Curtis is interested in the deconstruction of maps. In her mischievous and meticulous reinventions she relocates cities, counties and even countries producing an unsettling version of what should appear familiar. As an artist working in the UK, she also makes a statement about cultural zoning and the way attitudes to the regions influence status, media coverage and economic support. The shared hegemony of London and Glasgow results in a relative shortage of opportunities for making and viewing contemporary art elsewhere in the UK.
In the more international maps that Curtis has adapted, intriguing questions arise about history, colonization and power and we are led to recognize that our mental picture of the world is not always as comprehensive as we might believe.