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BEGIN:VEVENT
DTSTAMP:20260617T171016Z
DTSTART;VALUE=DATE-TIME:20210202T173000
DTEND;VALUE=DATE-TIME:20210202T190000
SUMMARY:CRPLA Seminar on Art and the Digital: Eleen Deprez and Shelby Mos
 er
TZID:Europe/London
UID:20210202-8a1785d77628aa6e01764316db3540d6@warwick.ac.uk
CREATED:20210203T153537Z
DESCRIPTION:Eleen Deprez (Oxford)\, ‘Augmented Reality in the Art Gallery
 : the Experience of the Genuine' Augmented Reality (AR) is making inroad
 s in museums and galleries. After installing an AR app on your smartphon
 e\, you can explore an exhibition and its displayed items: high resoluti
 on images reveal detail beyond what you can see with the naked eye\, vid
 eos show how a work was made or how an object was used\, audio fragments
  play music or sounds evocative of the period or scene. It seems clear t
 hat AR has a significant impact on our experience\, but there is as yet 
 no coherent philosophical understanding of the specific nature of that e
 xperience. A starting point is provided by the debate over the so-called
  ‘acquaintance principle’\, which holds that one needs first-hand experi
 ence in order to acquire aesthetic knowledge. Others have argued that vi
 ewing a real object gives us a special kind of pleasure (Korsmeyer\, 201
 9\, 2016 and 2012). This seems to suggest that the kinds of experience a
 fforded through AR will always be deficient since the technology removes
  us from “the real thing”. However\, AR seems to allow for an enriched a
 esthetic experience\, providing additional knowledge and revealing hidde
 n detail in the work. We are thus left with a puzzle\, one that I will a
 im to explore further. Shelby Moser (Azusa Pacific)\, 'The Specificity o
 f Locative Art': Locative-specific art emerges from digital art\, as wel
 l as informational\, and networked societies\; while all locative works 
 are digital\, not all digital works are locative. The term locative refe
 rs to technologies and procedures that focus on location so\, as one mig
 ht imagine\, site-specificity plays a significant role in our appreciati
 on of such works. Also\, and importantly\, locative works prescribe agen
 cy\, but an agency that is fundamentally mediated. This aspect may not o
 nly bear on art’s aesthetic autonomy\, but also have strong aesthetic\, 
 moral\, social\, or political implications.
LOCATION:
CATEGORIES:Arts,CRPLA Seminar
LAST-MODIFIED:20210203T153537Z
ORGANIZER;CN=Eileen John:
END:VEVENT
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