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Chris Baldick, In Frankenstein’s Shadow: Myth, Monstrosity and Nineteenth-Century Writing (Oxford: Clarendon, 1987)
Georges Bataille, Literature and Evil (London: Marion Boyars, 1973)
Fred Botting, Gothic (London: Routledge, 1996)
Julia Briggs, Night Visitors: The Rise and Fall of the English Ghost Story (London: Faber and Faber, 1977)
Peter Brooks, ‘Virtue and Terror: The Monk,’ English Literary History, 40 (1973), 249-63
Marshall Brown, ‘Philosophical View of the Gothic Novel,’ Studies in Romanticism, 26 (1987), 275-301
E. J. Clery, The Rise of Supernatural Fiction 1762-1800 (Cambridge: Cambridge University Press, 1995)
E. J. Clery and Robert Miles, ed., Gothic Documents: A Sourcebook 1700-1820 (Manchester: Manchester University Press, 2000)
E. J. Clery, Women's Gothic: From Clara Reeve to Mary Shelley (Plymouth: Northcote, 2000)
David Durrant, ‘Ann Radcliffe and the Conservative Gothic,’ Studies in English Literature, 22 (1982), 519-30
Julian Fleenor, ed., The Female Gothic (Montreal: Eden Press, 1983)
Michael Gamer, Romanticism and the Gothic: Genre, Reception and Canon Formation (Cambridge: Cambridge University Press, 2000)
Robert D. Hume, ‘Gothic versus Romantic: A Re-evaluation of the Gothic Novel,’ PMLA, 84 (1969), 282-90
Rosemary Jackson, Fantasy: The Literature of Subversion (London: Methuen, 1981)
Pamela Kaufman, ‘Burke, Freud and the Gothic,’ Studies in Burke and His Time, 13 (1972), 278-92
Robert Miles, Gothic Writing: 1750-1820 (London: Routledge, 1993)
D. B. Morris, ‘Gothic Sublimity,’ New Literary History, 16 (1985), 299-319
Marjorie Hope Nicholson, Mountain Gloom and Mountain Glory: The Development of the Aesthetic of the Infinite (New York: Norton, 1963)
Rictor Norton, Gothic Readings: The First Wave: 1764-1840 (London: Leicester University Press, 2000)
Ronald Paulson, Representations of Revolution (London: Yale University Press, 1983)
Mary Poovey, ‘Ideology in The Mysteries of Udolpho,’ Criticism, 21 (1979), 307-330
Mario Praz, The Romantic Agony (1933) (Oxford: Oxford University Press, 1970)
Victor Sage, Horror Fiction in the Protestant Tradition (London: Macmillan, 1988)
Eve Kosofsky Sedgwick, The Coherence of Gothic Conventions (London: Methuen, 1986)
Elaine Showalter, Sexual Anarchy: Gender and Culture at the Fin de Siècle (London: Virago, 1992)
Andrew Smith, Gothic Radicalism: Literature, Philosophy and Psychoanalysis in the Nineteenth Century (Houndmills: Macmillan, 2000)
James Watt, Contesting the Gothic : fiction, genre, and cultural conflict, 1764-1832 (Cambridge University Press, 1999)
Julian Wolfreys, Victorian Hauntings: Spectrality, Gothic, The Uncanny and Literature (Houndmills: Palgrave, 2002)