How to write a book proposal - guidelines
Monograph
How to change a thesis into a book
- A strong introduction that lays foundation for the arguments
- Highlight the author’s contribution (author’s voice) rather than the scholarly apparatus – reduce the footnote referencing
- Strong arguments in accessible language.
- Avoid using too many quotes (editors/readers want to ‘see’ author’s voice)
- Avoid heavy academic jargon
- Theoretical framework must be present throughout the book/chapters
- No literature review (but strong historiographical analysis may be required in some disciplines/fields)
- Streamline the number of case studies/examples
- Thesis covers one small area in lots of detail, whereas a book might have a wider scope with a lower density of examples/case studies)
- Supervisors and viva examiners a good source of advice
- Avoid epigraphs! (or you will need to secure permissions)
- Make sure to obtain permission for images: apply for funding early on.
- Have the courage to submit the manuscript-there is no perfect book!
Contents of a book proposal
- Introduction
- Identify what makes your book unique, what is your original contribution to knowledge and why it would be a good fit for the publisher/series
- Scope/aim of the project
- Methodology/theoretical context
- Breakdown of chapters and possibly a chapter outline
- Sample of one chapter (if required)
- Estimated length of the monograph, and word-count for each chapter
- Identify the readership (primary and secondary readership)
- Identify the geographical regions where the monograph may be more relevant (if applicable)
- Keywords (5 to 10)
- Consider adding a cover letter outlining relevant experience and core idea
- A sense of other books published on similar areas/themes
- Proposed timetable for completion
NB monograph can be standard length (c.80,000-100,000 words) or a short monograph (eg 25,000-50,000) [see Palgrave Pivot]
Edited Volume
Contents of a book proposal
The proposal should be detailed and informative while avoiding specialized language and disciplinary jargon. All proposals should contain the following information:
- Approximately 1500 words describing the volume’s main aims and points of interest, what makes it distinctive, what it adds to the field of study
- A detailed chapter plan, including descriptions of chapter content of approximately 300 words each. Recommend having both an introductory chapter and a conclusion. Note that a book might be accepted on the basis of these chapter summaries alone, so these need to be representative of the final product.
- Be clear about the key themes to be considered by contributors
- Number of illustrations
- Comparable books already published
- Potential market/readership (what disciplines might it speak to?)
- List of authors + affiliations + job titles
- Timetable for completion
- Projected length
- Curriculum vitae of editor(s)
- Possible that a workshop structure will add cohesion and so chapters speak to each other. Consider pairing up chapters in draft form to facilitate dialogue.
- Suggestions of peer-reviewers (some publishers)
What makes a good proposal?
- Cohesion of the book - are the chapters in dialogue with one another? Are there clear thematic groupings or argumentative threads running across subsections?
- Identifying a clear gap in current scholarship that this collection will fill
- Rationale for the choice of essays
- Enough detail in the chapter summaries to be convincing: you might get a contract just on this basis
- An identification of a target and possible additional audience
- Have a range of contributors (career stage, gender, geographical spread, discipline)
- Clear sense of how this edited collection contributes to the series you’re pitching it to
- Also, a sense of how the proposed volume relates to your own field of research especially if you are a doctoral/post-doc candidate
- A realistic timeline
Key things to think about
- How will this monograph/edited collection situate you as a scholar in your field? How will people who read this book remember you?
- Who is your audience, and which publisher(s) and series best suit that audience?
- What makes your idea/intervention memorable and important? (Communicate this in the proposal!)
- Where do you want to see yourself in the next 5-10 years? What does it imply in terms of publishing your work and, therefore, your choice of a publisher?
- Have a contingency plan in place in case of contributors in an edited volume drop out.
- If you are considering submitting the proposal as part of a series, consider how it fits in with the other titles.
- Whether you practically have the time to carry out the project such that it does not overtake your other research work (esp for an edited vol.)
- Which referencing style works best for this collection/your field generally? How are you going to ensure that contributors follow the stylistic guidelines?
- If working with others, set clear deadlines + guidelines. Send out regular updates to all on progress with the volume (both before and after acceptance). This will help contributors plan their time.