26 October 2023
Sofia Gotti (Newton Trust/Leverhulme Early Career Fellow at the University of Cambridge)
Art and democratisation in 1960s and 1970s Latin America

2 November 2022
Eric C. H. de Bruyn (Professor, Freie Universität Berlin)
In conversation with Naomi Vogt

23 November 2022
Joanne Allen (Senior Professorial Lecturer, American University)
"Transforming the Church Interior in Renaissance Florence"

11 January 2023
Michelle Millar Fisher (Curator, Museum of Fine Arts, Boston)
"Designing Motherhood: Curating Outside Museums and With Community"

25 January 2023
Teresa Martinez Martinez (History of Art, PhD student)
Religious buildings in Zamora, 11th-13th Centuries

8 February 2023
Tom Young (Leverhulme Trust Early Career Fellow, University of Warwick)
Lithography and the Modern World

8 March 2023
Zuleika Murat (Associate Professor, Università degli Studi di Padova)
Somatised Spiritual Experiences in Medieval Europe

15 March 2023
Cristina Beltrami (Independent Curator)
Exhibiting Glass: The Rosenberg Collection and Glass Ark at the Stanze del Vetro

20 October 2021

Eliza Rose (University of North Carolina – Chapel Hill)

Giving Back the Gift: The Problems of Patronage and an Offering from Włodzimierz Borowski

17 November 2021

Michael Boyce Gillespie (The Graduate Center, CUNY)

Black on Both Sides: New Directions in Film and Media

1 December 2021

Cora Gilroy-Ware (University of Oxford)

Not Making Sense: The Invisibly Black Figure and Visual Art

8 December 2021

Amanda Chadbourne (The University of Warwick)

Materfamilias: Developments in the Visual Representation of Women in Family Group Portraits from 16th c. Venice

2 March 2022

Alex Buchanan and Nick Webb (University of Liverpool)

Tracing Tierceron Vaults at Lincoln Cathedral

15 June 2022

Rebecca Bridgman (Birmingham Museum of Art)

BMAG but not as you know it: Generating Social Trust, Belonging and Solidarity through Radical Redisplay

30 June 2022

Giorgio Tagliaferro (University of Warwick)

21 October 2020

PhD-led Reading Group

The Production and Practice of Art in China

28 October 2020

Claire Bishop (The Graduate Center, CUNY)

Interventions: The Art of Political Timing

4 November 2020

Lucinda Towler (The University of Warwick)

Tom Wesselmann’s Pop Art Nudes – A Deweyan Experience ?

18 November 2020

Dr Sophie Cras (Université Paris I Panthéon-Sorbonne) and Dr Diana Greenwald (Isabella Stewart Gardner Museum)

Intersections of Art History and Economics: Two Approaches

25 November 2020

Reading Group

Decolonizing American Art

2 December 2020

Tashima Thomas (Pratt Institute)

Banana Futures and Contemporary Latinx Art

9 December 2020

Tamara Golan (The University of Chicago)

Unnatural Evidence: Juridical and Artistic Inquiry in Late Medieval Switzerland

27 January 2021

PhD-led Reading Group

Sensation in Art History

3 February 2021

Carolina Bandinelli (University of Warwick)

Love Me, Tinder: Exploring Digital Cultures of Love

10 February 2021

Tim White (University of Warwick)

From Argos to Eros

24 February 2021

Lucy Brydon (University of Warwick)

Exploring Mental Health Through Film Practice: Making my Debut Feature Film

3 March 2021

Wenny Teo (The Courtauld Institute of Art)

Art and the Geopolitics of Infrastructure on China’s ‘New Silk Road’

10 March 2021

Mara Polgovsky Ezcurra (Birkbeck, University of London)

Mutable Bodies: Abstraction and Modern Dance in 1960s Argentina

17 March 2021

Lorenzo Pericolo (University of Warwick)

The Logos of the Formless: Deleuze’s The Fold and Jean Dubuffet

26 May 2021

PhD-led Research Group

Obscenity as an Aesthetic Category

30 June 2021

Amanda Hilliam (I Tatti/The Courtauld) and Jonathan Watkins (director of Ikon Gallery, Birmingham)

Carlo Crivelli at Ikon and the National Gallery