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Forthcoming and recent publications


Journal Special Issue


Chapters in Books

  • Victorine’s Secret: Baudelaire and the Ambiguity of Commodities’, in André Dombrowski and Hollis Clayson (eds.), Is Paris Still the Capital of the Nineteenth Century? (Oxford: Routledge/Ashgate, 2016), 74-93.
  • ‘Cézanne’s Colour Lab: (not-so-) still life’, in The World is an Apple: The Still Lifes of Paul Cézanne, ed. Benedict Leca (Hamilton, Ontario and Giles, London: Art Gallery of Hamilton, 2014), 92-144.
  • '"Real Primitives"; Cézanne, Wittgenstein, and the Nature of Aesthetic Quality', in J. Harris (ed.), Value, Art, Politics (Liverpool University Press, 2007). Uncorrected proof.
  • 'Cézanne's Primitive Self and Related Fictions', in C. Salas (ed)., The Life and the Work: Art and Biography (Oxford University Press, 2007).
  • 'Cézanne Late Landscape, or the Prospect of Death'/'Les paysages tardifs de Cézanne ou la perspective de la mort' in P. Conisbee and D. Coutagne (eds.), Cézanne in Provence (National Gallery of Art Washington/Musée Granet, 2006). Uncorrected proof.
  • ‘How a Cubist Painting Holds Together’ in J. Gaiger and P. Wood (eds.), Art of the Twentieth-Century: a Reader (Yale University Press/Open University, 2004).
  • 'Cézanne's Maternal Landscape and its Gender' in S. Adams and A. Gruetzner Robins (eds.), Gendering Landscape Art (Manchester University Press/Rutgers University Press, 2000). Review.
  • ‘Baudelaire's "Le Peintre de la vie moderne" and "La Peinture de la vie ancienne"' in R. Hobbs (ed.), Impressions of French Modernity: Art and Literature in France 1850-1900 (Manchester University Press, 1998). Review.


  • Delacroix's Colour. Video made in collaboration with the National Gallery for the 2015 Delacroix exhibition.
  • 'The Truth in Painting: "Poldex"'. Paper delivered at 'Pioneering Modern Painting: A Symposium on Cézanne and Pissarro', MoMA, New York, 10 September 2005.