Skip to main content Skip to navigation

Dr. Jonathan Cane

About

I am an expert in ecological and decolonial approaches to modern and contemporary art and architecture in the Global South. I was awarded a PhD in History of Art in 2017 for my study on African landscape art from the University of the Witwatersrand, Johannesburg; my monograph Civilising Grass: The Art of the Lawn on the South African Highveld was published in 2019 by Wits University Press.
 
One principal area of my research and teaching is concerned with decolonial approaches to contemporary African art and its relationship to modern African architecture and the built environment. I work on Congolese artists Body Isek Kingelez and Sammy Baloji, Mozambican artist Angela Ferreira and Mozambican architect Pancho Guedes, Angolan artist Kiluanji Kia Henda, and South African photographers David Goldblatt and Santu Mofokeng. In the co-edited volume Creative Cities in Africa: Critical Architecture and Urbanism (2023), we have drawn together scholars from across the world to offer a decolonial examination of African public sculpture, anti-colonial art, modern architecture, and exhibiting curating architecture.
 
My present work is concerned with archival processes, repatriation, digital politics, climate control and collection storage, and epistemic justice in Brazilian and UK-based African art and natural history collections. This work on the ecologies of natural history extends into the Brazilian Amazon and involves extended archival and collections fieldwork. I am particularly interested in the poetics of deforestation science and the aesthetic agency of on-going forest struggles. In South Africa, my ecological art history has been focussed on the expanded genre of landscape in relation to an important digitisation project in South Africa on what we have called the People’s Parks Archive. A short-lived moment in 1985 of radical landscape, gardening and public art by young black South Africans against apartheid, the People’s Parks were destroyed by the security forces and what remains is the archive we are digitising in collaboration with artist and activists.

Research interests

Modern and contemporary art and architecture from the Global South; environmental and oceanic humanities; natural history collections and herbaria; urban history of Sub-Saharan Africa and Brazil; queer theory and critical STS

Select publications

Cane, J. 2019. Civilising Grass: The Art of the Lawn on the South African Highveld. Johannesburg: Wits University Press.
 
Murray, N and Cane, J. (eds). 2024. Creative Cities in Africa: Critical Architecture and Urbanism. Cape Town: HSRC Press.
 
Cane, J. 2024. ‘Ville Fantôme: Prolegomena and Virtual Cities’. In: Creative Cities in Africa: Critical Architecture and Urbanism. Cape Town: HSRC Press.
 
Cane, J. 2022. ‘Penguins of the Global South Unite!’. In: Das Bauhaus Verfehlen. Missing the Bauhaus. Fink, K., Opper, A. & Siegert, N. (eds). Bayreuth: iwalewabooks.
 
Cane. J. 2021. ‘Concrete Oceans: The Dolos, Apartheid Engineering and the Intertidal Zone’. GeoHumanities. 7(1): 44–64.
 
Cane, J. 2021. ‘The Promises, Poetics and Politics of Verticality in the Really High African City’. Critical African Studies. 13(3): 253–269.
 
Cane, J. 2019. ‘Welcome to the Jungle: Tropical Modernism, Decadence, Gardening in Africa’. African Luxury: Aesthetics and Politics. Iqani, M. & Dosekun, S. (eds). Chicago: University of Chicago Press

Qualifications

BA Hons, African Studies (University of Cape Town)
PhD, Art History (University of the Witwatersrand, Johannesburg)

Assistant Professor

Contact:

Email: jonathan.e.cane@warwick.ac.uk

FAB5.59

Faculty of Arts Building

6 University Road

University of Warwick

Advice and Feedback hours

Spring Term 2023/24: Thursdays 13.00–16.00

Teaching

Undergraduate modules

HA1A1 Introduction to Art History: The Natural World and the Arts of Modernity

HA1B5: History of Art and Interpretation