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EN2K7/EN3K8 Twentieth Century Avant-Gardes: Culture, Politics, Contestation

Convenors: Prof. Michael Gardiner and Prof. Daniel Katz

Assessment:

EN2K7 - non-finalists: 1 x 3,000 word essay + 1 x 4,000 word essay.

EN3K8 - finalists: 1 x 3,000 word essay + 1 x 5,000 word essay.

This is a Pathway Approved Option for the World and Comparative Literature Pathway and one of the Distributional Requirements for the English Pathway. Can also be selected as an option under the remaining Pathways

Description

This module looks at literary and artistic avant-gardes of the twentieth century, within broader contexts of social and political action. The module is organised in terms of thinking about contestation in terms of: 1) a Euro-American political-economic-cultural-linguistic hegemony on the ‘global’; 2) a class hegemony within Europe and the Anglosphere, and the response of ‘provincial’ modernism (MacDiarmid and Joyce) as well as African diasporic writing; 3) a hegemony of liberal democracy, answered by various kinds of revolutionary modernism (Futurism, Eisenstein, Brecht, Situationism); 4) social and sexual hegemony, thrown into question by elements in queer writing and surrealism; 5) formal hegemony, as an enforcer of market-oriented culture industries. Overall, the module considers modernist formal departures as more than just ‘clever innovations’, but also as reformulations of the relationship between the aesthetic and the social. It can be taken as a ‘twentieth century literature/ culture’ module, as a modernism module, or as an introduction to important political and theoretical issues in modern culture.

Talis Aspire Reading List, including texts suggested for purchase (make sure to click here)
Syllabus 2020-2021

(Notes: 1. a small number of changes will be made as the module goes on; 2. Recommended texts are not compulsory, but may help. They are not necessarily part of seminar discussion, and are not necessarily held electronically by the library; 3. Other recommended texts may be mentioned in the tutor introduction, ask if you are unclear)

 

W1: Introduction

Gardiner seminar groups presentation - https://web.microsoftstream.com/channel/5f1fd1a1-39a6-4443-a895-a1406c882649


W2: Manifestos I. SET TEXTS: selections from Marx and Engels, Communist Manifesto; from Nietzsche, The Will to Power (pages 7-27); Freud, "Repression" (available on Psychoanalytic Electronic Publishing, via our library portal. It is found in the Standard Edition, volume 14); W. E. B. DuBois, 'Of Our Spiritual Strivings' from The Souls of Black Folk.
RECOMMENDED TEXTS: Michael Bell, 'The Metaphysics of Modernism', in ed. Levenson, The Cambridge Companion to Modernism (1999/ 2011) (electronic through library);
(useful for whole module: eds. Kolocotroni et al, Modernism: An Anthology of Sources and Documents (EUP, 1998); eds. Alys Moody and Stephen Ross, Global Modernists on Modernism (electronic through library))
Gardiner seminar groups presentation - https://web.microsoftstream.com/video/2ffb1770-2d38-4849-ae26-80f1767b1868

 

W3: Manifestos II. SET TEXTS: Leon Trotsky, Literature and Revolution (chapters 5 & 8 only); Wyndham Lewis, Manifestos from Blast (read from beginning to page 43); Filippo Marinetti, ‘The Founding and Manifesto of Futurism’; Tristan Tzara, ‘Dada Manifesto,’ Mina Loy, 'Feminist Manifesto', all available through simple search
(** nb article and draft on the Talis Aspire script are unrelated .** You are NOT expected to read the article on Talis unless you want to)
RECOMMENDED TEXT: Marjorie Perloff, The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (U Chicago Press, 2004), Chapter Three, 'The Manifesto as Art Form' (book not in library, but chapter also published as an article, here: https://www.jstor.org/stable/25305249?seq=1#metadata_info_tab_contents)
Gardiner seminar groups presentation - https://web.microsoftstream.com/video/fef8cc47-51a5-4665-a19e-78cc3865c891

 

W4: SET TEXT: Hugh MacDiarmid, A Drunk Man Looks at the Thistle (Polygon 2008, Carcanet Collected Poems edition also okay);
RECOMMENDED TEXT: Scott Lyall, Hugh MacDiarmid's Poetry and Politics of Place (EUP, 2006) (electronic through library), Chapter One pp. 34-38 only, and Chapter Five
All seminars presentation: https://web.microsoftstream.com/video/30e9e9e9-4ef9-480d-9c9f-ac46981a563c

 

W5: SET TEXTS: Bertholt Brecht, The Caucasian Chalk Circle (any edition); and Brecht on Theatre (any edition): 'Theatre for Pleasure or Theatre for Instruction'; 'Verfremdung Effects in Chinese Acting'; 'The Street Scene'; 'Short Organon for the Theatre'
*** Note that Talis Aspire points us towards an edition and translation that is not the one it claims on the list ***
All seminars presentation: https://web.microsoftstream.com/video/e5da44b4-020d-4f48-a11b-4b18e0d6ce15

 

W7: SET TEXTS: Sergei Eisenstein (dir.), The Battleship Potemkin; and Eisenstein, Film Form (any edition): 'Through Theatre to Cinema'; 'The Cinematographic Principle and the Ideogram'; 'A Dialectic Approach to Film Form'; 'Methods of Montage'; 'The Structure of the FIlm'
All seminars presentation: https://web.microsoftstream.com/video/55a3a987-8985-4524-99ec-67a9c48e9575

 

W8: SET TEXT: Aimé Césaire, Notebook of a Return to My Native Land. Preferably use ed. and trans. Clayton Eschelman, Césaire's Complete Poems, digital in library, or trans. Eschelman edition Wesleyan UP, 2001 if you have it, or trans. Mireille Rosello on Bloodaxe Books
*** Note that the Talis Aspire list sends you to the wrong edition ***
RECOMMENDED TEXTS: André Breton, 'Aimé Césaire: A Great Black Poet', or other writing on surrealism by Breton
All seminars presentation: https://web.microsoftstream.com/video/c8a99c70-745a-4cdc-93c8-36defb967144

 

W9: SET TEXT: Tanizaki Jun’ichirō, In’ei Raisan/ In Praise of Shadows (trans. Seidensticker, Vintage 2001), or other edition of Seidensticker translation
RECOMMENDED TEXTS: Akira Mizuta Lippit, Atomic Light (Shadow Optics) (Minneapolis: University of Minnesota Press, 2005), pp. 21-29 and 107-111; Michael Gardiner, The British Stake in Japanese Modernity (New York: Routledge, 2019), pp. 104-114 - both digital via Warwick library
All seminars presentation: https://web.microsoftstream.com/video/46b389cf-8c41-4ee4-a7ff-4844bd521682

 

W10: SET TEXT: Marguerite Duras/ Alain Resnais, Hiroshima Mon Amour (film)
RECOMMENDED TEXT: Hiroshima Mon Amour screenplay by M. Duras (any edition)
All seminars presentation: https://web.microsoftstream.com/video/6732043b-1100-4fbe-a4b8-a694bcdb991a

 

W11: James Joyce, Dubliners. Recommended Reading: David Lloyd, Counterparts, Dubliners, and Temperance Nationalism (will be added to Talis Aspire prior to Term 2).

 

W12: Gertrude Stein, ‘Susie Asado’, ‘Tender Buttons’, 'Miss Furr and Miss Skeene.' Recommended Reading: Mia You, 'Buttons and Holes: Stein and Picasso at Le Bon Marché.' ELH 20.3 (2020). https://muse.jhu.edu/article/764065 (available through our library portal).

 

W13: H. T. Tsiang, The Hanging on Union Square. Recommended Reading: Aaron S. Lecklider, "H. T. Tsiang's Proletarian Burlesque: Performance and Perversion in The Hanging on Union Square. Melus, vol. 26, no. 4 (2011).

 

W14: Zora Neale Hurston, Their Eyes Were Watching God

 

W15: Pablo Neruda, Selected Poems (tba); selections from Passions and Impressions (will be scanned onto Talis Aspire prior to T2). Recommended Reading: Greg Dawes, "Realism, Surrealism, Socialist Realism and Neruda's 'Guided Spontaneity'" (Cultural Logic, 2003; open access text which can be found on an internet search).

 

W17: Situationism: Situationist texts: Guy Debord, 'One More Try if You Want to be Situationists' and Debord, Report on the Construction of Situations...' (1957); Debord, 'Contribution to the Debate "Is Surrealism Dead Or Alive" (1958); Debord, 'Theory of the Dérive' (1958); Debord, 'The Situationists and the New Forms of Action in Politics and Art" (1963); René Viénet, 'The Situationists and the New Forms of Action Against Politics and Art' (1967); from 'The Bureau of Public Secrets'.

 

W18: Thomas Pynchon, The Crying of Lot 49

 

W19: Sonallah Ibrahim, That Smell

 

W20: Denise Riley, selections (tba) from Selected Poems

Initial Additional Reading:

David Ayers, Benedikt Hjatarson, et al., eds. Utopia: The Avant-Garde, Modernism and (Im)possible Life (DeGruyter, 2015)

Ernst Bloch, Bertholt Brecht et al. Aesthetics and Politics (Verso, 1980)

Sascha Bru. The European Avant-Gardes, 1905-1935: A Portable Guide (Edinburgh UP, 2018).

Peter Burger. Theory of the Avant-Garde (University of Minnesota Press, 1984)

Erin Carlston. Thinking Fascism: Sapphic Modernism and Fascist Modernity (Stanford UP, 1998)

Natalia Cecire. Experimental: American Literature and the Aesthetics of Knowledge (Johns Hopkins UP, 2019)

Sam Cooper. The Situationist International in Britain (Routledge, 2017)

Robert Crawford. Devolving English Literature (Edinburgh UP, 2000)

Wai Chee Dimock. Through Other Continents: American Literature Across Deep Time (Princeton UP, 2006)

Laura Doyle and Laura Winkiel, eds. Geomodernisms: Race, Modernism, Modernity (Indiana UP, 2005)

Ales Erjavec, ed. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements (Duke UP, 2015)

Susan Stanford Friedman, Planetary Modernisms: Provocations on Modernity Across Time (Columbia UP, 2015)

Henry Louis Gates. The Signifying Monkey: A Theory of African-American Literary Criticism (Oxford UP, 1988)

Harry Harootunian. Overcome By Modernity: History, Culture, and Community in Inter-War Japan (Princeton UP, 2002)

Alastair Hemmens and Gabriel Zacarias, eds. The Situationist International: A Critical Handbook (Pluto: 2020)

Andrew Hewitt. Fascist Modernism: Aesthetics, Politics, and the Avant-Garde (Stanford UP, 1996)

Yunte Huang. Transpacific Displacement: Ethnography, Translation, and Intertextual Travel in Twentieth-Century American Literature (University of California Press, 2002)

Daniel Katz. American Modernism's Expatriate Scene: The Labour of Translation (Edinburgh UP, 2007)

Rosalind Krauss. The Originality of the Avant-Garde and Other Modernist Myths (MIT Press, 1986)

David Lloyd. Anomalous States: Irish Writing and the Post-Colonial Moment (Duke UP, 1993)

Tom McDonough, ed. Guy Debord and the Situationist International (MIT Press, 2004)

Alys Moody and Stephen J. Ross, eds. Global Modernists on Modernism: An Anthology (Bloomsbury, 2020)

Michael North. Reading 1922: A Return to the Scene of the Modern (Oxford UP, 2002)

Marjorie Perloff. The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (University of Chicago Press, 2004)

Martin Puchner. Poetry of the Revolution: Marx, Manifestos, and the Avant-Garde (Princeton UP, 2005)

Jean-Michel Rabaté. 1913: The Cradle of Modernism (Blackwell, 2007)

Franklin Rosemont and Robin D. G. Kelley, eds. Black, Brown & Beige: Surrealist Writings from Africa and the Diaspora (University of Texas Press, 2009).

Sophie Seita. Provisional Avant-Gardes: Little Magazine Communities from Dada to Digital (Stanford UP, 2019)

Jeffrey Schnapp and Matthew Tiews, eds. Crowds (Stanford UP, 2006)

Samuel Solomon, Lyric Pedagogy and Marxist-Feminism (Bloomsbury, 2019)

Steven Yao. Translation and the Languages of Modernism (Palgrave Macmillan, 2002)

Delia Ungureanu. From Paris to Tlön: Surrealism as World Literature (Bloomsbury, 2018)

Eric White. Transatlantic Avant-Gardes: Little Magazines and Localist Modernism (Edinburgh UP, 2013).

Laura Winkiel. Modernism, Race and Manifestos (Cambridge UP, 2008).