p&gt;

&lt;p align="justify"&gt;Carly Collier reacts to Ruskin&amp;rsquo;s withering assessment of the nineteenth-century landscape painter Augustus Wall Callcott, discussing he and his wife (Lady Maria) as a formidable partnership, counting leading artists, intellectuals and politicians amongst their friends and, c.1828-1842, presiding over arguably the most important artistic salon of the era.&lt;/p&gt;</description>
      <category>19th Century</category>
      <category>Britain</category>
      <pubDate>Tue, 15 May 2012 10:55:51 GMT</pubDate>
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