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Publications

  • In preparation: Inventing Ritual: Contemporary Art and the Moving Image of Social Reality (book).
  • 'The Invention of Ritual: Ceremonies on YouTube and Pierre Huyghe’s Holiday’ TDR: The Drama Review (forthcoming).
  • ‘I Didn’t Know What I Was Doing: Tupaia's Postcolonial Funeral and Ritual Art in Britain'. In Cook’s New Clothes. Edited by Khadija von Zinnenburg Carroll (London: Bloomsbury, forthcoming).
  • 'Extreme Performances that Lived Inside a Book'. Art Journal vol.74, book review (forthcoming 2020).
  • Editor and co-founder of the journal OAR: The Oxford Artistic and Practice Based Research Platform. Editor of themed Issues 0 to 4: ‘Response’ (2016), ‘Sites of Research’ (2017), ‘Validity’ (2017), ‘That’s All There Is’ (2018), and ‘Working with You’ (forthcoming 2020). http://www.oarplatform.com/.
  • Translator of ‘To Expose, To Show, To Demonstrate, To Offer,’ by Elisabeth Lebovici, OAR: 4 (forthcoming 2020).
  • ‘Divine Girlhoods: Filming Young Women in France’s Banlieues.Cineaste vol. XLII no. 3 (2017): 38-42, https://www.academia.edu/34857054/Divine_Girlhoods_Filming_Young_Women_in_
    Frances_Banlieues
    .
  • ‘Small Monuments: Recording and Forgetting in the Work of Steve McQueen.’ Third Text vol. 29 no. 3 (2015): 123-40, https://www.tandfonline.com/doi/abs/10.1080/09528822.2015.1090671.
  • ‘New Validities.’ JAR: Journal for Artistic Research (2018), co-authored with Jessyca Hutchens, Anita Paz, and Nina Wakeford, http://jar-online.net/new-validities/.
  • Translator of ‘Twelve Fragments to Take Off in 40,000 signs,’ by Groupe μ (1978) and ‘Collages,’ by Jean Arp (1955). In The Ends of Collage, 138-40; 170-3. New York: Luxembourg and Dayan, 2017.