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In Memoriam - Professor Jim Davis

Prof Jim DavisIt is with a very heavy heart that we write to let you know that Professor Jim Davis passed away on Saturday 4th November following a stroke. Everyone who had the pleasure of encountering Jim will appreciate that this is a huge loss for his family, friends, colleagues, collaborators and the wider research community. He was a fantastic scholar and unwavering champion for the discipline and theatre historiography. He was such an important part of the Theatre and Performance family at the University of Warwick and will be missed for his leadership, mentorship, friendship and unfailing sense of fun and mischief.

Jim Davis joined Warwick in 2004 as Head of Department (2004-2009) after eighteen years teaching Theatre Studies at the University of New South Wales in Sydney, where he was latterly Head of the School of Theatre, Film and Dance. In Australia he was also President of the Australasian Drama Studies Association and member of the Board of Studies of the National Institute of Dramatic Art. Prior to leaving for Australia he spent ten years teaching in London at what is now Roehampton University. He co-organised many conferences including for the International Federation of Theatre Research (IFTR) in New South Wales and at Warwick. He convened Historiography Working Groups for both IFTR and for TaPRA. He served as an editor for the journal Nineteenth Century Theatre and Film.

He published widely and with considerable critical acclaim in the area of nineteenth-century British theatre. His most recent bookComic Acting and Portraiture in Late-Georgian and Regency England (2015) won the TaPRA David Bradby Prize for Research in International Theatre and Performance in 2017 and was shortlisted for the 2015 TLA George Freedley Memorial Award. His other publications include Theatre & Entertainment (2016), Dickensian Dramas: Plays from Charles Dickens Volume II (2017) and European Theatre Performance Practice Vol 3 1750-1900 (editor, 2014). He was also joint author of a study of London theatre audiences in the nineteenth century Reflecting the Audience: London 1840-1880 (2001), which was awarded the 2001 Theatre Book Prize. He contributed numerous chapters including essays on nineteenth-century acting to the Cambridge History of British Theatre and on audiences to the Cambridge Companion to Victorian and Edwardian Theatre. He also published many articles in Theatre Journal, Theatre Survey, Theatre Notebook, Essays in Theatre, Themes in Drama, New Theatre Quarterly, Nineteenth Century Theatre, Theatre Research International and The Dickensian. He was also responsible for many of the theatrical entries in The Oxford Readers' Companion to Dickens and contributed to the Oxford Encyclopaedia of Theatre and Performance, The Cambridge Encyclopaedia of Stage Actors and Acting and the New Dictionary of National Biography. For several years he wrote an annual review of publications on nineteenth-century English Drama and Theatre for The Year's Work in English Studies.

There will be an event to celebrate Jim’s life and work on 6 January 2024 12pm-4pm in the Studios in the Faculty of Arts Building on the University of Warwick's campus. Anyone is welcome (colleagues, friends, alumni etc). This will be a hybrid event, so if you cannot attend in person, but would like to join us online, that's also possible. Please RSVP to Dr David Coates - D.J.Coates@warwick.ac.uk

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Theatre and Performance Studies Staff Launch 5 New Publications

On Wednesday 14th October 2020 Theatre and Performance Studies hosted a book launch from 4.30pm-6pm

During this session we celebrated the fact that researchers in Theatre and Performance Studies at Warwick will have published five monographs in the six months from July 2020:

Nicholas Drofiak - Irusan: or, Canting for Architects, gta Verlag / eth Zürich

Milija Gluhovic - Theory for Theatre Studies: Memory, Bloomsbury

Nadine Holdsworth - English Theatre and Social Abjection: A Divided Nation, Palgrave

Silvija Jestrovic - Performances of Authorial Presence and Absence: The Author Dies Hard, Palgrave

Nicolas Whybrow - Contemporary Art Biennials in Europe: the work of Art in the Complex City, Bloomsbury

Each author gave brief introduction to their book outlining the things that inspired them and the central arguments they make. There was time to ask questions and to raise a virtual glass to this achievement.


Homeless Monopoly in the Coventry Creates Exhibition

Coventry CreatesProf. Nadine Holdsworth's Homeless Monopoly game is featuring as part of Coventry Creates.

Coventry Creates is a digital exhibition of artworks created during lockdown and inspired by university research. It features 18 artistic responses to research, amongst which you’ll discover poetry about Coventry, Covid-19 and the Black Lives Matters movement. Find stories about what Coventry means to refugees, and learn about Coventry’s twinning history, women’s suffrage and how interactive games can help break down the complexities of homelessness. Hear the words of healthcare workers during the first peak of Coronavirus, and explore creative connections forged by ‘The Artist and the Prof’.

Coventry Creates is part of the ongoing work by Coventry and Warwick universities in the lead up to the City of Culture. The University Partnership has funded over 30 creative research projects, involving over 50 Coventry organisations and local communities.

https://coventrycreates.co.uk

#CoventryCreates

Tue 06 Oct 2020, 23:46 | Tags: Prof. Nadine Holdsworth

Understanding Homelessness: A Creative Toolkit - Launched Today!

Prof. Nadine Holdsworth has launched Understanding Homelessness: A Creative Toolkit. This is a fantastic resource for teachers, youth groups and voluntary organisations to use with students 14+. It aims to help young people to approach the complex issues around homelessness and contains a range of exercises: drama, visual and written. Click here to find out more.

Mon 24 Aug 2020, 11:14 | Tags: Prof. Nadine Holdsworth Research


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