Seminars: Wednesday 9:30-11:00, 11:00-12:30

CLICK HERE FOR INFORMATION VIDEO

This module pairs slow and sustained readings of Austen’s primary novels with extended readings in the culture of what we call “theory,” both eighteenth century and contemporary (mostly post-1995). Beginning with Marilyn Butler’s Jane Austen and the War of Ideas (1975), we will situate Austen’s novels securely within intellectual history. A particular focus will be how novels can be sources of freestanding ideas; and then, in turn, how freestanding ideas can give structure to plots and characters within the novel itself.

More information: full-year module, 30 CATS. Seminars meet once a week for 90 minutes.

Assessment:
Intermediate Year students:
Option A: 100% assessed (2 x 3500-word essay)
or
Option B: 50% assessed/50% examined (1 x 3500-word essay and 2-hour examination).

Essays will be written from a list of published questions.

Final Year students:
Option A: 100% assessed (2 x 4000-word essays)
or
Option B: 50% assessed/50% examined (1 x 4000-word essay and 2-hour examination).

Essays that you develop yourselves as independent research projects.

Outline Syllabus:

Dear students: Please note that you will be responsible for bringing a legible version of these texts to class with you, and on something larger than a cell phone screen. I would also recommend buying your own copies of the Hume and Smith--these are dense books, which you will need to read slowly and carefully. Locke's Enquiry on a bookshelf will impress visitors to your home for years to come: I recommend the stern-looking Nidditch edition.

Mandatory Primary Texts (on order at bookstore):

Austen, Jane. Persuasion (OUP, 2004).

---. Mansfield Park (OUP, 2008)

---. Northanger Abbey, Lady Susan, The Watsons, Sanditon (OUP, 2008)

---. Pride and Prejudice (OUP, 2008)

---. Sense and Sensiblity (OUP, 2008)

Butler, Marilyn. Jane Austen and the War of Ideas (OUP, 1987).

Term One: Austen in Theory, 1790-1810

Term One: Austen and Eighteenth-century Philosophy

Week	Primary Text	Secondary Reading
1	Northanger Abbey	Marilyn Butler, Jane Austen and the War of Ideas; Barbara Johnson, "The Divine Miss A" Also, my teaching today is going to touch on the Meno; it's not required reading, but you may wish to have a look around before I go into it.
2:	Northanger Abbey	John Locke, "The Epistle to the Reader" and "Book I, Chapter II: No Innate Principles in the Mind" (from the Essay Concerning Human Understanding)
3:	Sense and Sensibility	John Locke, "Book III, Chapter I" and "Book III, Chapter V" (from the Essay Concerning Human Understanding) PLEASE NOTE: SEMINARS NOT RUNNING IN WEEK THREE. TWO SEMINARS IN WEEK FOUR--PLEASE CHECK YOUR EMAIL FOR TIME AND LOCATIONS.
4:	Sense and Sensibility	David Hume, "On the Origin of Ideas" (from the Enquiry)
5:	Sense and Sensibility	Hume, "On the Standard of Taste"
7:	Pride and Prejudice	Adam Smith, from the Moral Sentiments
8:	Pride and Prejudice	Smith, from the Moral Sentiments
9:	Mansfield Park	Mary Wollstonecraft, A Vindication of the Rights of Woman, first half
10:	Mansfield Park	Edmund Burke, Reflections on the Revolution in France, 1-74

 

Term Two: Austen in "Theory"

Week	Primary	Secondary Reading
1:	Mansfield Park	Postcolonialism: Edward Said, from Culture and Imperialism, particularly "Jane Austen and Empire"; and Gayatri Spivak, "Four Women's Texts and a Critique of Imperialism"
2:	Emma	Structuralism and high deconstruction: Ferdinand de Saussure, "The Object of Study"; and Jaques Derrida, "Structure, Sign and Play in the Human Sciences"
3:	Emma	Michel Foucault, The Order of Things, Part One
4:	Emma	Michel Foucault, The Order of Things, Part Two
5:	Persuasion	Things and commodities: Arjun Appadurai, "Commodities and the politics of value"; Bill Brown, "The Idea of Things and the Ideas in Them"
7:	Persuasion	Performative feminism: Judith Butler, "Bodily Inscriptions, Performative Subversions"
8:	Persuasion	Postcritique: Sharon Marcus and Stephen Best, "Surface Reading"; Sharon Marcus, "Introduction," from Between Women
9:	Lady Susan	Slavoj Zizek, from The Sublime Object of Ideology
10:	Sanditon	D.A. Miller, Jane Austen; or, the Secret of Style