In this blog post Maria Reyez Baztán presents the findings of her PhD research, provisionally titled 'anti-colonial imagination and internationalism in Basque radical nationalism (1892-1939)'. Exploring the appropriation, adaptation and uses of anti-colonial ideas in early Basque radical nationalism through the analysis of Basque newsletters and newspapers, she shows how Basque radicals’ changing conceptions of colonialism correlate to global shifts occurring during this period. Her case study illuminates how ethnonationalist movements drew inspiration from ideas and events unfolding in different parts of the world, with anti-colonial movements providing a particularly constructive model for Western nationalists, who saw in these struggles a resemblance to their own history of oppression. These shared feelings acted as a source of connection which transcended national boundaries, embedding Basque nationalism within global intellectual history.
The records of the eighteenth-century Foundling Hospital in London reveal an untold part of its history – that of the presence and experiences of Black, brown and mixed-race infants cared for by the charity. In this blog post, Hannah Dennett shares the first findings of her collaborative PhD project based at Warwick and the Foundling Museum. Her research to date has already revealed more incidences of children of colour being admitted into the Foundling Hospital in the eighteenth century than anticipated it would be possible to discover. As she demonstrates through the case of Mary Carne and her infant son born in 1798, the lives of these foundlings, no longer forgotten, are important for shaping a more complete history of the Foundling Hospital.
Every Tuesday evening in August, Oxford-based orchestra Instruments of Time & Truth in collaboration with Warwick's Global History and Culture Centre and Early Modern and Eighteenth-Century Centre presents a digital series of performances and talks exploring the lives of musicians and their patrons in eighteenth-century London. The series will premiere on Youtube on 4 August at 7pm. This blog post features an historical essay accompanying the concert series by Professor Maxine Berg, detailing the rich musical culture of eighteenth-century London and Britain more generally and its historic links to empire, slavery, and changing global patterns of consumption.
Some six weeks after sending out a questionnaire to the wider GHCC community to survey their localised responses to the global pandemic (read more here), GHCC director Anne Gerritsen returns to the responses she received and surveys them in the light of the subsequent global responses to the murder of George Floyd and the Black Lives Matter movement. Connecting the pandemic, privilege, and global history, this post closes our GHCC pandemic mini-series.
Amidst the current Covid-19 pandemic, the issue of wearing masks has become a topic of international public concern. During the early stages of this global pandemic, wearing masks was mostly associated with certain regional identities in Asia. Yet, as Zhu Jing shows in this latest contribution to the GHCC pandemic mini-series, wearing masks as a public health precaution has a very long and global history. Perhaps surprisingly, the introduction of masks in Republican China in the first half of the twentieth century was a direct outflow of interactions with, and influences from, the West.