Professor of Theatre and Performance
Tel: +44 (0)24 765 22878
Room G25, Millburn House
University of Warwick
Coventry, CV4 7HS
Nadine Holdsworth joined the department at Warwick in 2000 and served as Head of Department from 2009-2014. Whilst at Warwick Nadine has designed modules that address her interests in twentieth and twenty-first century political theatres and contemporary theatre and theories of identity, particularly in relation to nation, gender, ethnicity and globalization. She also supervises students undertaking practical projects, research topics and MA and PhD research.
Nadine's recent publications includes English Theatre and Social Abjection: A Divided Nation (Palgrave, 2020) and The Ecologies of Amateur Theatre (Palgrave, 2018), an outcome of the AHRC-funded project Amateur Dramatics: Crafting Communities in Time and Space, co-written with Helen Nicholson and Jane Milling, which won the TaPRA David Bradby Award for Research Excellence in 2019. Other recent publications include Theatre and National Identity: Re-Imagining Conceptions of Nation (Routledge, 2014) Joan Littlewood’s Theatre (CUP, 2011), Theatre & Nation (Palgrave 2010) and a special issue of Contemporary Theatre Review, 'Theatre, Performance and the Amateur Turn' co-edited with Jane Milling and Helen Nicholson. Her monograph English Theatre and Social Abjection: A Divided Nation, will be published by Palgrave later in 2020.
She is currently working on a project called 'Homeless Monopoly' with a collaborator Jackie Calderwood and a local charity. Using co-creative arts methodology and gamification, ‘Homeless Monopoly’ has involved the creation of a prototype board-game featuring real-life testimonies and scenarios of homeless and ex-homeless people in the Coventry area. The has written on this project for Research in Drama Education: the Journal of Applied Theatre and Performance (see below). Nadine has also designed a creative toolkit as a resource for teachers, youth groups, and other voluntary organisations working with people aged 14 and above to help them approach the complex issues around homelessness. See https://warwick.ac.uk/fac/arts/scapvc/theatre/applying/postgraduate/maat/case_studies/homeless-monopoly/understanding-homelessness-a-creative-toolkit/
Nadine's research has two distinct, but sometimes interconnected strands in Twentieth and Twenty-First Century popular theatre practitioners and theatre and nation/national identities. She has conducted a significant amount of research on John McGrath and edited Naked Thoughts that Roam About (Nick Hern, 2002), a selection of McGrath's writings on theatre that was shortlisted for the 2002 Theatre Book Prize, and edited and introduced a collection of McGrath's plays in Plays for England (Exeter University Press, 2005).
Nadine has also researched the theatre, creative processes and community activism of the theatre director Joan Littlewood. She published Joan Littlewood as part of the Routledge Performance Practitioners Series in 2006 and Cambridge University Press published Joan Littlewood's Theatre in 2011. Nadine has also published work on Littlewood and Theatre Workshop in the journals New Theatre Quarterly and Research in Drama Education. She has also contributed to a number of documentaries and discussions of Littlewood's work for organisations including the National Theatre in London, the Royal Shakespeare Company and BBC Radio 4.
Nadine's interest in theatre and national identities has resulted in Theatre and National Identity: Re-Imagining Conceptions of Nation (Routledge, 2014), Theatre & Nation (Palgrave, 2010) for the Palgrave Theatre& series and several essays on modern and contemporary Scottish and Northern Irish theatre that have been published in journals and edited collections.
Nadine is on the Advisory Boards for Contemporary Theatre Review, the International Journal of Scottish Theatre and Screen and is a Contributory Editor for New Theatre Quarterly.
Teaching and supervision in 2020/21
Theatre and Performance in Context (autumn and spring terms)
Post-War British Theatre and Social Abjection (autumn term)
Independent Research Option
Director of Research for School of Creative Arts, Performance and Visual Cultures
Research Seminar Series Co-ordinator for Theatre and Performance
Monographs and edited books
2020 English Theatre and Social Abjection: A Divided Nation, Palgrave
2018 The Ecologies of Amateur Theatre, co-written with Jane Milling and Helen Nicholson, Palgrave
2017 co-edited special issue of of Contemporary Theatre Review, 'Theatre, Performance and the Amateur Turn' with Jane Milling and Helen Nicholson, Vol. 27, No 12014 Theatre and National Identity: Re-Imagining Conceptions of Nation, Routledge 2014 European Theatre Performance Practice, 1900 to the Present (co-editor with Geoff Willcocks), Ashgate 2011 Joan Littlewood’s Theatre, Cambridge: Cambridge University Press 2010 Theatre & Nation, Basingstoke: Palgrave
2008 A Companion to Contemporary British and Irish Drama (co-editor with Mary Luckhurst), Oxford: Blackwells, 295 pages
2006 Joan Littlewood, London: Routledge
2005 John McGrath’s Plays for England, Exeter: Exeter University Press
2002 Naked Thoughts That Roam About: Reflections on Theatre by John McGrath, Nick Hern Books (Shortlisted for Society for Theatre Research Book Prize 2002)
2019 'Dramatic Evolutions/Bodily Violations', British Literature in Transition 1980-2000: Accelerated Times, ed. by Eileen Pollard and Berthold Schoene, Cambridge: Cambridge University Press, pp. 76-90
2016 'These Green and Pleasant Lands': Travellers, Gypsies and the Lament for England in Jez Butterworth's Jerusalem, Twenty-First Century Drama: What Happens Now, ed. by Sian Adiseshiah and Louise LePage, Basingstoke: Palgrave, pp. 175-190
2014 ‘Over and Beyond Under Milk Wood: Dylan Thomas, National icons and Re-Imagining the Cultural landscape of Wales’, Theatre and National Identities, ed. by Nadine Holdsworth, New York: Routledge, pp. 41-57
2014 ‘Citizenship, Cardboard Citizens and The Ethics of Inclusion’, Performance Studies: Key Words, Concepts and Theories, edited by Bryan Reynolds, Basingstoke: Palgrave, pp. 133-140
2014 ‘John McGrath’ 50 Modern and Contemporary Dramatists, ed. by Maggie Gale and John Deeney, Routledge, pp. 155-160
2013 ‘David Greig’, Modern British Playwriting: 2000-2009, edited by Dan Rebellato, London: Bloomsbury Methuen, pp. 169-189
2008 ‘The Landscape of Contemporary Scottish Drama: Place, Politics and Identity’ in Nadine Holdsworth and Mary Luckhurst, eds. A Companion to Contemporary British and Irish Drama, Oxford: Blackwells, pp. 125-145
2021 'Disrupting Monopoly: homelessness, gamification and learned resourcefulness' Research in Drama Education: the Journal of Applied Theatre and Performance, Vol. 26, No. 1, pp. 38-52 (https://www.tandfonline.com/eprint/JZQSD8PXYZWAIU6SCYC8/full?target=10.1080/13569783.2020.1838270)
2016 'Performing Place, Heritage and Henry V in Portsmouth Historic Dockyard' Contemporary Theatre Review, Vol. 26, No. 2, pp. 196-210
2014 ‘This blessed plot, this earth, this realm: Staging Treatments of Riots in Recent British Theatre’, Journal of Contemporary Drama in English, Vol. 2, No 1, pp. 78-96
2013 ‘Boys Don’t Do Dance Do They?’ Research in Drama Education: the Journal of Applied Theatre and Performance, Vol. 18, No. 2, pp. 168-173
2007 ‘Spaces to play/playing with spaces: young people, citizenship and Joan Littlewood, Research in Drama Education: the Journal of Applied Theatre and Performance, Vol. 12, No. 3, pp.293-304
- Advisory Board: Contemporary Theatre Review
- Contributory Editor: New Theatre Quarterly
- Member of the Standing Conference of University Drama Departments (SCUDD).
- Member of the Theatre and Performance Research Association (TaPRA).
- Member of the International Federation of Theatre Research (IFTR).
- PhD (Loughborough)
- BA (Loughborough)
or please email to arrange an appointment
Undergraduate modules 2020/21
Theatre and Performance in Context (convenor)
Post-war British Theatre and Social Abjection
Independent Research Option