Matthew Bliss - PhD
Building the ‘property-owning democracy’: Speculative housebuilding in England, 1950-2000

Ellie Brown - PhD
Shopping Centres Post-War and Post-Covid

Natasha Burbridge - PhD

Amanda Chadbourne – PhD

The economic and social importance of women in sixteenth century Venice through family portrait paintings

Xueyan Cheng – PGR

Clémence Couriet Bossan - Phd

The Life and Career of French Art Dealer Georges Petit (1856-1920)

Letitia Clulow

Adam Coleman

Jason Cyrus - PhD

Couture & the Postcolonial Lens

Smriti Dutt - PhD

Reviving the embroidery art of Chamba Rumal: An exploration of the relationship between verbal and visual narration

Lukas Enkhjargal – PhD

Thinking of Glass Through Its Materiality: A Critical Examination of the Centrality of Glass in the Duchampian Legacy in Post-1915 Artistic Practice

Ella Flavell - PhD

Living Roots: Art Brut Within and Without the Western Art World, 1930-1988

Timothy Gawaya - PGR

Thomas Goodwin - PGR

Tianyu He - MA by Research

Sijia Huang - PhD

Perception of Colours of Light in Contemporary Art: Olafur Eliasson as a Case Study

Viv Lawes

Haoyang Lin – PhD

Representing China in Italy: From Marco Polo to the First Jesuit Missions

Emma Lovell

Maialen Maugars - PhD

New Collecting Narratives: Birmingham Museums' Italian Renaissance and Baroque Decorative Arts Collection

Daniel Rathbone – PGR

Mark Scott - PhD (with Theatre Studies)

Theatre Building Design

Laura Staccoli - PhD

Theory, practice and culture of disegno in the Carracci’s reform of the arts, 1582-1619

Francesco Tollot – PhD

Claudia di Tosto - PhD

From Empire to Commonwealth: Britain at the Venice Biennale, 1948 – present

Lucinda Towler-PhD

Interpreting Tom Wesselmann's Nudes: Pop, Prurience and Pragmatism in 1960s New York

Bryony Wilde - PhD

Truth be Carved: A comparative study of medieval roof bosses in the parish church 1330-1520

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Applying to Study

Find out more about research degrees in History of Art at Warwick.