Were X a Tree
Were X a Tree: Commentary and Marginalia Beside and Between the Poetry of Peter Larkin
A collection of essays on the poetry of Peter Larkin, curated by Amy Cutler, and published online by Emma Mason and Peter Larkin in 2018.
the faithful case: were x a tree so there must be some edge pursued that does not branch around: such a tree has no definite paths wrapping its given, rather, the extreme forming of expressible conditions.
Peter Larkin (Additional Trees)
CONTENTS
- Preface
- Anthony Barnett: Homage à Peter Larkin
- Ian Brinton: Insistence and Propulsion in Peter Larkin’s ‘Next Portent’: Brushwood to Drift
- Stephen Collis: Notes on Rings Resting the Circuit
- Stuart Cooke: Blocks of Space, Strings of Body: Entries into Ecological Fields
- Mark Dickinson: Prose Woods: Incisions
- Daniel Eltringham: Repose and Exposure in Enclosures
- Matthew Hall: Front Matter: ‘exposure flings its extra earth’
- Edmund Hardy: Peter Larkin’s Scarce Layers
- Sarah Howe: The ‘primitive sap’: on Peter Larkin’s What the Surfaces Enclave of Wang Wei
- Natalie Joelle: Larkin and Lean Thinking
- Simon Lewty: ‘praying // firs \\ attenuate’
- Robert Macfarlane: ‘Leaf has always had its sessions’
- Emma Mason: To Field Any Reserve
- John Milbank: ‘The Beckoning Obstruction’: on the Theme of Scarcity in the Poetry of Peter Larkin
- David James Miller: Reciting Silence
- David Nowell-Smith: Larkin Inside/Beside the Box
- Sophie Seita: Enclosing ‘Rape’ in Peter Larkin’s ‘Five Plantation Clumps Near Twopence Spring’
- Jonathan Skinner: Redwood Larkins
- Matthew Sperling & Heather H. Yeung: Notes on ‘Array’
- G. C. Waldrep: Larkin by Inflection: Primes & Fibonacci
- Carol Watts: Go Steep, Trees
- Lissa Wolsak: Inflection Point
- Peter Larkin: Afterword: Scarce Additive, Nearest Unconditional