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BEGIN:VEVENT
DTSTAMP:20260405T230433Z
DTSTART;VALUE=DATE-TIME:20240522T170000
DTEND;VALUE=DATE-TIME:20240522T180000
SUMMARY:Textual Transgressions: Mistakes\, Forgeries & Censorship
TZID:Europe/London
UID:20240522-8a1785d78f95a715018fe3cac5016e40@warwick.ac.uk
CREATED:20240604T150747Z
DESCRIPTION:All staff and students are welcome to join us for the final M
 anuscript and Print Cultures Network event on Tuesday 11th June\, 5.15pm
  (FAB 5.49) which comprises a number of short talks from researchers acr
 oss the Faculty on the theme of Textual Transgressions. Afterwards there
  will be a social networking event in collaboration with the Centre for 
 the Study of the Renaissance and includes refreshments. "Textual Transgr
 essions: Mistakes\, Forgeries & Censorship" Dr Floris Verhaart (ECLS and
  Renaissance Centre) - "The forgery that never was: Jean Hardouin (1646-
 1729) and the alleged forgery of classical literature" Jean Hardouin bec
 ame notorious for arguing that virtually all of classical literature had
  been forged in the Middle Ages by a cabal of atheistic Benedictine monk
 s. I will introduce Hardouin's thought and writings and will very briefl
 y point out its relevance for eighteenth-century textual scholarship and
  for the present day\, especially post-communist Russia. Dr William Rupp
  (Liberal Arts) – “’A prodigy of one kind or another’: William Henry Ire
 land\, the Shakespeare forgery scandal\, and the desire for authenticity
 ” In 1795/6 the English literary world was rocked by the discovery of a 
 trove of documents\, written in Shakespeare’s hand\, that answered many 
 burning questions about the Bard’s life\, his writing\, his thinking\, a
 nd his morals. The only problem: they had all been forged by William Hen
 ry Ireland. In this talk\, a short re-examination of one of the great fo
 rgery stories allows an examination of not only the motives of one forge
 r but of the desires of the wider public to know with certainty details 
 of the man who had been placed as the English language’s greatest author
 . It also looks to critical elements relating to how English identity wa
 s being (re)created at the end of the eighteenth century. Dr Jessica War
 daugh (SMLC) - "Fakes and Fantasies in French Print Culture\, 1880–1900"
  In 1883\, Parisian shop-owner René Pineau paid typesetters to modify a 
 political manifesto so that it would advertise hats rather than Napoleon
 . Pineau’s playful text was just one of a multitude of fakes and parodie
 s on the walls of towns and cities across France in the late nineteenth 
 century\, following the liberalizing press laws of the 1880s that had tr
 ansformed print culture and censorship. Exploring these texts within a w
 ider culture of counterfeits\, this short talk will offer some new persp
 ectives on the relationship between politics\, consumerism\, and fantasy
  in fin-de-siècle France. A censored poster and counterfeit coin will al
 so be brought along! Dr Anna Lafranchini (SMLC) - “Concealed translation
 s\, authorship\, and copyright in Fascist Italy”\, discusses examples of
  the 20th c. Italian translation rights trade for Anna's forthcoming boo
 k.
LOCATION:FAB5.49
URL:
ATTACH:
CATEGORIES:Arts Faculty,Arts
LAST-MODIFIED:20240604T150747Z
ORGANIZER;CN=Heather Pilbin:
END:VEVENT
END:VCALENDAR