HA331 Bibliography
HA331 THE INTERIOR IN FRENCH ART, DESIGN AND VISUAL CULTURE
Bibliography
Key Texts
Colomina, B. |
Privacy and Publicity: Modern Architecture as Mass Media, MIT Press, 2000 |
Marcus, S. |
Apartment Stories: City and Home in Nineteenth-Century Paris and London, University of California Press, 1999 |
Sidlauskas, S. |
Body , Place and Self in Nineteenth-Century Painting, Cambridge University Press, 2000 |
Silverman, D. |
Art Nouveau in Fin-de-Si?cle France: Politics, Psychology and Style, University of California, 1989 |
Tiersten, L. |
Marianne in the Market: Envisioning Consumer Society in Fin-de-Si?cle France, University of California, 2001 |
Troy, N. |
Modernism and the Decorative Arts in France, Yale University Press, 1991 |
Boundaries of the Interior
Apter, E. |
‘Cabinet Secrets: Peep Shows, Prostitution and Bric-a-bracomania in the Fin-de-Si?cle Interior’, in Feminizing the Fetish: Psychoanalysis and Narrative Obsession in Turn of the Century France, Cornell, 1991, pp. 39-64 |
Apter, E., |
‘Cabinet Secrets: Fetishism, Prostitution, and the Fin-de-Si?cle Interior’, Assemblage, no. 9 (June 1989), pp. 6-19 |
Archives Nationales, |
Le Parisien chez-lui au dix-neuvieme siecle, exhibition catalogue, Paris, 1976 |
Benjamin, W. |
‘Louis-Philippe or the Interior’, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, (1955), trans. Harry Zohn, London & New York, (1973), 4th ed. 1992, pp. 167-6 |
Deschamps, M. |
‘Domestic Elegance: The French at Home’, in L’Art de Vivre: Decorative Arts and Design in France 1789-1989, Thames & Hudson, 1989 |
Donzelot, J. |
The Policing of Families, (1977), 1980 |
Elab, M. & A. Debarre |
L’Invention de l’habitation moderne, Paris 1880-1914: Architectures de la vie priv?e, Paris, 1995 |
Habermas, J. |
‘Social Structures of the Public Sphere’, Chapter 2 of The Structural Transformation of the Public Sphere. An Inquiry into a Category of Bourgeois Society, (1962), trans. Thomas Burger, with the assistance of Frederick Lawrence, Cambridge, Mass.: MIT Press, 1989, pp. 27-56 |
Hellerstein, E. O. |
‘French Women and the Orderly Household, 1830-1870’, Proceedings of the Thurd Annual Meeting of the Western Society for French History, 1976, pp. 378-89 |
MacMillan, J. F., |
Chapters 1 & 2 of Housewife or Harlot: The Place of Women in French Society 1870-1940, London, 1981, pp. 9-45 |
Marcus, S. |
Apartment Stories: City and Home in Nineteenth-Century Paris and London, University of California Press, 1999 |
Perrot, M, |
A History of Private Life, vol. 4, trans. A. Goldhammer, Cambridge, Mass. & London, 1990 |
Smith, B. G. |
Ladies of the Leisure Class; The Bourgeoises of Northern France in the Nineteenth Century, 1981 |
The Interior in Aesthetic Theory and Practice
Becherer, R. |
Science Plus Sentiment: Cesar Daly’s Formula for Modern Architecture, Ann Arbor, 1984 |
Chu, P. ten-Doesschate |
‘Lecoq de Boidbaudrin and Memory Drawing: A Teaching Course Between Idealism and Naturalism’, in G. P. Weisberg (ed.), The European Realist Tradition, 1982, pp. 242-87 |
Crary, J. |
Techniques of the Observer: On Vision and Modernity in the Nineteenth-Century, MIT Press, 1990 |
Daly, C. |
L’Architecture privee au XIXme siecle sous Napoleon III; nouvelles maisons de Paris et des environs, 3 vols.,1864 |
Duranty, E., |
‘La Nouvelle peinture’, (1876), trans. & repr. in C. Moffett (ed.), The New Painting: Impressionism 1874-1886, exh. cat., Oxford, 1986, pp. 37-47 & pp. 477-84. |
Garb, T., |
‘Amidst ‘a Veritable Flood of Painting’; The Union of Women Painters and Sculptors in context’, Chapter 2 of Sisters of the Brush: Women’s Artistic Culture in Late Nineteenth-Century France, Yale University Press, 1994, pp. 19-41 |
Sidlauskas, S., |
‘Body into Space: Lecoq de Boisbaudran and the Rhetoric of Embodiment’, Chapter 1 of Body, Place and Self in Nineteenth-Century France, Cambridge, 2000, pp. 6-19 |
Silver, K. E. |
‘The Other Fin-de-Si?cle’, Art in America, December 1987, pp. 104-111 |
Ward, M., |
‘Impressionist Installations and Private Exhibitions’, The Art Bulletin, vol. 73, no. 4 (December 1991), pp. 599-622 |
Weisberg, G. P., |
Art Nouveau Bing: Paris Style 1900, exh. cat., Washington D. C., 1986 |
W?lfflin, H., |
‘Prolegomena to a Psychology of Architecture’, Empathy, Form and Space: Problems in German Aesthetics, 1873-1893, intro. & trans. H. F. Mallrgrave & E. Ikonomou, Santa Monica, 1994, pp. 149-92 |
The Bourgeois Interior
Adler, K., |
‘The Suburban, the Modern and “Une Dame de Passy”’, The Oxford Art Journal, vol. 12, no. 1 (1989) pp. 3-13 |
Garb, T. |
‘Gustave Caillebotte’s Male Figures: Masculinity, Muscularity and Modernity’, Chapter 1 of Bodies of Modernity: Figure and Flesh in Fin-de-Siecle France, pp. 24-53 |
Gay, P. |
The Bourgeois Experience: Victoria to Freud, vols. 1-3, 1984-1993 |
Groom, G., |
‘Interiors and Portraits’, K. Varnedoe (ed.), Gustave Caillebotte: Urban Impressionist, Art Institute of Chicago, exh. Cat., 1995, pp. 178-229 |
Nochlin, L., |
‘The House is not a Home: Degas and the Subversion of the Family’, R. Kendall & G. Pollock (eds.), Dealing with Degas: Perspectives of Women and the Politics of Vision, London, 1992, pp. 43-65. |
Pollock, G., |
‘Modernity and the Spaces of Femininity’, Vision and Difference: Femininity, Feminism and the Histories of Art, London, 1988, pp. 50-90 |
Poster, M., |
‘Models of Family Structure’, Chapter 7 of Critical Theory of the Family, London, 1978, pp. 166-205 |
Sidlauskas, S., |
‘Degas and the Sexuality of the Interior’, Chapter 2 of Body, Place and Self in Nineteenth-Century Painting, Cambridge, 2000, pp. 20-60 |
Smith, B. G. |
Ladies of the Leisure Class; The Bourgeoises of Northern France in the Nineteenth Century, 1981 |
Walton, W. |
‘Symbols of Status, Signs of Change: Furnishings in the Bourgeois Household’, Chapter 3 of France at the Crystal Palace: Bourgeois Taste and Artisan Manufacture in the Nineteenth Century, University of California Press, 1992, pp. 70-113 |
Zola, E. |
Pot-Bouille (translated as Pot-Luck), 1884. |
The Mother and Child Inside
Berry, F. |
‘Maman is my Muse: The Maternal Body as Motif and Metaphor in Edouard Vuillard’s Intimisme’ unpublished manuscript. |
Jacobus, M. |
First Things: The Maternal Imaginary in Literature, Art and Psychoanalysis, Routledge, 1995 |
Kristeva, J. |
‘Motherhood According to Giovanni Bellini’, (1975) in L. S. Roudiez (ed.), Desire in Language, 1977 |
Mitchell, J. (ed.) |
The Selected Melanie Klein, 1986 |
Pollock, G. |
‘The Child of Modernity 1895-1915’, Chapter 6 of Mary Cassatt: Painter of Modern Women, Thames & Hudson, 1998, pp. 184-213 |
Pollock, G. |
‘The Maid and the Mother in the Color Prints of 1891’, Chapter 5 of Mary Cassatt: Painter of Modern Women, Thames & Hudson, 1998, pp. 156-83 |
Pollock, G. |
‘On Mary Cassatt’s Reading Le Figaro or the Case of the Missing Woman’, G. Pollock & P. Florence, Looking Back to the Future: Essays on Art, Life and Death, G & B Arts, 2001, pp. 227-273 |
Pollock, G. |
‘The Child of Modernity’, Chapter 6 of Mary Cassatt: Painter of Modern Women, Thames & Hudson, 1998, pp. 184-213 |
Sidlauskas, S., |
‘John Singer Sargent’s Interior Abysses: The Daughters of Edward Darley Boit’, Chapter Three in Body, Place and Self in Nineteenth-Century Painting, Cambridge, 2000, pp. 61-90 |
Steedman, C. |
Strange Dislocations: Childhood and the Idea of Human Interiority 1780-1930, Virago, 1995 |
The Psychologised Interior
Berry, F., |
‘Inside the Psychologised Interior’, Oxford Art Journal, vol. 25, no. 2 (2002), pp. 156-61 |
Goncourt, E. de |
La Maison d’un artiste, 2 vols., Paris, (1881), 1931 |
Huysmans, J.-K. |
A Rebours (Against Nature), 1884 |
Hyman, T., |
‘Intimacy and Interiority’, Chapter 1 of Bonnard, 1998, pp. 34-63 |
Sidlauskas, S., |
‘The “Surface of Existence”: Edouard Vuillard’s Mother and Sister of the Artist’ Chapter 4 of Body, Place and Self in Nineteenth-Century Painting, Cambridge, 2000, pp. 91-123 |
Silverman, S., |
‘The Brothers de Goncourt between History and the Psyche’ and ‘Psychologie Nouvelle’, Art Nouveau in Fin-de-Si?cle France: Politics, Psychology and Style, Berkeley & Los Angeles, 1989 |
Women and Interior Decoration
Auslander, L. |
Taste and Power: Furnishing Modern France, University of California Press, 1996 |
Auslander, L., |
‘The Gendering of Consumer Practices in Nineteenth-Century France’, in de Grazia, V. [ed.], The Sex of Things: Gender and Consumption in Historical Perspective, California, 1996, pp. 79-112 |
Beetham, M., |
‘Introduction’ to A Magazine of Her Own: Domesticity and Desire in the Woman’s Magazine, Routledge, 1996 |
Berry, F., |
‘Designing the Reader’s Interior: Subjectivity and the Woman’s Magazine in Early Twentieth-Century France’, Journal of Design History, forthcoming 2005 |
Higonnet, A., |
‘Secluded Vision: Images of Feminine Experience in Nineteenth-Century Europe’, Radical History Review, vol. 38, 1987, pp. 16-36 |
Tiersten, L. |
Chapters 4 & 5 of Marianne in the Market: Envisaging Consumer Society in Fin-de-Si?cle France, University of California Press, 2001 |
Tiersten, L., |
‘The Chic Interior and the Feminine Modern: Home Decorating as High Art in Turn-of-the-Century Paris’, in C. Reed, Not at Home: The Suppression of Domesticity in Modern Art and Architecture, Thames & Hudson, 1996, pp. 18-32 |
Walton, W. |
‘“To Triumph before Feminine Taste”: Female Consumption, Gender, and Women at the Exhibition’, Chapter 2 of France at the Crystal Palace: Bourgeois Taste and Artisan Manufacture in the Nineteenth Century, University of California Press, 1992, pp. 49-69 |
Wolff, J. |
‘The Invisible Fl?neuse: Women and the Literature of Modernity’, Theory, Culture and Society, vol. 2, no. 3, 1985, pp. 37-46 |
Decoration, the Decorative and the Avant-Garde Interior
Benjamin, R. |
‘The Decorative Landscape: Fauvism and the Arabesque of Observation’, The Art Bulletin, vol. 75, no. 2 (June 1993), pp. 295-316 |
Blau, E. & N. Troy |
Architecture and Cubism, MIT Press, 1997 |
Board, M. L., |
‘Constructing Myths and Ideologies in Matisse’s Odalisques’, Genders, no. 5, Summer 1989, pp. 21-49 |
Bowman, S. |
A Fashion for Extravagance, Bell & Hyman, 1985 |
Cottington, D., |
‘The Maison Cubiste and the meaning of Modernism in Pre-1914 France’, Chapter 1 of Blau, E. & Troy, N. [eds.], Architecture and Cubism, Massachusetts & Montreal, 1997, pp. 17-40 |
Fer, B., |
‘Luxury, Utility and the decorative’ [pp. 149-53] and ‘Matisse’ [pp. 158-62] in Realism, Rationalism and Surrealism: art between the wars, Yale/Open University Press, 1993 |
Florman, L., |
‘The Flattening of “Collage”’, October, no. 102, Fall 2002, pp. 59-86 |
Gronberg, T. |
‘D?coration: Modernism’s “Other”’, Art History, vol. 15, no. 4, December 1992, pp. 547-552 |
Robinson, J. H., |
‘”Hi Honey, I’m Home”: Weary (Neurasthenic) Businessmen and the Formulation of a Serenely Modern Aesthetic’, Chapter 7 in C. Reed [ed.], Not at Home: The Suppression of Domesticity in Modern Art and Architecture, Thames & Hudson, 1996, pp. 98-112 |
Troy, N., |
‘Fashion, Art and the Marketing of Modernism’ and ‘Theater and the Spectacle of Fashion’, Chapters 1 and 2 of Couture Culture: A Study in Modern Art and Fashion, MIT Press, 2003 |
Troy, N., |
‘Domesticity, Decoration and Consumer Culture: Selling Art and Design in Pre-World War I France’, Chapter 8 in C. Reed [ed.], Not at Home: The Suppression of Domesticity in Modern Art and Architecture, Thames & Hudson, 1996, pp. 113-129 |
Wollen, P. |
‘Out of the Past: Fashion/Orientalism/The Body’, Raiding the Icebox: Reflections on Twentieth-Century Culture, 1993 |
The Photographic Interior
Becherer, R. |
‘Past Remembering: Robert Mallet-Stevens’s Architecture of Duration’, Assemblage, no. 31, December 1996, pp. 16-41 |
Becherer, R., |
‘Picturing Architecture Otherwise: the voguing of the Maison Mallet-Stevens’, Art History, vol. 23, no. 4, November 2000, pp. 559-598 |
McCauley, E. A, |
‘Braquehais and the Photographic Nude’, Chapter 4 of Industrial Madness: Commercial Photography in Paris 1848-1871, 1994, pp. 149-94 |
Mus?e Carnavalet, |
Eugene Atget, 1857-1927: int?rieurs parisiens, photographies, exh. Cat., 1982 |
Nesbit, M. |
‘In the Absence of the Parisienne…’, in B. Colomina (ed.), Sexuality and Space, Princeton Architectural Press, 1992 |
Nesbit, M., |
‘The Artists’, ‘The Building Industry’ and ‘The Second and Third Albums’, Atget’s Seven Albums, Yale University Press, 1992 |
Rice, S. |
Parisian Views, MIT Press, 1997 |
Solomon-Godeau, A., |
‘The Other Side of Venus: The Visual Economy of Feminine Display’, in V. de Grazia [ed.], The Sex of Things: Gender and Consumption in Historical Perspective, California, 1996, pp. 113-150 |
Vaillant, O. |
‘Robert Mallet-Stevens: Architecture, Cinema and Poetics’, in F. Penz & M. Thomas, Cinema and Architecture, British Film Institute, 1997, pp. 28-33 |
Fashioning and Exhibiting the Modern Interior
Benton, C. |
‘Le Corbusier: Furniture and the Interior’, Journal of Design History, vol. 3, nos. 2 & 3, 1990, pp. 103-24 |
Camard, F. |
Ruhlmann: Master of Art Deco, Thames & Hudson, 1993 |
Dufr?ne, M. |
Authentic Art Deco Interiors from the 1925 Paris Exhibition, Antique Collectors’ Club, 1989 |
Gronberg, T. |
Designs on Modernity: Exhibiting the City in 1920s Paris, Manchester University Press, 1998 |
Gronberg, T., |
‘Speaking Volumes: the Pavillon de l’Esprit Nouveau’, Oxford Art Journal, 1992, vol. 15, no. 2, pp. 58-69 |
Le Corbusier, |
‘Iconology’ and ‘Type Needs/Type Furniture’, from The Decorative Art of Today’, MIT Press/Architectural Press, 1987 |
Loos, A., |
‘Men’s Fashion’, ‘Men’s Hats’, ‘Footwear’, ‘Shoemakers’, ‘Underclothes’ from Spoken into the Void: Collected Essays 1897-1900, Opposition Books, 1987 |
Lubbock, J. |
‘Adolf Loos and the English Dandy’, Architectural Review, August 1983, vol. CLXIX, no. 1038, pp. 43-9 |
McLeod, M., |
‘Undressing Architecture: Fashion, Gender and Modernity’, in D. Fausch et. Al., Architecture: In Fashion, Princeton, 1994, pp. 38-83 |
Troy, N., |
‘Reconstructing Art Deco: Purism, the Department Store and the Exposition of 1925’, Chapter 4 of Modernism and the Decorative Arts in France, Yale University Press, 1992, pp. 159-226 |
Wigley, M., |
‘White Out: Fashioning the Modern’, in D. Fausch et. Al., Architecture: In Fashion, Princeton, 1994, pp. 148-269 |
Wigley, M., |
‘White Out: Fashioning the Modern [Part 2],’ Assemblage: A Critical Journal of Architecture and Design Culture, vol. 22, 1993/1994, pp. 6-49 |
Performing the Modernist Interior
Beckett, J., |
‘The Abstract Interior’, in Towards a New Art: Essays on the background to abstract art 1910-1920, Tate Gallery, 1980, pp. 90-124 |
Colomina, B., |
‘The Split Wall: Domestic Voyeurism’, in B. Colomina (ed.), Sexuality and Space, Princeton Architectural Press, 1992, pp. 73-128 |
Overy, P., |
‘The Cell in the City’, Chapter 6 of Blau, E. & Troy, N. [eds.], Architecture and Cubism, Massachusetts & Montreal, 1997, pp. 117-40 |
Troy, N., |
Section on Mondrian’s Paris studio [pp. 135-42] in ‘Total Abstraction: Color in Space’ Chapter 4 of The De Stijl Environment, MIT, 1983 |
Wigglewsorth, S., |
‘Maison de Verre: Sections through an in-vitro conception’, The Journal of Architecture, 1998, pp. 263-85 |
Surreal Interiors
Arts Council of Great Britain |
Max Ernst: Prints, Collages and Drawings, 1919-72, 1975 |
Benjamin, W. |
The Arcades Project, translation of Passagen-Werk, 1999 |
Foster, H. |
‘Outmoded Spaces’, Chapter 6 of Compulsive Beauty, MIT, 1993, pp. 156-91 |
La R?volution Surr?aliste, vols. 1-12, 1924-1929 |
|
La Surr?alisme au service de la r?volution, vols. 1-6, 1930-33 |
|
Aragon, L. |
Paris Peasant (1924), 1971 |
Breton, A. |
Nadja, (1928), 1960 |
Buck-Morss, S. |
The Dialectics of Seeing: Walter Benjamin and the Arcades Project, MIT Press, 1989 |
Freud, S. |
‘The Uncanny’, 1919, translated and reproduced in Penguin Freud Library, vol. 14, Art and Literature, pp. 335-76 |
Mical, T. (ed.) |
Surrealism and Architecture, Routledge, forthcoming 2005 |
Rainwater, R. (ed.) |
Max Ernst: Beyond Surrealism. A retrospective of the artists books and prints, New York Public Library & Oxford University, 1986 |
Vidler, A. |
‘Homes for Cyborgs’, in C. Reed (ed.), Not at Home, Thames & Hudson, 1996, pp. 161-78 |
French Art / Culture / Society
Benton, T & C. with Sharp, D. |
Form and Function: A Source Book for the History of Architecture and Design 1890-1939, Open University, 1975 |
Brunhammer, Y. & Tise, S. |
French Decorative Art: The Soci?t? des Artistes D?corateurs 1900-1942, Flammarion, 1990 |
Clausen, M. |
Frantz Jourdain and the Samaritaine: Art Nouveau Theory and Criticism, 1987 |
House, J. |
‘Curiosit?’, in R. Hobbs (ed.), Impressions of French Modernity: Art and Literature in France 1850-1900, Manchester University Press, 1998, pp. 33-57 |
Marlais, M. |
Conservative Echoes in Fin-de-Si?cle Parisian Art Criticism, 1992 |
Miller, M. |
The Bon March?: Bourgeois Culture and the Department Store, Princeton University Press, 1981 |
Offen, K. |
‘Depopulation, Nationalism and Feminism in Fin-de-Si?cle France’, American Historical Review, vol. 89, no. 3, June 1984 |
Saisselin, R. |
Bricabracomania: The Bourgeois and the Bibelot, Thames & Hudson, 1985 |
Schwartz, V. |
Spectacular Realities: Early Mass Culture in Fin-de-Si?cle Paris, University of California Press, 1998 |
Walton, W. |
France at the Crystal Palace: Bourgeois Taste and Artisan Manufacture in the Nineteenth Century, University of California Press, 1992 |
Ward, M. |
Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde, University of Chicago Press, 1996 |
Weber, E. |
France, Fin-de-Si?cle, Harvard University Press, 1986 |
Weisberg, |
‘Redefining Genre 1859-1900’, in Redefining Genre: French and American Painting 1850-1900, Washington, 1995, pp. 32-67 |
Weisberg, G. P. |
Chardin and the Still-Life Tradition in France, Cleveland Museum of Art, 1979 |
Weisberg, G. P., |
The Realist Tradition: French Painting and Drawing 1830-1900, exh. Cat., The Cleveland Museum of Art, 1980 |
Williams, R. H. |
Dream Worlds: Mass Consumption in Late Nineteenth-Century France, University of California Press, 1982 |
Zeldin, T. |
France 1848-1945, 1973 |
The Family / Domestic Space / The Interior: General Texts
Bryden, I. & Floyd, J. |
Domestic Space: Reading the Nineteenth-Century Interior, Manchester University Press, 1999 |
Certeau, M. de |
The Practice of Everyday Life, (1974), 1984 |
Cieraad, I. (ed.) |
At Home: An Anthropology of Domestic Space, Syracuse, 1999 |
Engels, F. |
The Origin of the Family, Private Property and the State, 1884 |
Goffman, E. |
The Presentation of Self in Everyday Life, Penguin, 1959 |
Gronberg, T., |
‘The Inner Man: Interiors and Masculinity in Early Twentieth-Century Vienna’, Oxford Art Journal, vol. 24, no. 1, 2001, pp. 69-99 |
McKellar, S & P. Sparke (eds.) |
Interior Design and Identity, Manchester University Press, 2004 |
Perkins-Gilman, C. |
‘The Yellow Wall-Paper’ (1892), in J. B. Dock (ed.), Charlotte Perkins Gilman’s ‘The Yellow Wall-Paper’ and the History of its Publication and Reception, 1998, pp. 27-42 |
Poe, E. Allan |
‘The Philosophy of Furniture’ in The Complete Tales and Poems of Edgar Allan Poe, 1934, pp. 462-6 |
Rand, R. & J. M. Bianco |
Intimate Encounters: Love and Domesticity in Eighteenth-Century France, 1997 |
Reed, C. (ed.) |
Not at Home: The Suppression of Domesticity in Modern Art and Architecture, Thames & Hudson, 1996 |
Sennett, R. |
The Fall of Public Man, 1977 |
Tristram, P. |
Living Space in Fact and Fiction, Routledge, 1989 |
Veblen, T. |
The Theory of the Leisure Class, 1899 |
Spatial Theories
Bachelard, G. |
The Poetics of Space, (1958), 1964 |
Colomina, B. (ed.) |
Sexuality and Space, Princeton Architectural Press, 1992 |
Lefebvre, H. |
The Production of Space, trans. 1991 |
Pile, S. |
The Body and the City: Psychoanalysis, Space and Subjectivity, Routledge, 1996 |
Vidler, A. |
The Architectural Uncanny: Essays in the Modern Unhomely, MIT Press, 1992 |
Psychoanalysis
Ellenberger, H. F. |
The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry, 1970 |
Flugel, J. C. |
The Psycho-Analytic Study of the Family, 1921 |
Freud, S. |
‘The Uncanny’, (1919), The Standard Edition, vol. 17, pp. 217-56 |
Freud, S. |
‘Childhood Memories and Screen Memories’, (1901), The Standard Edition, vol. 6, pp. 43-52 |
French Literature
Flaubert, G. |
Madame Bovary, 1856 |
Proust, M. |
A la recherche du temps perdu, vol. 1, (1913), 1996 |
Zola, E. |
Therese Raquin, (1867), 1962 |
Zola, E. |
L’Assommoir, (1877), 1970 |