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BEGIN:VEVENT
DTSTAMP:20260412T133233Z
DTSTART;VALUE=DATE-TIME:20250122T160000
DTEND;VALUE=DATE-TIME:20250122T180000
SUMMARY:CHM Research Seminar: Hannah Halliwell (Edinburgh University)\, M
 orphine\, Medicine and Masculinity in French Visual and Material Culture
 \, 1870-1914
TZID:Europe/London
UID:20250122-8ac672c7926a14bb01926c28e1811edc@warwick.ac.uk
CREATED:20250114T121506Z
DESCRIPTION:This is a joint seminar with French Studies and History of Ar
 t. When: Wednesday\, 22 January 2025\, 4- 6pm. Drinks and nibbles will b
 e provided after the seminar. Please sign-up here if you would like to j
 oin us. Where: Faculty of Arts\, FAB 3.30 Bio: Hannah is a lecturer in n
 ineteenth-century French art at the University of Edinburgh. Hannah spec
 ialises in the visualisation of addiction and drug use in French art and
  visual culture\; gender\, sexuality\, and medicine are recurring themes
  in her research. Hannah’s monograph\, Art\, Medicine\, and Femininity: 
 Visualising the Morphine Addict in Paris\, 1870-1914\, was published in 
 2024 with McGill-Queen's University Press. She is the book reviews edito
 r for the Social History of Alcohol and Drugs journal. Morphine addictio
 n was a significant public health issue in late nineteenth-century Franc
 e. Following the invention of the hypodermic syringe in the 1850s\, morp
 hine was prescribed by doctors for everything from headaches and menstru
 al pain to cancer and palliative care. A proliferation of artworks creat
 ed in France engaged with this new social concern\, and those artworks a
 lmost always depicted morphine users as female. Yet statistical studies 
 at the time show that men\, particularly those working in the medical se
 ctor\, made up the majority of habitual users. This talk explores the co
 nspicuous absence of both male figures and medical professionals in the 
 visual culture of morphine addiction\; it argues that the medicalisation
  of morphine in French society implicates the doctor within these artwor
 ks\, despite his figural absence\, and offers a covert criticism of the 
 medical sector that appears only overtly in the form of caricature. An a
 nalysis of the material culture of opiate paraphernalia (the hypodermic 
 syringe and the opium pipe) reveals that the medicalisation of morphine 
 also functioned to promote the colonisation of Indochina by France. The 
 French posited morphine as western\, modern and in opposition to opium\,
  which was perceived as foreign and regressive.
LOCATION:Faculty of Arts\, FAB 3.30
CATEGORIES:Seminar,CHM
LAST-MODIFIED:20250114T121506Z
ORGANIZER;CN=Keri Husband:
END:VEVENT
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