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    <title>GHCC &#187; Global History and Culture Centre Blog (tag [Black Lives])</title>
    <link>https://warwick.ac.uk/fac/arts/history/ghcc/blog/</link>
    <description>The latest from GHCC &#187; Global History and Culture Centre Blog (tag [Black Lives])</description>
    <language>en-GB</language>
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    <lastBuildDate>Mon, 20 Apr 2026 16:06:29 GMT</lastBuildDate>
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    <category>Abyan Scheme</category>
    <category>Adrianna Catena</category>
    <category>African History</category>
    <category>alchemy</category>
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    <category>Amy Evans</category>
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    <category>Benjamin T. Smith</category>
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    <category>Black Lives</category>
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    <category>Untagged</category>
    <item>
      <title>&#8216;When the four corners of this cocoon collide&#8217;: A Brief Global Overview of Pan-Africanism, 1788-Present</title>
      <link>https://warwick.ac.uk/fac/arts/history/ghcc/blog/when_the_four</link>
      <description>&lt;div class="news-thumbnail" style="float: left; margin-right: 10px; margin-bottom: 5px;"&gt;&lt;img class="thumbnail" width="100" height="100" src="https://warwick.ac.uk/sitebuilder2/file/fac/arts/history/ghcc/blog?sbrPage=%2Ffac%2Farts%2Fhistory%2Fghcc%2Fblog&amp;newsItem=8a1785d8785a72c80178ea9bf6f65095" alt="image"&gt;&lt;/div&gt;&lt;p class="Body"&gt;When rapper Kendrick Lamar released his now critically acclaimed album &lt;i&gt;To Pimp a Butterfly &lt;/i&gt;in 2015, he shocked audiences with a fusion of genres, influences, and stories not seen before. In the years since we have come to appreciate this album as a Pan-African work of art. But what does this actually mean? Is Pan-Africanism a political project, an ideological framework, a specific movement, all of these combined, or something else entirely? How do we write a history of such a movement whilst grappling with its very nature? Most importantly, why does this matter today? &lt;b&gt;Jack Bowman &lt;/b&gt;gives an overview of the movement from its origins to the modern-day, arguing that it is an ever-changing global&lt;i&gt; &lt;/i&gt;project, and needs to be assessed by historians as such.&lt;/p&gt;</description>
      <category>Pan-Africanism</category>
      <category>Kendrick Lamar</category>
      <category>Global History</category>
      <category>Black Lives</category>
      <category>Jack Bowman</category>
      <pubDate>Mon, 19 Apr 2021 14:49:52 GMT</pubDate>
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    <item>
      <title>Forgotten Children: Black Lives and the Eighteenth-Century Foundling Hospital</title>
      <link>https://warwick.ac.uk/fac/arts/history/ghcc/blog/forgotten_children_black</link>
      <description>&lt;div class="news-thumbnail" style="float: left; margin-right: 10px; margin-bottom: 5px;"&gt;&lt;img class="thumbnail" width="100" height="100" src="https://warwick.ac.uk/sitebuilder2/file/fac/arts/history/ghcc/blog?sbrPage=%2Ffac%2Farts%2Fhistory%2Fghcc%2Fblog&amp;newsItem=8a17841a74d41e000174d626f45927b6" alt="image"&gt;&lt;/div&gt;&lt;p&gt;The records of the eighteenth-century Foundling Hospital in London reveal an untold part of its history &amp;ndash; that of the presence and experiences of Black, brown and mixed-race infants cared for by the charity. In this blog post, &lt;strong&gt;Hannah Dennett&lt;/strong&gt; shares the first findings of her collaborative PhD project based at Warwick and the Foundling Museum. Her research to date has already revealed more incidences of children of colour being admitted into the Foundling Hospital in the eighteenth century than anticipated it would be possible to discover. As she demonstrates through the case of Mary Carne and her infant son born in 1798, the lives of these foundlings, no longer forgotten, are important for shaping a more complete history of the Foundling Hospital.&lt;/p&gt;</description>
      <category>Social History</category>
      <category>Foundling Hospital</category>
      <category>Hannah Dennett</category>
      <category>Black Lives</category>
      <pubDate>Mon, 28 Sep 2020 19:18:00 GMT</pubDate>
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