HA330: The Emergence of the European Avant-Gardes 1910-1940 Bibliography
Department of History of Art
University of Warwick
[HA330] The Emergence of the European Avant-Gardes 1910-1940
Course Tutor: Dr Jonathan Vickery
Extended Bibliography
NB: This is a general subject bibliography, organised by `movement' and according to the course structure; monographs on individual artists can be located in the library catalogue.
Primary Sources |
|
Apollinaire, Guillaume | The Cubist Painters, NY, George Wittenborn, 1970. |
Apollonia, Umbro (ed.) | Futurist Manifestos, London, Thames and Hudson, 1973. |
Bataille, Georges | The Absence of Myth: Writings on Surrealism, London, Verso, 1994. |
Breton, André | Nadja, Paris, Gallimard, 1963. |
Breton, André | Surrealism and Painting, London, Macdonald, 1965. |
Breton, André | What is Surrealism? Selected Writings, London, Pluto Press, 1978. |
De Stijl | Netherlands, 1917-1932. [Arts Periodicals] |
Doesberg, Theo von | On European Architecture: Complete Essays 1924-1931, Birkhäuser Verlag, 1990. |
Gleizes, Albert | Puissances du Cubism, Paris, Presence, 1969. |
Gleizes, Albert and Jean Metzinger Du `Cubism', Paris, Eugène Figuière, 1912. | |
Gropius, Walter | The New Architecture and the Bauhaus, London, Faber and Faber, 1966. |
Huelsenbeck, Richard | Dada Almanach, London, Atlas Press, 1993. |
Huelsenbeck, Richard | Memoirs of a Dada Drummer, NY, Viking, 1974. |
Itten, Johannes | Design and Form: The Basic Course at the Bauhaus, London, Thames and Hudson, 1967. |
Kahnweiler, Daniel Henry My Galleries and Painters, London, Thames and Hudson, 1971. | |
Kandinsky, Wassily | Concerning the Spiritual in Art (trans. M.T.H. Sadler), NY, Dover, 1977. |
Kandinsky, Wassily and Marc, Franz The Blaue Reiter Almanac, London, Thames and Hudson, 1974. | |
Klee, Paul | On Modern Art, London, Faber and Faber, 1984. |
Klee, Paul | Pedagogical Sketchbook, London, Faber and Faber, 1968. |
Marinetti, Filippo | The Futurist Cookbook (trans. Suzanne Brill), London, Bedford Arts, 1989. |
Mondrian, Piet | Natural Reality and Abstract Reality: An Essay in Trialogue Form 1919-1920, NY, Braziller, 1995. |
Motherwell, Robert | The Dada Painters and Poets: An Anthology, Camb.Mass., Belknap, 1989. |
Ozenfant, Amédée | Foundations of Modern Art, NY, Dover, 1952. |
Richter, Hans | Dada: Art and Anti-Art, London, Thames and Hudson, 1965. |
Spiller, Jürg (ed.) | Paul Klee Notebooks, Vol. 1: The Thinking Eye, London, Lund Humphries, 1969. |
Spiller, Jürg (ed.) | Paul Klee Notebooks, Vol. 2: The Nature of Nature, London, Lund Humphries, 1970. |
Tzara, Tristan | Seven Dada Manifestos and Lampisteries, London, John Calder, 1977. |
General |
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Adam, Peter | Art of the Third Reich, NY, Abrams, 1992. |
Banham, Rayner | Theory and Design in the First Machine Age, Camb.Mass., MIT, 1992. |
Barron, Stephanie | `Degenerate Art': The Fate of the Avant-Garde in Nazi Germany, NY, Abrams, 1991. |
Carrà, Massimo | Metaphysical Art, London, Thames & Hudson, 1971. |
Elliot, David | Germany in Ferment [catalogue for the exhibition held in] Durham, The University, 1970. |
Fer, Briony, et.al. | Realism, Rationalism, Surrealism: Art Between the Wars, The Open University, 1993. |
Fer, Briony, et.al. | Russian Art and the Revolution, The Open University, 1983. |
Forster-Hahn, Françoise (ed.) Imagining Modern German Culture 1889-1910, Washington D.C., National Gallery of Art, 1996. | |
Frampton, Kenneth | Modern Architecture: A Critical Inquiry, London, Thames and Hudson, 1992. |
Giry, Marcel | Fauvism: Origin and Development, NY, Alpine Fine Art, 1981. |
Goldwater, Robert | Primitivism in Modern Art, Camb.Mass., Belknap Press, 1986. |
Golomstock, Igor | Totalitarian Art, London, Collins Harvill, 1990. |
Guttsman, W.L. | Art for the Workers: Ideology and the Visual Arts in Weimar Germany, Manchester University Press, 1997. |
Haftman, Werner , et.al. | German Art of the Twentieth Century, (exhib.cat.), NY, MOMA, 1957. |
Harrison, Charles, et.al. | Primitivism, Cubism, Abstraction: The Early Twentieth Century, The Open University, 1993. |
Hartley, Keith (ed), et.al. | The Romantic Spirit in German Art 1790-1990, South Bank Centre, London, Hayward Gallery, 1994. |
Herbert, James D | Fauve Painting: The Making of Cultural Politics, Yale University Press, 1992. |
Hesse, Thomas B. | Avant-Garde Art, London, Collier-Macmillan, 1968. |
Hofmann, Werner | Turning points in Twentieth Century Art 1890-1917, London, Allen Lane, 1969. |
Images of Power in the 1930s, (exhib.cat.), South Bank centre, London, Hayward Gallery, 1995. | |
Joachimides, Christos M., (ed) et.al. German Art in the Twentieth Century: Painting and Sculpture 1905-1985, (exhib.cat.), London, Royal Academy of Arts, 1985. | |
Kent, Sarah, and Gillen, Eckhardt (eds.) Berlin: A Critical View: Ugly Realism 20's-70s, (exhib.cat.), London, Institute of Contemporary Arts, 1978. | |
Maleka, Maria | The Munich Secession: Art and Artists in Turn of the Century Munich, Princeton University Press, 1990. |
Meskimmon, Marsha and West, Shearer Visions of the `Neue Frau': Women and the Visual Arts in Weimar Germany, Aldershot, Scolar Press, 1995. | |
Morris, Kelly and Woods, Amanda (eds.) Art in Berlin 1815-1989, (exhib.cat.), Atlanta, High Museum of Art, 1990. | |
Muller, Joseph-Emile | Fauvism, London, Thames and Hudson, 1967. |
Nash, John | Cubism, Futurism and Constructivism, London, Thames and Hudson, 1974. |
Neue Sachlichkeit and German Realism of the Twenties, (exhib.cat.), London Hayward Gallery Arts Council of Great Britain, 1979. | |
Paret, Peter | The Berlin Secession: Modernism and Its Enemies in Imperial Germany, Camb.Mass., Belknap Press, 1980. |
Perry, Gill, et.al. | The Two Exhibitions: The Fauves, 1905, and die Brücke, 1906, The Open University, 1983. |
Perry, Gill, et.al. | Georg Grosz and Weimar Germany, The Open University, 1983. |
Petropoulos, Jonathan | Art as Politics in the Third Reich, University of North Carolina Press, 1996. |
Rogof, Irit (ed.) | The Divided Heritage: Themes and Problems in German Modernism, Cambridge University Press, 1991. |
Selwood, Sara, et.al. | Abstraction and Kandinsky, The Open University, 1983. |
Shrader, Bärbel, and Jürgen Schebera The `Golden' Twenties: Art and Literature in the Weimar Republic, Yale University Press, 1988. | |
The Twilight of the Tsars: Russian Art at the Turn of the Century (exhib.cat.), South Bank Centre, London, Hayward Gallery, 1991. | |
Vergo, Peter, et.al. | Abstraction: Towards a New Art 1910-20 (exhib.cat.), London, Tate Gallery, 1986. |
Werenskiold, Marit | The Concept of Expressionism: Origin and Metapmorphosis, Oslo, Universitetsforlaget, 1984. |
Wescher, Herta | Collage, NY, Abrams, 1968. |
West, Shearer | The Visual Arts in Germany 1890-1937: Utopia and Despair, Manchester University Press, 1998. |
Willett, John | The New Sobriety 1917-1933: Art and Politics in the Weimar Period, London, Thames and Hudson, 1978. |
Willett, John | The Weimar Years: A Culture Cut Short, London, Thames and Hudson, 1984. |
German Expressionism |
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Barron, Stephanie | German Expressionism 1915-1925: The Second Generation, Munich, Prestel, 1988. |
Barron, Stephanie, and Dube, Wolf-Dieter German Expressionism: Art and Society, London, Thames and Hudson, 1997. | |
Barry, Herbert | German Expressionism: die Brücke and der Blaue Reiter, London, Jupiter, 1983. |
Behr, Shulamith | Women Expressionists, Oxford, Phaidon, 1988. |
Boudaille, George | Expressionists, NY, Alpine Fine Arts, 1976. |
Dube, Wolf-Dieter | The Expressionists, London, Thames and Hudson, 1972. |
Expressionism: The Buchheim Collection, (exhib.cat.), Minneapolis, Minneapolis Institute of Arts, 1983. | |
Gerhardus, Mary and Dietfried | Expressionism: From Artistic Commitment to the Begninning of a New Era, Oxford, Phaidon, 1976. |
Gordon, Donald E. | Expressionism: Art and Idea, Yale University Press, 1989. |
Jähner, Horst | Künstlergruppe Brücke, Berlin, Kohlhammer, 1984. |
Lloyd, Jill | German Expressionism: Primitivism and Modernity, Yale University Press, 1991. |
Long, Rose-Carol Washton (ed.) German Expressionism: Documents from the End of the Wilhelmine Empire to the Rise of National Socialism, NY, G.K.Hall and Co., 1993. | |
Myers, Bernard S. | Expressionism: A Generation in Revolt, London, Thames and Hudson, 1963. |
Sotriffer, Kristian | Expressionism and Fauvism, NY, McGraw-Hill, 1972. |
Uhr, Horst | Masterpieces of German Expressionism, Detroit Institute of Arts, 1982. |
Weinstein, Joan | The End of Expressionism: Art and the November Revolution in Germany, 1918-19, University of Chicago Press, 1990. |
Willett, John | Expressionism, London, Weidenfeld and Nicolson, 1970. |
Cubism |
|
Barr, Alfred H. | Cubism and Abstract Art (exhib.cat., [1936]), NY, MOMA, 1966. |
Cooper, Douglas | The Cubist Epoch, London, Phaidon, 1970. |
Cooper, Douglas, and Tinterow, Gary The Essential Cubism: Braque, Picasso and their Friends, 1907- 1920, London, Tate Gallery, 1983. | |
Cubism and La section D'Or: Works on Paper (exhib.cat.), Chicago, R.S.Johnson Fine Art, 1989. | |
Fabre, Josep Palau I | Picasso Cubism (1907-1917), Könemann, 1996. |
Frascina, Francis, et.al. | Cubism: Picasso and Braque, The Open University, 1983. |
Fry, Edward F. | Cubism, London, Thames and Hudson, 1978. |
Gamwell, Lynn | Cubist Criticism, Ann Arbor, Michegan, UMI Research Press, 1980. |
Gerhardus, Mary and Dietfried Cubism and Futurism, The Evolution of the Self-Sufficient Picture, Oxford, Phaidon, 1977. | |
Gleizes, Albert | Puissances du Cubism, Paris, Presence, 1969. |
Gleizes, Albert and Jean Metzinger Du `Cubism', Paris, Eugène Figuière, 1912. | |
Golding, John | Cubism : A History and an Analysis, London, Faber and Faber, 1968. |
Gray, Christopher | Cubist Aesthetic Theories, Baltimore, Johns Hopkins University Press, 1953. |
Judkins, Winthrop | Fluctant Representation in Synthetic Cubism: Picasso, Braque, Gris, 1910-1920, NY, Garland, 1976. |
Kahnweiler, Daniel Henry My Galleries and Painters, London, Thames and Hudson, 1971. | |
Ozenfant, Amédée | Foundations of Modern Art, NY, Dover, 1952 |
Rosenblum, Robert | Cubism and Twentieth Century Art, NY, Abrams, 1976. |
Schmeller, Alfred | Cubism, London, Methuen, 1961. |
Schwartz, Paul Waldo | The Cubists, London, Thames and Hudson, 1971. |
Spate, Virginia | Orphism: The Evolution of Non-Figurative Painting in Paris, 1910-1914, Oxford, Clarendon Press, 1970. |
Dada |
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Ades, Dawn | Dada and Surrealism, London, Thames and Hudson, 1974. |
Erickson, John D. | Dada: Performance, Poetry and Art, Boston, Twayne, 1984. |
Gordon, Mel (ed.) | Dada Performance, NY, PAJ, 1987. |
Greenberg, Allan C. | Artists and Revolution: Dada and the Bauhaus, 1917-1925, Ann Arbor, Michegan, UMI Research Press, 1979. |
Huelsenbeck, Richard | Dada Almanach, London, Atlas Press, 1993. |
Huelsenbeck, Richard | Memoirs of a Dada Drummer, NY, Viking, 1974. |
Inez, Hedges | Languages of Revolt: Dada and Surrealist Literature and Film, Durham, NC, Duke University Press, 1983. |
Kuenzli, Rudolph E. (ed.) Dada and Surrealist Film, Camb.Mass., MIT, 1996. | |
Motherwell, Robert | The Dada Painters and Poets: An Anthology, Camb.Mass., Belknap, 1989. |
Richter, Hans | Dada: Art and Anti-Art, London, Thames and Hudson, 1965. |
Rubin, William S. | Dada, Surrealism and their Heritage, NY, MOMA, 1968. |
Sawelso, Naomi | Women in Dada, Essays on Sex, Gender and Identity, Camb.Mass., MIT, 1988. |
Scharf, Marina | `Liberation through Art: Dada and Surrealism' in Modern Art 1848 to the Present: Styles and Social Implications, Open University, 1976. |
Sheppard, Richard (ed.) | New Studies in Dada: Essays and Documents, Hutton Press, 1981. |
Tzara, Tristan | Seven Dada Manifestos and Lampisteries, London, John Calder, 1977. |
Verkauf, Willy (ed.) | Dada: Monograph of a Movement, London, St.Martin's Press, 1975. |
Watts, Harriett Ann | Chance: A Perspective on Dada, Ann Arbor, Michegan, UMI Research Press, 1980. |
Young, Alan | Dada and After: Extremist Modernism and English Literature, Manchester University Press, 1981. |
Futurism |
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Apollonia, Umbro (ed.) | Futurist Manifestos, London, Thames and Hudson, 1973. |
Berghaus, Günter | Futurism and Politics: Between Anarchist Rebellion and Fascist Reaction, Oxford, Berghahn, 1996. |
Clough, Rosa Trillo | Futurism: The Story of A Modern Art Movement, Conn., Greenwood Press, 1961. |
Futurismo: 1909-1919, (exhib.cat.), Northern Arts and Scottish Arts Council, 1972. | |
Kirby, Michael | Futurist Performance: with Manifestos and Playscripts, NY, Dutton, 1971. |
Le Futurism (exhib.cat.), Paris, Museé National d'art Moderne, 1973. | |
Lynton, Norbert | `Futurist Art and the Dynamism of Modern Life' in Modern Art 1848 to the Present: Styles and Social Implications, Open University, 1976. |
Marinetti, Filippo | The Futurist Cookbook (trans. Suzanne Brill), London, Bedford Arts, 1989. |
Martin, Marianne W. | Futurist Art Theory 1909-1915, NY, Hacker, 1978. |
Perloff, Marjorie | The Futurist Moment: Avant-Garde, Avant Guerre and the Language of Rupture, Chicago University Press, 1989. |
Pontus, Hultén | Futurism and Futurisms, NY, Abbeville, 1986. |
Rye, Jane | Futurism, London, Studio Vista, 1972. |
Taylor, Joshua C. | Futurism, (exhib.cat.), NY, MOMA, 1961. |
Tisdall, Caroline | Futurism, London, Thames and Hudson, 1977. |
Toffler, Alvin | The Futurists, NY, Random House, 1972. |
Surrealism |
|
Alexandrian, Sarane | Surrealist Art, London, Thames and Hudson, 1970. |
Balakian, Anna | Surrealism: The Road to the Absolute, University of Chicago Press, 1986. |
Bataille, Georges | The Absence of Myth: Writings on Surrealism, London, Verso, 1994. |
Batchelor, David and Harrison, Charles et,al. Surrealism, The Open University, 1983. | |
Bradley, Fiona | Surrealism, London, The Tate Gallery, 1997. |
Breton, André | Nadja, Paris, Gallimard, 1963. |
Breton, André | Surrealism and Painting, London, Macdonald, 1965. |
Breton, André | What is Surrealism? Selected Writings, London, Pluto Press, 1978. |
Caws, Mary Anne et.al. (eds.) Surrealism and Women, Camb.Mass., MIT, 1991. | |
Chadwick, Whitney | Myth in Surrealist Painting, 1929-1939, Ann Arbor, Michegan, UMI Research, 1980. |
Gascoyne, David | A Short Survey of Surrealism, London, Cobden-Sanderson, 1936. |
Henning, Edward B. | The Spirit of Surrealism (exhib.cat.), Cleveland Museum of Art, 1979. |
Jean, Marcel | A History of Surrealist Painting, London, Weidenfeld and Nicholson, 1960. |
Levitt, Annette Shandler | The Genres and Genders of Surrealism, London, Macmillan, 1999. |
Lewis, Helena | Dada Turns Red: The Politics of Surrealism, Edinburgh University Press, 1990. |
Nadeau, Maurice | The History of Surrealism, London, Plantin, 1987. |
Pierre, José | Surrealism, London, Heron, 1970. |
Pierre, José (ed.) | Investigating Sex: Surrealist Research 1928-1932, London, Verso, 1992. |
Read, Herbert (ed.) | Surrealism, London, Faber and Faber, 1971. |
Schneede, Uwe M. | Surrealism, London, Heron, 1970. |
Wilson, Simon | Surrealist Painting, Oxford, Phaidon, 1982. |
Suprematism and Constructivism |
|
Art in Revolution: Soviet Art and Design since 1917 (exhib.cat.), Arts Council of Great Britain, London, Hayward Gallery, 1971. | |
Bann, Stephen (ed.) | The Tradition of Constructivism, NY, Da Capo Press, 1974. |
Bowlt, John E. (ed.) | Russian Art of the Avant-Garde: Theory and Criticism 1902-1934, NY, Viking Press, 1976. |
Cooke Catherine (ed.) | Russian Avant-Garde Art and Architecture, London, Architectural Design and Academy Editions, 1983. |
Cooke, Catherine | Russian Avant-Garde: Theories of Art, Architecture and the City, London, Academy Editions, 1995. |
Elliott, David | New Worlds: Russian Art and Society 1900-1937, London, Thames and Hudson, 1986. |
Gibion, George, and Tjalsma, H.W. (eds.) Russian Modernism: Culture and the Avant-Garde, 1900- 1930, Cornell University Press, 1976. | |
Gray, Camilla | The Russian Experiment in Art 1863-1922, London, Thames and Hudson, 1962. |
Gropius, Walter | The New Architecture and the Bauhaus, London, Faber and Faber, 1966. |
Lodder, Christina | Russian Constructivism, Yale University Press, 1983. |
Nakov, Andrei, B. | Russian Pioneers: At the Origins of Non-Objective Art, London, Annely Juda, 1976. |
Rickey, George | Constructivism: Origins and Evolution, London, Studio Vista, 1967. |
Rotzler, Willy | Constructive Concepts: A History of Constructivist Art from Cubism to the Present, Zurich, ABC, 1977. |
Rowell, Margit, and Rudenstine, Angelica Zander Art of the Avant-Garde in Russia: Selections from the George Costakis Collection, NY, Solomon R. Guggenheim Museum, 1981. | |
Rudenstine, Angelica Zander Russian Avant-Garde Art: The George Costakis Collection, London, Thames and Hudson, 1981. | |
Russian Women Artists of the Avant-Garde 1910-1930 (exhib.cat.), Galerie Gmerzynska, Köln, 1979. | |
The Great Utopia: The Russian and Soviet Avant-Garde, 1915-1932 (exhib.cat.), NY, Solomon R. Guggenheim Museum, 1992. | |
The Suprematist Straight Line (exhib.cat.), London, Annely Juda, 1977. | |
Zhadova, Larissa Alekseevna Tatlin, London, Thames and Hudson, 1988. | |
De-Stijl and Neo-Plasticism |
|
Barr, Alfred H. | De Stijl 1917-1928, NY, MOMA, 1961. |
Bayley, Stephen | `De Stijl: The Reconstruction of Life through Art and Technology', Modern Art 1848 to the Present: Styles and Social Implications, Open University, 1976. |
Blotkamp, Carel, et.al. | De Stijl: The Formative Years: 1917-1922, Camb.Mass., MIT, 1982. |
De Stijl | Netherlands, 1917-1932. [Arts Periodicals] |
De Stijl (exhib.cat.), London, Camden Arts Centre, 1968. | |
Doesberg, Theo von | On European Architecture: Complete Essays 1924-1931, Birkhäuser Verlag, 1990. |
Jaffé Hans L.C. et.al. | De Stijl 1917-1831: Visions of Utopia, Oxford, Phaidon, 1982. |
Jaffé, Hans L.C. | De Stijl, London, Thames and Hudson, 1970. |
Mondrian, Piet | Natural Reality and Abstract Reality: An Essay in Trialogue Form 1919-1920, NY, Braziller, 1995. |
Troy, Nancy | The De Stijl Environment, Camb.Mass., MIT, 1983. |
Warnke, Carsten-Peter | The Ideal as Art: De Stijl 1917-1931, Köln, Taschen, 1998. |
Bauhaus |
|
Bauhaus: A German Exhibition (exhib.cat.), London, Royal Academy of Arts, 1968. | |
Bayer, Herbert, et.al. (eds.), Bauhaus 1919-1928 (exhib.cat. [1938]), NY, MOMA, 1975. | |
Forgács, Éva | The Bauhaus Idea and Bauhaus Politics, Central European University Press, 1997. |
Franciscono, Marcel | Walter Gropius and the Creation of the Bauhaus in Weimar, Chicago, University of Illinois Press, 1971. |
Greenberg, Allan C. | Artists and Revolution: Dada and the Bauhaus, 1917-1925, Ann Arbor, Michegan, UMI Research Press, 1979. |
Hahn, Peter et.al. | Bauhaus Berlin, Kunstverlag Weingarten, 1985. |
Itten, Johannes | Design and Form: The Basic Course at the Bauhaus, London, Thames and Hudson, 1967. |
Kandinsky, Wassily | Concerning the Spiritual in Art (trans. M.T.H. Sadler), NY, Dover, 1977. |
Kandinsky, Wassily and Marc, Franz The Blaue Reiter Almanac, London, Thames and Hudson, 1974. | |
Klee, Paul | On Modern Art, London, Faber and Faber, 1984. |
Klee, Paul | Pedagogical Sketchbook, London, Faber and Faber, 1968. |
Naylor, Gillian | Bauhaus, London, Studio Vista, 1968. |
Naylor, Gillian | The Bauhaus Reassessed: Sources and Design Theory, London, The Herbert Press, 1985. |
Neumann, Eckhardt (ed.) | Bauhaus and Bauhaus People, NY, Von Nostrand Reinhold, 1970. |
Scheidig, Walther | Crafts of the Weimar Bauhaus, 1919-1924: An Early Experiment in Industrial Design, London, Studio Vista, 1967. |
Sharp, Dennis | Walter Gropius: Bauhaus, Dessau, London, Phaidon, 1993. |
Spiller, Jürg (ed.) | Paul Klee Notebooks, Vol. 1: The Thinking Eye, London, Lund Humphries, 1969. |
Spiller, Jürg (ed.) | Paul Klee Notebooks, Vol. 2: The Nature of Nature, London, Lund Humphries, 1970. |
Staatliches Bauhaus | Weimar 1919-1923, München, Kraus Reprint, 1980. |
Walter, Gropius | Bauhausbauten, Dessau, Mainz, Florian Kupferberg Verlag, 1974. |
Whitfield, Frank | Bauhaus, London, Thames and Hudson, 1986. |
Wingler, Hans M. | The Bauhaus, Camb.Mass., MIT, 1969. |
Wingler, Hans M. | Neue Arbeiten der Bauhauswerkstätten, Mainz, Florian Kuferberg Verlag, 1981. |
Wingler, Hans M. (ed.) | Graphic Work from the Bauhaus, London, Lund Humphries, 1965. |