Publications
Forthcoming
“Theatre and Migration in the Balkans.” The Palgrave Handbook of Theatre and Migration. Edited by Stephen Elliot Wilmer and Yana Meerzon. London: Palgrave, 2022. [forthcoming].
Books
The Oxford Handbook of Politics and Performance. Eds. Shirin M Rai, Silvija Jestrovic, and Michael Saward. Oxford: Oxford University Press, 2021.
Theory for Theatre Studies: Memory (monograph), Methuen Drama, 2020.
Performing the Secular: Religion, Representation, and Politics. Eds. Milija Gluhovic and Jisha Menon. (London: Palgrave Macmillan, 2017).
International Performance Research Pedagogies: The Unconditional Discipline? Eds. Sruti Bala, Milija Gluhovic, Hana Korsberg, Kati Röttger. (Cham: Springer International Publishing, 2018).
Performing European Memories: Trauma, Ethics, Politics. Basingstoke; New York: Palgrave Macmillan, 2013.
Performing the ‘New’ Europe: Identities, Feelings, and Politics in the Eurovision Song Contest. Eds. Karen Fricker and Milija Gluhovic. Basingstoke; New York: Palgrave Macmillan, 2013.
Politika i Izvodjacke Umetnosti: Zbirka Eseja. [Performance and Politics: A Collection of Essays by Janelle Reinelt]. Eds. Gluhovic, Milija and Ivana Vujic. Belgrade, Univerzitet Umetnosti u Beogradu, Fakultet Dramskih Umetnosti, i Studio – Laboratorija Izvodjackih Umetnosti, 2012.
Book chapters
“Tadeusz Kantor.” A New History of Polish Literature. Eds. Tamara Trojanowska, Joanna Nyzinska, Przemyslaw Czaplinski. Harvard University Press, 2018
“Spaces of Appearance, Politics of Exposure: Queer Publics, Sexual Justice and Activism in Eastern Europe and India” (with Ameet Parameswaran). In Gendered Citizenship: Performance and Manifestation, eds. B. Paul and J. Reinelt. Cham: Springer International Publishing, 2017, 79-97.
“Cosmopolitanism.” Performance Studies: Key Words, Concepts, and Theories. Ed. Bryan Reynolds. London: Palgrave Macmillan, 2014.
“European Women on the Move: Gender, Migration and Belonging in Anne Lise Stenseth’s Kiss and Waste Project.” The Kiss and Waste Project. Ed. Morten Johan Svendsen. Førde: Sogn og Fjordane Museum of Fine Art, 2011. 70-85.
“Europeiske kvinner på reise: Kjønn, migrasjon og tilhøyrsle i Anne Lise Stenseths Kiss and Waste Project.” The Kiss and Waste Project. Ed. Morten Johan Svendsen. Trans. Kari Lyngstad. Førde: Sogn og Fjordane Kunstmuseum, 2011. 54-69.
“Marked by Loss: Mourning and Melancholia in Tadeusz Kantor’s I Shall Never Return.” Polish Culture: Private Encounters, Public Affairs. Eds. Tamara Trojanowska, Agnieszka Polakowska and Arthur Plackiewicz. New York: Polish Institute of Arts and Sciences of America, 2012.
Journal articles
“Europe in Crisis, Refugees, and the Challenge of Migration,” in the special issue of the Studies in Theatre and Performance 39.3 (2019): 285-301.
“Predaleke obale: Gibraltarski moreuz i stanje vanrednih mera u drami Ovan i kit Ahmeda Gazalija.” Teatron 160-1 (2013): 48-58.
“Melanholicni gubitak u Krajoliku Harold Pintera” (“Melancholic Loss in Harold Pinter’s Landscape”). Sarajevske sveske/Sarajevo notebooks (2010): 265-284.
“Exhumations: The Return of the Dead in Tadeusz Kantor’s Let the Artists Die and Andrzej Wajda’s Katyń”. New Polish Perspectives 1.1 (2010): 227-255.
“Too Distant Shores: The Strait of Gibraltar and the Space of Exception.” Research in Drama Education 13:2 (2008): 147-158.
Journal articles
“Predaleke obale: Gibraltarski moreuz i stanje vanrednih mera u drami Ovan i kit Ahmeda Gazalija.” Teatron 160-1 (2013): 48-58.
“Melanholicni gubitak u Krajoliku Harold Pintera” (“Melancholic Loss in Harold Pinter’s Landscape”). Sarajevske sveske/Sarajevo notebooks (2010): 265-284.
“Exhumations: The Return of the Dead in Tadeusz Kantor’s Let the Artists Die and Andrzej Wajda’s Katyń”. New Polish Perspectives 1.1 (2010): 227-255.
“Too Distant Shores: The Strait of Gibraltar and the Space of Exception.” Research in Drama Education 13:2 (2008): 147-158.
