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In Memoriam - Professor Jim Davis

Prof Jim DavisIt is with a very heavy heart that we write to let you know that Professor Jim Davis passed away on Saturday 4th November following a stroke. Everyone who had the pleasure of encountering Jim will appreciate that this is a huge loss for his family, friends, colleagues, collaborators and the wider research community. He was a fantastic scholar and unwavering champion for the discipline and theatre historiography. He was such an important part of the Theatre and Performance family at the University of Warwick and will be missed for his leadership, mentorship, friendship and unfailing sense of fun and mischief.

Jim Davis joined Warwick in 2004 as Head of Department (2004-2009) after eighteen years teaching Theatre Studies at the University of New South Wales in Sydney, where he was latterly Head of the School of Theatre, Film and Dance. In Australia he was also President of the Australasian Drama Studies Association and member of the Board of Studies of the National Institute of Dramatic Art. Prior to leaving for Australia he spent ten years teaching in London at what is now Roehampton University. He co-organised many conferences including for the International Federation of Theatre Research (IFTR) in New South Wales and at Warwick. He convened Historiography Working Groups for both IFTR and for TaPRA. He served as an editor for the journal Nineteenth Century Theatre and Film.

He published widely and with considerable critical acclaim in the area of nineteenth-century British theatre. His most recent bookComic Acting and Portraiture in Late-Georgian and Regency England (2015) won the TaPRA David Bradby Prize for Research in International Theatre and Performance in 2017 and was shortlisted for the 2015 TLA George Freedley Memorial Award. His other publications include Theatre & Entertainment (2016), Dickensian Dramas: Plays from Charles Dickens Volume II (2017) and European Theatre Performance Practice Vol 3 1750-1900 (editor, 2014). He was also joint author of a study of London theatre audiences in the nineteenth century Reflecting the Audience: London 1840-1880 (2001), which was awarded the 2001 Theatre Book Prize. He contributed numerous chapters including essays on nineteenth-century acting to the Cambridge History of British Theatre and on audiences to the Cambridge Companion to Victorian and Edwardian Theatre. He also published many articles in Theatre Journal, Theatre Survey, Theatre Notebook, Essays in Theatre, Themes in Drama, New Theatre Quarterly, Nineteenth Century Theatre, Theatre Research International and The Dickensian. He was also responsible for many of the theatrical entries in The Oxford Readers' Companion to Dickens and contributed to the Oxford Encyclopaedia of Theatre and Performance, The Cambridge Encyclopaedia of Stage Actors and Acting and the New Dictionary of National Biography. For several years he wrote an annual review of publications on nineteenth-century English Drama and Theatre for The Year's Work in English Studies.

An event to celebrate Jim’s life and work was held on 6 January 2024 12pm-4pm in the Studios in the Faculty of Arts Building on the University of Warwick's campus.

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Call for papers: Cultures of the Left in the Age of Right-Wing Populism - Manifestations and Performances - Keynote Speaker: Professor Chantal Mouffe

Monday 15th- Wednesday 17th April 2019

Warwick University in Venice

Palazzo Pesaro Papafava

Keynote Speaker: Professor Chantal Mouffe

This event is the culmination of a substantial period of research funded by the British Academy Partnership and Mobility grant (2016-19) that brought together an interdisciplinary group of scholars from Warwick University (UK) and Jawaharlal Nehru University (India) as well as researchers, artists and activists from other European and overseas institutions and places. We are asking how could both the historical legacy of the Left and its current manifestations and performances contribute to formulating an aesthetic of resistance not only as a reactive practice, but as a way to sustain the politics of inclusion, equality, care for the commons and social justice? The concept, coined by playwright Peter Weiss against the backdrop of raising fascism in the 1930s—asserts that art and culture, by formulating an aesthetic of resistance, are the means of finding new modes of political action and new forms of social understanding. The urgency of this project is to explore the politics and aesthetics of these forms as means of dissent, but even more importantly, as strategies of sustaining the progressive political agenda both against the backdrop of the alarmingly rising Right and on its own term.


Call for Papers: Cultures of Toxicity

Conference at the University of Warwick

Friday 8th and Saturday 9th November 2019  

 
This conference aims to explore the concept of toxicity in relation to a number of contemporary political concerns including culture, health, economics, gender, and ecology. We are concerned to examine how cultural practices (from theatre to graphic fiction) and critical methodologies, for example in performance studies, are contributing to, and intervening in, contemporary anxieties about safety, risk and toxicity.
Mon 26 Nov 2018, 10:00 | Tags: Conference Research Dr Anna Harpin Call for Papers

Call for Papers: Visuality and the Theatre in the Long Nineteenth Century

Conference at the University of Warwick

Thursday 27 – Saturday 29 June 2019

This research event will consider new ways of thinking about nineteenth-century stage spectacle, its meanings, its relationship to a wider visual culture, and its spectators. This period is associated with a widespread transformation of conceptions of vision and subjectivity, evidenced by an explosion of graphic imagery and new forms of visual experience such as panoramas and dioramas. Theatrical spectacle was at the centre of this emergent trans-medial, popular visual culture; yet there has been no major work to address this area since Martin Meisel’s seminal study, Realizations: Narrative, Pictorial and Theatrical Arts in Nineteenth-Century England, of 1983. Organized as part of the three-year AHRC-funded collaborative project, ‘Theatre and Visual Culture in the Long Nineteenth Century’, this event aims to foster cross-disciplinary discussion of spectacle and spectatorship in this period.


Professor Nadine Holdsworth presents keynote speech at The Modern English Drama Association of Korea (MEDAK) conference.

Professor Nadine Holdsworth presented a keynote speech ‘Theatre, Nation and Social Abjection: What Can Theatre Do?’ at The Modern English Drama Association of Korea (MEDAK) annual conference. The conference took place on Saturday 27th of October at the University of Kookmin, Seoul, South Korea and drew 60 attendees, the largest turnout in MEDAK's recent history.

Fri 02 Nov 2018, 10:23 | Tags: Prof. Nadine Holdsworth Conference Research

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