Since completing my BA in English and French, and my MA by Research in French Studies at Warwick, I am now a Wolfson Scholar in the School of Modern Languages and the Department of English and Comparative Literary Studies at Warwick. From September 2018 I am taking up a position as lecteur de langue anglaise at The University of Paris La Sorbonne Nouvelle.
My MA project 'Engaging Animals: The Question of Human Identity in Philippe de Thaon's Bestiaire' focused on the divide between the human and the animal in the medieval bestiary tradition, specifically in the Bestiaire by Philippe de Thaon. My doctoral research explores the themes of animal sound, noise and language in medieval French and English literature written in Anglo-Norman England, including glossaries and treatises, bestiaries, hagiography, fables, lyric and song. My work challenges some theoretical assumptions in contemporary animal studies by focusing on how language and sound expression is used to redefine networks of relation between humans and nonhumans in the Middle Ages. I am currently writing articles on Walter of Bibbesworth's Tretiz, the vernacular Lives of St Francis of Assisi, and the literary patronage of Adeliza of Louvain.
My postdoctoral project considers the use of ecology and the environment in conceptualisations of medieval medicine, in particular how myths and legends of healing with nonhuman animals and birds were communicated through medieval texts. In broader terms, I am also interested in ecocriticism and the environmental humanities, sound studies and translation studies.
'Translating Cultures of the Past': Further details about this Warwick Monash Alliance funded video project are available on the Centre for the Study of the Renaissance website.
Medieval Seminar Series: I have been a co-organiser and assistant of the Medieval Seminar Series (HRC) at Warwick University. I am also a webmaster for Medievalists at Warwick and run the programme's social media.
Medieval Reading Group: I have been an active member of the Medieval Reading Group.
Medieval Song at Warwick: I run the student-led music programme in partnership with Emerita Professor Linda Paterson as part of her AHRC funded project 'Lyric Responses to the Crusades'. The Medieval Song at Warwick group will be performing at a number of events this academic year (2014-15), including a short lunchtime concert for the 'Hearing the Voice, Hearing the Soul' symposium on Friday 5 June, and the Warwick Student Arts Festival (WSAF) on Monday 22 June, at 6pm in the Warwick Arts Centre's Ensemble Room. The group will be singing a selection of Crusade songs, medieval French secular songs, and the Occitan Lai Nompar.
In March 2016 I gave a guest lecture for IATL's 'Human/Animal Relations' module entitled 'Animals in History: Reading the Bestiary'. I am happy to discuss this lecture further with interested students.
Research grants & awards
University of Warwick Centre for the Study of the Renaissance ‘Greg Wells Small Research Award’.
French Studies R. Gapper Postgraduate Essay Prize (joint runner-up).
The Warwick/Monash Alliance international film project (principle organiser and director): ‘Translating Cultures of the Past’.
University of Warwick ‘Outstanding Student Contribution Award’.
'Chaucer in Iceland: A Study of the Impact of Scandinavian Identity on Contemporary Medieval Studies': £1000 project funded by the Institute of Advanced Teaching and Learning, Warwick University
'The Lion in Yvain and the Medieval French Bestiary': £1000 project funded by the Undergraduate Research Support Scheme, Warwick University
‘Adeliza of Louvain and the Mythology of Patronage’, in English Consorts: Power, Influence, Dynasty, ed. by Aidan Norrie, Carolyn Harris, Joanna Laynesmith, Danna Messer, and Elena Woodacre (Palgrave Macmillan, forthcoming, 2020).
‘Quacktrap: Glosses and Multilingual Animal Contact in the Tretiz by Walter of Bibbesworth’ in Words in the Middle Ages, ed. by Vincent Debiais and Victoria Turner (forthcoming: Brepols, 2019).
‘Wolfe Yollez’, The Learned Pig (‘Wolf Crossing’ editorial season, online journal, 2017).
Review: Animal Languages in the Middle Ages: Representations of Interspecies Communication, ed. by Alison Langdon, Medium Aevum (forthcoming, 2019).
Review: Sarah Kay, ‘Animal Skins and the Reading Self in Medieval Latin and French Bestiaries’, French Studies, 72 (2018).
Review: Jameson S. Workman, ‘Chaucer and the Death of the Political Animal’, Studies in the Age of Chaucer, 38 (2017).
Review: Paul Webster, ‘King John and Religion’, The Journal of Ecclesiastical History, 64.4 (2016).
Review: Miranda Griffin, ‘Transforming Tales: Rewriting Metamorphosis in Medieval French Literature’, French Studies, 70.3 (2016).
September 19-20: ‘Earth, Sea, Sky’ working group conference, ‘Earth’ (TORCH, Oxford).
September 9: Crossover Points in English and French workshop, (University of Westminster)
Previous Conferences & Papers
New Chaucer Society Congress (Toronto): co-organiser for seminar: ‘Translating the Nonhuman’.
University of Cambridge French Medieval Seminar. Paper title: ‘Speaking Animals in Walter of Bibbesworth’s Tretiz’.
New Chaucer Society Congress (London): host and co-organiser for seminar: ‘(Dis)abling the Human/Animal Body’.
2016 - University of Leeds International Medieval Congress, ‘Food, Feast, & Famine’: session organiser for roundtable: ‘New Directions in Medieval Animal Studies’, paper title: ‘Thinking Through Animal Voices’.
University of Warwick Postgraduate Research Day ‘Medieval Material Matters’.
The University of the South Medieval Colloquium (Tennessee): paper title: ‘Sensesational Animals: Fatal Attraction and the Death-Drive in Tyolet and Philippe de Thaon’s Bestiaire’.
University of Leeds International Medieval Congress. ‘Reform and Renewal’.
The Warburg Institute (London): ‘Ideas and Society in the Middle Ages and Early Renaissance’.
2015 - International Courtly Literature Society, ‘Reassessing Courtliness in Medieval Literature’ (University of Warwick): paper title: ‘Hunting and Violence in Philippe de Thaon’s Bestiaire’.
New Chaucer Society Congress (Reykjavík).