Department of History of Art

University of Warwick

[HA330] The Emergence of the European Avant-Gardes 1910-1940

Course Tutor: Dr Jonathan Vickery

Extended Bibliography

NB: This is a general subject bibliography, organised by `movement' and according to the course structure; monographs on individual artists can be located in the library catalogue.

Primary Sources
Apollinaire, Guillaume	The Cubist Painters, NY, George Wittenborn, 1970.
Apollonia, Umbro (ed.)	Futurist Manifestos, London, Thames and Hudson, 1973.
Bataille, Georges	The Absence of Myth: Writings on Surrealism, London, Verso, 1994.
Breton, André	Nadja, Paris, Gallimard, 1963.
Breton, André	Surrealism and Painting, London, Macdonald, 1965.
Breton, André	What is Surrealism? Selected Writings, London, Pluto Press, 1978.
De Stijl	Netherlands, 1917-1932. [Arts Periodicals]
Doesberg, Theo von	On European Architecture: Complete Essays 1924-1931, Birkhäuser Verlag, 1990.
Gleizes, Albert	Puissances du Cubism, Paris, Presence, 1969.
Gleizes, Albert and Jean Metzinger Du `Cubism', Paris, Eugène Figuière, 1912.
Gropius, Walter	The New Architecture and the Bauhaus, London, Faber and Faber, 1966.
Huelsenbeck, Richard	Dada Almanach, London, Atlas Press, 1993.
Huelsenbeck, Richard	Memoirs of a Dada Drummer, NY, Viking, 1974.
Itten, Johannes	Design and Form: The Basic Course at the Bauhaus, London, Thames and Hudson, 1967.
Kahnweiler, Daniel Henry My Galleries and Painters, London, Thames and Hudson, 1971.
Kandinsky, Wassily	Concerning the Spiritual in Art (trans. M.T.H. Sadler), NY, Dover, 1977.
Kandinsky, Wassily and Marc, Franz The Blaue Reiter Almanac, London, Thames and Hudson, 1974.
Klee, Paul	On Modern Art, London, Faber and Faber, 1984.
Klee, Paul	Pedagogical Sketchbook, London, Faber and Faber, 1968.
Marinetti, Filippo	The Futurist Cookbook (trans. Suzanne Brill), London, Bedford Arts, 1989.
Mondrian, Piet	Natural Reality and Abstract Reality: An Essay in Trialogue Form 1919-1920, NY, Braziller, 1995.
Motherwell, Robert	The Dada Painters and Poets: An Anthology, Camb.Mass., Belknap, 1989.
Ozenfant, Amédée	Foundations of Modern Art, NY, Dover, 1952.
Richter, Hans	Dada: Art and Anti-Art, London, Thames and Hudson, 1965.
Spiller, Jürg (ed.)	Paul Klee Notebooks, Vol. 1: The Thinking Eye, London, Lund Humphries, 1969.
Spiller, Jürg (ed.)	Paul Klee Notebooks, Vol. 2: The Nature of Nature, London, Lund Humphries, 1970.
Tzara, Tristan	Seven Dada Manifestos and Lampisteries, London, John Calder, 1977.

General
Adam, Peter	Art of the Third Reich, NY, Abrams, 1992.
Banham, Rayner	Theory and Design in the First Machine Age, Camb.Mass., MIT, 1992.
Barron, Stephanie	`Degenerate Art': The Fate of the Avant-Garde in Nazi Germany, NY, Abrams, 1991.
Carrà, Massimo	Metaphysical Art, London, Thames & Hudson, 1971.
Elliot, David	Germany in Ferment [catalogue for the exhibition held in] Durham, The University, 1970.
Fer, Briony, et.al.	Realism, Rationalism, Surrealism: Art Between the Wars, The Open University, 1993.
Fer, Briony, et.al.	Russian Art and the Revolution, The Open University, 1983.
Forster-Hahn, Françoise (ed.) Imagining Modern German Culture 1889-1910, Washington D.C., National Gallery of Art, 1996.
Frampton, Kenneth	Modern Architecture: A Critical Inquiry, London, Thames and Hudson, 1992.
Giry, Marcel	Fauvism: Origin and Development, NY, Alpine Fine Art, 1981.
Goldwater, Robert	Primitivism in Modern Art, Camb.Mass., Belknap Press, 1986.
Golomstock, Igor	Totalitarian Art, London, Collins Harvill, 1990.
Guttsman, W.L.	Art for the Workers: Ideology and the Visual Arts in Weimar Germany, Manchester University Press, 1997.
Haftman, Werner , et.al.	German Art of the Twentieth Century, (exhib.cat.), NY, MOMA, 1957.
Harrison, Charles, et.al.	Primitivism, Cubism, Abstraction: The Early Twentieth Century, The Open University, 1993.
Hartley, Keith (ed), et.al.	The Romantic Spirit in German Art 1790-1990, South Bank Centre, London, Hayward Gallery, 1994.
Herbert, James D	Fauve Painting: The Making of Cultural Politics, Yale University Press, 1992.
Hesse, Thomas B.	Avant-Garde Art, London, Collier-Macmillan, 1968.
Hofmann, Werner	Turning points in Twentieth Century Art 1890-1917, London, Allen Lane, 1969.
Images of Power in the 1930s, (exhib.cat.), South Bank centre, London, Hayward Gallery, 1995.
Joachimides, Christos M., (ed) et.al. German Art in the Twentieth Century: Painting and Sculpture 1905-1985, (exhib.cat.), London, Royal Academy of Arts, 1985.
Kent, Sarah, and Gillen, Eckhardt (eds.) Berlin: A Critical View: Ugly Realism 20's-70s, (exhib.cat.), London, Institute of Contemporary Arts, 1978.
Maleka, Maria	The Munich Secession: Art and Artists in Turn of the Century Munich, Princeton University Press, 1990.
Meskimmon, Marsha and West, Shearer Visions of the `Neue Frau': Women and the Visual Arts in Weimar Germany, Aldershot, Scolar Press, 1995.
Morris, Kelly and Woods, Amanda (eds.) Art in Berlin 1815-1989, (exhib.cat.), Atlanta, High Museum of Art, 1990.
Muller, Joseph-Emile	Fauvism, London, Thames and Hudson, 1967.
Nash, John	Cubism, Futurism and Constructivism, London, Thames and Hudson, 1974.
Neue Sachlichkeit and German Realism of the Twenties, (exhib.cat.), London Hayward Gallery Arts Council of Great Britain, 1979.
Paret, Peter	The Berlin Secession: Modernism and Its Enemies in Imperial Germany, Camb.Mass., Belknap Press, 1980.
Perry, Gill, et.al.	The Two Exhibitions: The Fauves, 1905, and die Brücke, 1906, The Open University, 1983.
Perry, Gill, et.al.	Georg Grosz and Weimar Germany, The Open University, 1983.
Petropoulos, Jonathan	Art as Politics in the Third Reich, University of North Carolina Press, 1996.
Rogof, Irit (ed.)	The Divided Heritage: Themes and Problems in German Modernism, Cambridge University Press, 1991.

Selwood, Sara, et.al.	Abstraction and Kandinsky, The Open University, 1983.
Shrader, Bärbel, and Jürgen Schebera The `Golden' Twenties: Art and Literature in the Weimar Republic, Yale University Press, 1988.
The Twilight of the Tsars: Russian Art at the Turn of the Century (exhib.cat.), South Bank Centre, London, Hayward Gallery, 1991.
Vergo, Peter, et.al.	Abstraction: Towards a New Art 1910-20 (exhib.cat.), London, Tate Gallery, 1986.
Werenskiold, Marit	The Concept of Expressionism: Origin and Metapmorphosis, Oslo, Universitetsforlaget, 1984.
Wescher, Herta	Collage, NY, Abrams, 1968.
West, Shearer	The Visual Arts in Germany 1890-1937: Utopia and Despair, Manchester University Press, 1998.
Willett, John	The New Sobriety 1917-1933: Art and Politics in the Weimar Period, London, Thames and Hudson, 1978.
Willett, John	The Weimar Years: A Culture Cut Short, London, Thames and Hudson, 1984.
German Expressionism
Barron, Stephanie	German Expressionism 1915-1925: The Second Generation, Munich, Prestel, 1988.
Barron, Stephanie, and Dube, Wolf-Dieter German Expressionism: Art and Society, London, Thames and Hudson, 1997.
Barry, Herbert	German Expressionism: die Brücke and der Blaue Reiter, London, Jupiter, 1983.
Behr, Shulamith	Women Expressionists, Oxford, Phaidon, 1988.
Boudaille, George	Expressionists, NY, Alpine Fine Arts, 1976.
Dube, Wolf-Dieter	The Expressionists, London, Thames and Hudson, 1972.
Expressionism: The Buchheim Collection, (exhib.cat.), Minneapolis, Minneapolis Institute of Arts, 1983.
Gerhardus, Mary and Dietfried	Expressionism: From Artistic Commitment to the Begninning of a New Era, Oxford, Phaidon, 1976.
Gordon, Donald E.	Expressionism: Art and Idea, Yale University Press, 1989.
Jähner, Horst	Künstlergruppe Brücke, Berlin, Kohlhammer, 1984.
Lloyd, Jill	German Expressionism: Primitivism and Modernity, Yale University Press, 1991.
Long, Rose-Carol Washton (ed.) German Expressionism: Documents from the End of the Wilhelmine Empire to the Rise of National Socialism, NY, G.K.Hall and Co., 1993.
Myers, Bernard S.	Expressionism: A Generation in Revolt, London, Thames and Hudson, 1963.
Sotriffer, Kristian	Expressionism and Fauvism, NY, McGraw-Hill, 1972.
Uhr, Horst	Masterpieces of German Expressionism, Detroit Institute of Arts, 1982.
Weinstein, Joan	The End of Expressionism: Art and the November Revolution in Germany, 1918-19, University of Chicago Press, 1990.
Willett, John	Expressionism, London, Weidenfeld and Nicolson, 1970.

Cubism
Barr, Alfred H.	Cubism and Abstract Art (exhib.cat., [1936]), NY, MOMA, 1966.
Cooper, Douglas	The Cubist Epoch, London, Phaidon, 1970.
Cooper, Douglas, and Tinterow, Gary The Essential Cubism: Braque, Picasso and their Friends, 1907- 1920, London, Tate Gallery, 1983.
Cubism and La section D'Or: Works on Paper (exhib.cat.), Chicago, R.S.Johnson Fine Art, 1989.
Fabre, Josep Palau I	Picasso Cubism (1907-1917), Könemann, 1996.
Frascina, Francis, et.al.	Cubism: Picasso and Braque, The Open University, 1983.
Fry, Edward F.	Cubism, London, Thames and Hudson, 1978.
Gamwell, Lynn	Cubist Criticism, Ann Arbor, Michegan, UMI Research Press, 1980.
Gerhardus, Mary and Dietfried Cubism and Futurism, The Evolution of the Self-Sufficient Picture, Oxford, Phaidon, 1977.
Gleizes, Albert	Puissances du Cubism, Paris, Presence, 1969.
Gleizes, Albert and Jean Metzinger Du `Cubism', Paris, Eugène Figuière, 1912.
Golding, John	Cubism : A History and an Analysis, London, Faber and Faber, 1968.
Gray, Christopher	Cubist Aesthetic Theories, Baltimore, Johns Hopkins University Press, 1953.
Judkins, Winthrop	Fluctant Representation in Synthetic Cubism: Picasso, Braque, Gris, 1910-1920, NY, Garland, 1976.
Kahnweiler, Daniel Henry My Galleries and Painters, London, Thames and Hudson, 1971.
Ozenfant, Amédée	Foundations of Modern Art, NY, Dover, 1952
Rosenblum, Robert	Cubism and Twentieth Century Art, NY, Abrams, 1976.
Schmeller, Alfred	Cubism, London, Methuen, 1961.
Schwartz, Paul Waldo	The Cubists, London, Thames and Hudson, 1971.
Spate, Virginia	Orphism: The Evolution of Non-Figurative Painting in Paris, 1910-1914, Oxford, Clarendon Press, 1970.
Dada
Ades, Dawn	Dada and Surrealism, London, Thames and Hudson, 1974.
Erickson, John D.	Dada: Performance, Poetry and Art, Boston, Twayne, 1984.
Gordon, Mel (ed.)	Dada Performance, NY, PAJ, 1987.
Greenberg, Allan C.	Artists and Revolution: Dada and the Bauhaus, 1917-1925, Ann Arbor, Michegan, UMI Research Press, 1979.
Huelsenbeck, Richard	Dada Almanach, London, Atlas Press, 1993.
Huelsenbeck, Richard	Memoirs of a Dada Drummer, NY, Viking, 1974.
Inez, Hedges	Languages of Revolt: Dada and Surrealist Literature and Film, Durham, NC, Duke University Press, 1983.
Kuenzli, Rudolph E. (ed.) Dada and Surrealist Film, Camb.Mass., MIT, 1996.
Motherwell, Robert	The Dada Painters and Poets: An Anthology, Camb.Mass., Belknap, 1989.
Richter, Hans	Dada: Art and Anti-Art, London, Thames and Hudson, 1965.
Rubin, William S.	Dada, Surrealism and their Heritage, NY, MOMA, 1968.
Sawelso, Naomi	Women in Dada, Essays on Sex, Gender and Identity, Camb.Mass., MIT, 1988.
Scharf, Marina	`Liberation through Art: Dada and Surrealism' in Modern Art 1848 to the Present: Styles and Social Implications, Open University, 1976.
Sheppard, Richard (ed.)	New Studies in Dada: Essays and Documents, Hutton Press, 1981.
Tzara, Tristan	Seven Dada Manifestos and Lampisteries, London, John Calder, 1977.
Verkauf, Willy (ed.)	Dada: Monograph of a Movement, London, St.Martin's Press, 1975.
Watts, Harriett Ann	Chance: A Perspective on Dada, Ann Arbor, Michegan, UMI Research Press, 1980.
Young, Alan	Dada and After: Extremist Modernism and English Literature, Manchester University Press, 1981.

Futurism
Apollonia, Umbro (ed.)	Futurist Manifestos, London, Thames and Hudson, 1973.
Berghaus, Günter	Futurism and Politics: Between Anarchist Rebellion and Fascist Reaction, Oxford, Berghahn, 1996.
Clough, Rosa Trillo	Futurism: The Story of A Modern Art Movement, Conn., Greenwood Press, 1961.
Futurismo: 1909-1919, (exhib.cat.), Northern Arts and Scottish Arts Council, 1972.
Kirby, Michael	Futurist Performance: with Manifestos and Playscripts, NY, Dutton, 1971.
Le Futurism (exhib.cat.), Paris, Museé National d'art Moderne, 1973.
Lynton, Norbert	`Futurist Art and the Dynamism of Modern Life' in Modern Art 1848 to the Present: Styles and Social Implications, Open University, 1976.
Marinetti, Filippo	The Futurist Cookbook (trans. Suzanne Brill), London, Bedford Arts, 1989.
Martin, Marianne W.	Futurist Art Theory 1909-1915, NY, Hacker, 1978.
Perloff, Marjorie	The Futurist Moment: Avant-Garde, Avant Guerre and the Language of Rupture, Chicago University Press, 1989.
Pontus, Hultén	Futurism and Futurisms, NY, Abbeville, 1986.
Rye, Jane	Futurism, London, Studio Vista, 1972.
Taylor, Joshua C.	Futurism, (exhib.cat.), NY, MOMA, 1961.
Tisdall, Caroline	Futurism, London, Thames and Hudson, 1977.
Toffler, Alvin	The Futurists, NY, Random House, 1972.
Surrealism
Alexandrian, Sarane	Surrealist Art, London, Thames and Hudson, 1970.
Balakian, Anna	Surrealism: The Road to the Absolute, University of Chicago Press, 1986.
Bataille, Georges	The Absence of Myth: Writings on Surrealism, London, Verso, 1994.
Batchelor, David and Harrison, Charles et,al. Surrealism, The Open University, 1983.
Bradley, Fiona	Surrealism, London, The Tate Gallery, 1997.
Breton, André	Nadja, Paris, Gallimard, 1963.
Breton, André	Surrealism and Painting, London, Macdonald, 1965.
Breton, André	What is Surrealism? Selected Writings, London, Pluto Press, 1978.
Caws, Mary Anne et.al. (eds.) Surrealism and Women, Camb.Mass., MIT, 1991.
Chadwick, Whitney	Myth in Surrealist Painting, 1929-1939, Ann Arbor, Michegan, UMI Research, 1980.
Gascoyne, David	A Short Survey of Surrealism, London, Cobden-Sanderson, 1936.
Henning, Edward B.	The Spirit of Surrealism (exhib.cat.), Cleveland Museum of Art, 1979.
Jean, Marcel	A History of Surrealist Painting, London, Weidenfeld and Nicholson, 1960.
Levitt, Annette Shandler	The Genres and Genders of Surrealism, London, Macmillan, 1999.
Lewis, Helena	Dada Turns Red: The Politics of Surrealism, Edinburgh University Press, 1990.
Nadeau, Maurice	The History of Surrealism, London, Plantin, 1987.
Pierre, José	Surrealism, London, Heron, 1970.
Pierre, José (ed.)	Investigating Sex: Surrealist Research 1928-1932, London, Verso, 1992.
Read, Herbert (ed.)	Surrealism, London, Faber and Faber, 1971.
Schneede, Uwe M.	Surrealism, London, Heron, 1970.
Wilson, Simon	Surrealist Painting, Oxford, Phaidon, 1982.

Suprematism and Constructivism
Art in Revolution: Soviet Art and Design since 1917 (exhib.cat.), Arts Council of Great Britain, London, Hayward Gallery, 1971.
Bann, Stephen (ed.)	The Tradition of Constructivism, NY, Da Capo Press, 1974.
Bowlt, John E. (ed.)	Russian Art of the Avant-Garde: Theory and Criticism 1902-1934, NY, Viking Press, 1976.
Cooke Catherine (ed.)	Russian Avant-Garde Art and Architecture, London, Architectural Design and Academy Editions, 1983.
Cooke, Catherine	Russian Avant-Garde: Theories of Art, Architecture and the City, London, Academy Editions, 1995.
Elliott, David	New Worlds: Russian Art and Society 1900-1937, London, Thames and Hudson, 1986.
Gibion, George, and Tjalsma, H.W. (eds.) Russian Modernism: Culture and the Avant-Garde, 1900- 1930, Cornell University Press, 1976.
Gray, Camilla	The Russian Experiment in Art 1863-1922, London, Thames and Hudson, 1962.
Gropius, Walter	The New Architecture and the Bauhaus, London, Faber and Faber, 1966.
Lodder, Christina	Russian Constructivism, Yale University Press, 1983.
Nakov, Andrei, B.	Russian Pioneers: At the Origins of Non-Objective Art, London, Annely Juda, 1976.
Rickey, George	Constructivism: Origins and Evolution, London, Studio Vista, 1967.
Rotzler, Willy	Constructive Concepts: A History of Constructivist Art from Cubism to the Present, Zurich, ABC, 1977.
Rowell, Margit, and Rudenstine, Angelica Zander Art of the Avant-Garde in Russia: Selections from the George Costakis Collection, NY, Solomon R. Guggenheim Museum, 1981.
Rudenstine, Angelica Zander Russian Avant-Garde Art: The George Costakis Collection, London, Thames and Hudson, 1981.
Russian Women Artists of the Avant-Garde 1910-1930 (exhib.cat.), Galerie Gmerzynska, Köln, 1979.
The Great Utopia: The Russian and Soviet Avant-Garde, 1915-1932 (exhib.cat.), NY, Solomon R. Guggenheim Museum, 1992.
The Suprematist Straight Line (exhib.cat.), London, Annely Juda, 1977.
Zhadova, Larissa Alekseevna Tatlin, London, Thames and Hudson, 1988.
De-Stijl and Neo-Plasticism
Barr, Alfred H.	De Stijl 1917-1928, NY, MOMA, 1961.
Bayley, Stephen	`De Stijl: The Reconstruction of Life through Art and Technology', Modern Art 1848 to the Present: Styles and Social Implications, Open University, 1976.
Blotkamp, Carel, et.al.	De Stijl: The Formative Years: 1917-1922, Camb.Mass., MIT, 1982.
De Stijl	Netherlands, 1917-1932. [Arts Periodicals]
De Stijl (exhib.cat.), London, Camden Arts Centre, 1968.
Doesberg, Theo von	On European Architecture: Complete Essays 1924-1931, Birkhäuser Verlag, 1990.
Jaffé Hans L.C. et.al.	De Stijl 1917-1831: Visions of Utopia, Oxford, Phaidon, 1982.
Jaffé, Hans L.C.	De Stijl, London, Thames and Hudson, 1970.
Mondrian, Piet	Natural Reality and Abstract Reality: An Essay in Trialogue Form 1919-1920, NY, Braziller, 1995.
Troy, Nancy	The De Stijl Environment, Camb.Mass., MIT, 1983.
Warnke, Carsten-Peter	The Ideal as Art: De Stijl 1917-1931, Köln, Taschen, 1998.

Bauhaus
Bauhaus: A German Exhibition (exhib.cat.), London, Royal Academy of Arts, 1968.
Bayer, Herbert, et.al. (eds.), Bauhaus 1919-1928 (exhib.cat. [1938]), NY, MOMA, 1975.
Forgács, Éva	The Bauhaus Idea and Bauhaus Politics, Central European University Press, 1997.
Franciscono, Marcel	Walter Gropius and the Creation of the Bauhaus in Weimar, Chicago, University of Illinois Press, 1971.
Greenberg, Allan C.	Artists and Revolution: Dada and the Bauhaus, 1917-1925, Ann Arbor, Michegan, UMI Research Press, 1979.
Hahn, Peter et.al.	Bauhaus Berlin, Kunstverlag Weingarten, 1985.
Itten, Johannes	Design and Form: The Basic Course at the Bauhaus, London, Thames and Hudson, 1967.
Kandinsky, Wassily	Concerning the Spiritual in Art (trans. M.T.H. Sadler), NY, Dover, 1977.
Kandinsky, Wassily and Marc, Franz The Blaue Reiter Almanac, London, Thames and Hudson, 1974.
Klee, Paul	On Modern Art, London, Faber and Faber, 1984.
Klee, Paul	Pedagogical Sketchbook, London, Faber and Faber, 1968.
Naylor, Gillian	Bauhaus, London, Studio Vista, 1968.
Naylor, Gillian	The Bauhaus Reassessed: Sources and Design Theory, London, The Herbert Press, 1985.
Neumann, Eckhardt (ed.)	Bauhaus and Bauhaus People, NY, Von Nostrand Reinhold, 1970.
Scheidig, Walther	Crafts of the Weimar Bauhaus, 1919-1924: An Early Experiment in Industrial Design, London, Studio Vista, 1967.
Sharp, Dennis	Walter Gropius: Bauhaus, Dessau, London, Phaidon, 1993.
Spiller, Jürg (ed.)	Paul Klee Notebooks, Vol. 1: The Thinking Eye, London, Lund Humphries, 1969.
Spiller, Jürg (ed.)	Paul Klee Notebooks, Vol. 2: The Nature of Nature, London, Lund Humphries, 1970.
Staatliches Bauhaus	Weimar 1919-1923, München, Kraus Reprint, 1980.
Walter, Gropius	Bauhausbauten, Dessau, Mainz, Florian Kupferberg Verlag, 1974.
Whitfield, Frank	Bauhaus, London, Thames and Hudson, 1986.
Wingler, Hans M.	The Bauhaus, Camb.Mass., MIT, 1969.
Wingler, Hans M.	Neue Arbeiten der Bauhauswerkstätten, Mainz, Florian Kuferberg Verlag, 1981.
Wingler, Hans M. (ed.)	Graphic Work from the Bauhaus, London, Lund Humphries, 1965.