• In preparation: Inventing Ritual: Contemporary Art and the Moving Image of Social Reality (book).
• 'The Invention of (YouTube) Ritual and Pierre Huyghe's Holiday.' TDR: The Drama Review vol. 65 no. 4 (2021): 147-65.
• ‘I Didn’t Know What I Was Doing: Tupaia's Postcolonial Funeral and Ritual Art in Britain'. In Cook’s New Clothes. Edited by Khadija von Zinnenburg Carroll (forthcoming 2022).
• Translator: ‘To Expose, To Show, To Demonstrate, To Offer, by Elisabeth Lebovici in Ce que le sida m'a fait, OAR: 4 (2021).
• 'Extreme Performances that Lived Inside a Book'. Art Journal vol.74 no.3 (2020): 97-100.
• Editor and co-founder of the journal OAR: The Oxford Artistic and Practice Based Research Platform. Editor of themed Issues 0 to 4: ‘Response’ (2016), ‘Sites of Research’ (2017), ‘Validity’ (2017), ‘That's All There Is’ (2018), and ‘Working with You’ (2021).
• 'New Validities'. JAR: Journal for Artistic Research (2018), co-authored with Jessyca Hutchens, Anita Paz, and Nina Wakeford.
• ‘Divine Girlhoods: Filming Young Women in France's Banlieues.’ Cineaste vol. XLII no. 3 (2017): 38-42.
• Translator: ‘Twelve Fragments to Take Off in 40,000 signs,’ by Groupe μ (1978) and ‘Collages,’ by Jean Arp (1955). In The Ends of Collage, 138-40; 170-3. New York: Luxembourg and Dayan, 2017.
• 'Seeing First and Then Still: Art Historians and Objects.' OAR: Issue Zero (2016).
• 'Small Monuments: Recording and Forgetting in the Work of Steve McQueen.' Third Text vol. 29 no. 3 (2015): 123-40.
• 'Chris Killip et John Smith au BAL,' 'La double rétrospective d'Aloïse Corbaz,' 'La documenta 2012 à Kassel.' L'Intermède (2012).