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secondary reading term 2


Lisa M. Anderson, Mammies No More: The Changing Image of Black Women on Stage and Screen (Rowman and Littlefield 1997)

Roger Bexhill, Tennessee Williams (Macmillan 1987)

Christopher Bigsby, Modern American Drama, 1945 -1990 (Cambridge 1992)

Christopher Bigsby, ed., The Cambridge Companion to Arthur Miller (Cambridge 1997)

Donald Bogle, Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretative History of Blacks in American Films (Viking Press 1973)

Neil Carson, Arthur Miller (Macmillan 1982)

Jean Chothia, Forging a Language: A Study of the Plays of Eugene O'Neill (Cambridge 1981)

John M. Clum, Acting Gay: Male Homosexuality in Modern Drama (Columbia University Press 1992)

Toby Cole and Helen Krich Chinoy, Directors on Directing: A Sourcebook of the Modern Theatre (Peter Owen 1973)

Anne Flesche, Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U. S. Dramatic Realism (University of Alabama 1997)

Lorraine Hansberry, 'Me tink me hear sounds in de night', Theatre Arts, October 1960.

Samuel Hay, African American Theatre (Cambridge 1994)

Ronald Hayman, Tennessee Williams (Yale University Press 1983)

Errol Hill, ed., The Theatre of Black Americans (Prentice Hall 1980)

Michael Manheim, ed., The Cambridge Companion to Eugene O'Neill (Cambridge 1998)

Robert A. Martin, ed., Critical Essays on Tennessee Williams (Hall & Co. 1977); The Theatre Essays of Arthur Miller (Methuen 1990)

James Martine, Critical Essays on Arthur Miller (Hall & Co. 1979)

C. J. McDonough, Staging Masculinity: Male Identity in Contemporary American Drama (McFarland 1997)

Dorothy Parker, ed., Essays On Modern American Drama (University of Toronto Press 1987)

Matthew C. Roudane, ed., The Cambridge Companion to Tennessee Williams (Cambridge 1997)

David Savran, In Their Own Words: Contemporary American Playwrights (The Communications Group 1988)

Gina Wesker, ed., Black Women's Writing (Macmillan 1993)

Mance Williams, Black Theatre in the 1960s and 1970s (Greenwood Press 1985)