Joris van Gastel, Il marmo spirante : sculpture and experience in seventeenth-century Rome.
Donal Cooper (with Janet Robson). 'The Making of Assisi: The Pope, the Franciscans and the Painting of the Basilica'. Yale University Press, 2013.
30 October 2013
Joris van Gastel. ‘Michelangelo’s Lesson: The Baroque Bozzetto between Creation and Destruction’, in Das Haptische Bild, ed. by Iris Wenderholm, Jörg Trempler and Markus Rath (Berlin: Akademie Verlag 2013), pp. 209–225. Published: 30 October 2013.
25 October 2013
Named lecture. The First Warwick in Venice Biennial Lecture in the History of Art. 'Portraying Beauty: Parmigianino, Raphael and Titian', delivered by Elizabeth Cropper, Dean, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington DC.. Date: 25 October 2013. Location: Palazzo Pesaro Papafava, Cannaregio, Venice. Online recording of lecture.
13 August 2013
Joris van Gastel. "Navigating Naples: The Italian Home of great art, atmosphere, architecture (and pizzas)". Online article for the Knowledge Centre, University of Warwick. http://www2.warwick.ac.uk/knowledge/culture/navigating-naples-the-italian-home-of-great-art-atmosphere-architecture-and-pizzas
10 July 2013
Donal Cooper, "Rethinking Early Italian Panel Painting and the Primacy of the Altarpiece : Giotto’s Stigmatization of Saint Francis and its Pisan Context". In Art History . Published online: 10 July 2013. Art History Volume 36, Issue 4, pages 686–713, September 2013. ISSN 0141-6790. Abstract: http://onlinelibrary.wiley.com/doi/10.1111/1467-8365.12030/abstract
Donal Cooper. ‘Giotto et les Franciscans’. Essay in the exhibition catalogue Giotto e compagni, and sections on ‘Le commanditaire’ and ‘Emplacement et fonction’ in the chapter on ‘Saint François recevant les stigmates’. Exhibition held at the Musée du Louvre, Paris, 18 April to 15 July 2013. Publisher. Exhibition.
Research paper presentation
26 February 2013
Giorgio Tagliaferro. 'Titian's Serravalle Altarpiece and His Work in the 1540s', University of Cambridge, Department of History of Art.
Chapter in exhibition catalogue
15 February 2013
Cooper, Donal. ‘The Franciscan Context’. Chapter in the catalogue for the exhibition The Caporali Missal: A Masterpiece of Renaissance Illumination, held at Cleveland Museum of Art, 17 February – 2 June 2013: The Caporali Missal: A Masterpiece of Renaissance Manuscript Illumination, ed. Stephen Fliegel (Cleveland: Cleveland Museum of Art, 2013), pp. 51-67. Published: 15 February 2013.
A little-known and rediscovered illuminated manuscript from the Renaissance is the focal point of this enthralling exploration of Umbrian painting, the role of the Franciscan order, and the artists Bartolomeo and Giacepo Caporali.
Edited book published