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Other main publications

  • A Wider Trecento. Studies in 13th- and 14th- Century European Art Presented to Julian Gardner, edited with Robert Gibbs, Brill, 2012 (includes ‘Some Pilgrimage Sources for Altichiero’, pp. 190-199).
  • 'The Serenissima's Largesse to Paduans in the Early Fifteenth Century', in L'iconografia della solidarieta, eds M. G. Muzzarelli and M. Carboni, Marsilio, 2012, pp. 59-66.
  • 'The Arts in Florence after the Black Death’ in Florence, ed. Francis Ames-Lewis, Cambridge, 2012, pp. 70-118.
  • ‘From Tomb to Museum: Andriolo de’ Santi’s Model City’, in The Challenge of the Object/Die Herausforderun des Objekts (Proceedings of the 33rd Congress of the International Committee of the History of Art, 2012) eds. G.U. Großmann and P. Krutisch, Nuremberg, 2014, vol. 4, pp. 1430-1432.
  • ‘”Master” Plans of Devotion or Daily Pragmatism? The Dedication and Use of Chapels and Conventual Spaces by the Friars and the Laity at the Santo 1263-1310’, Il Santo, LI (2011), pp. 492-510.
  • ‘Exports to Padua Trecento style: Altichiero’s Roman legacy’, in Rome Across Time and Space. Cultural Transmission and the Exchange of Ideas c. 500–1400, eds. Claudia Bolgia, Rosamond McKitterick and John Osborne, Cambridge University Press, 2011, pp. 291-302.
  • 'Time-Keeping in Fourteenth-Century Venetian Sculpture: Andriolo de Santi's Absenteeism', The Sculpture Journal, 19.1 (2010), pp. 102-107.
  • 'Pellegrini, santi, artisti. Per un'iconografia del viaggio in veneto nel tardo medioevo', in Il viaggio e le arti: il contesto italiano, eds L. Bertolini and A. Cipollone, Alessandria, 2009, pp. 193-201.
  • 'Religious Orders and Their Fresco Cycles in the Later Middle Ages', in Le immagini del francescanesimo. Atti del XXXVI Convegno internazionale Assisi, 9-11 ottobre 2008, Spoleto, 2009, pp. 195-216.
  • Art and the Augustinian Order in Early Renaissance Italy, edited with Anne Dunlop, Ashgate, 2007 (includes 'Entombing the Founder St Augustine of Hippo', pp. 29-50).
  • ‘Painting The Poor and the Infirm in Trecento Padua and Venice’, in Armut und Armenfürsorge in der italienischen Stadtkultur zwischen dem 13. und 16. Jahrhundert. Bilder, Texte und soziale Praktiken, eds. P. Helas and G. Wolf, Frankfurt am Main, Berlin, Bern: Peter Lang, 2006, pp. 335-348.
  • ‘Displaying the Bodily Remains of Saint Anthony of Padua’, in Bild und Körper im Mittelalter, eds. K. Marek, R. Preisinger, M. Rimmele, K. Kärcher, Paderborn: Fink Verlag, 2006, pp. 243-255.
  • The Franciscans and Art Patronage in Late Medieval Italy, Cambridge University Press, 2004; paperback edn. 2011.
  • ‘Guariento’s Crucifix for Maria Buvolini in San Francesco, Bassano: Women and Franciscan Art in Italy during the Later Middle Ages’, in Pope, Church and City. Studies in Honour of Brenda Bolton, ed. F. Andrews, C. Egger, C. Rousseau, Leiden: Brill, 2004, pp. 309-323.
  • ‘Altichiero’s Anchona for Margareta Lupi: a Context for a Lost Painting’, The Burlington Magazine, 144 (2002), pp. 291-293.
  • ‘D’un ordre à l’autre. Choix iconographiques des ordres mendiants à Bolzano’, in D’une montagne à l’autre. Etudes comparées, Cahiers du CHRIPA, 6, ed. D. Rigaux, Grenoble: Université Pierre Mendès, 2002, pp. 221-241.
  • ‘Death and the Patron: Andriolo de Santi, Bonifacio Lupi, and the Chapel of San Giacomo in Padua’, in Il Santo, 39 (1999), pp. 687-697.
  • ‘De origine et progressu ordinis fratrum heremitarum: Guariento and the Eremitani in Padua’, Papers of the British School at Rome, 66 (1998), pp. 177-192.

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