Themed Dossiers
Issue 10 (2022-3)
The V. F. Perkins Dossier
Introduction
Andrew Klevan
The Phantom Thread of Victor Perkins
Adrian Martin
The World of Film and World Particles in the Criticism of Victor Perkins
George Toles
Integrating Criticism into the Philosophy of Art: V. F. Perkins, Dead Poets Society, and 'Value Interaction'
Andrew Klevan
V.F. Perkins and Television
James Walters
Why did Film Studies ignore Perkins?
Robert B. Ray
Upstairs, Downstairs: Victor Perkins and Nicholas Ray's Domesticity
Murray Pomerance
Perkins, Gombrich and Criteria
Douglas Pye
Dossier: The Politics of Close Analysis, and its Object
Introduction
Lucy Fife Donaldson and Lisa Purse
Eileen Rositzka, 1988-2021
Lisa Purse and Lucy Fife Donaldson
The spirits of African cinema: redemptive aesthetics in Mati Diop's Atlantics
Rosalind Galt
Tracing the threads of influence: George Hoyningen-Huene and Les Girls (1957)
Lucy Fife Donaldson (author's statement)
No compromise: Jan Němec's rough diamond
Anne Rutherford
Roundtable - Movie: A Journal of Film Criticism and the past, present, and future of film criticism
Lucy Fife Donaldson, John Gibbs, Lisa Purse, Doug Pye, Girish Shambu
Creative Geography, Creative Connections: Candyman
John Gibbs (author's statement)
Issue 8 (2019)
Interviews
Introduction
John Gibbs
Ian Cameron
(24 July 1996)
V. F. Perkins
(22 May 1997)
Charles Barr
(19 June 1997)
Alan Lovell
(13 April 1999)
Issue 7 (2017)
Opening Choices
Introduction
Edward Gallafent & John Gibbs
Tinker Tailor Soldier Spy: Significantly Ordinary
Nathaniel Deyo
Rio Bravo: Dude Walks into a Saloon
Pete Falconer
Similar Means to Different Ends: Lola Montés as a Punch in the Gut
Anthony Coman
Intimacy, ‘Truth' and the Gaze: The Double Opening of Zero Dark Thirty
Christa Van Raalte
Under the Skin: Cosmology and Individuation
Catherine Constable
Otto Preminger's Hand in the Initial Moments of Bunny Lake is Missing
Lola Breaux
V. F. Perkins, 1936-2016: A Tribute
A Tribute to V. F. Perkins
Editorial board
Obituary
Charles Barr
The Cinema of Nicholas Ray
V. F. Perkins
Letter From an Unknown Woman
V. F. Perkins
Issue 6 (2015)
Moments of Texture
Introduction
Lucy Fife Donaldson
Brokeback Mountain: A Toast
Adam O'Brien
Surfaces, Textures and the Long Take in Death Line
Ian Banks
Reading Space in Cracker
Lucy Fife Donaldson
Passing Time in Frances Ha
James Zborowski
The Best Years of Our Lives: A Dossier
Introduction
James MacDowell
Among My Souvenirs: Couples, Conventions and the America to Come in The Best Years of Our Lives
Nicolas Pillai
Performance and Style in The Best Years of Our Lives
Sarah Thomas
Black Extras in The Best Years of Our Lives
Steve Neale
Viewing the World in Till the End of Time
Edward Gallafent
Issue 5 (2014)
Jim Hillier, 1941 – 2014: A Tribute
A Tribute to Jim Hillier
Editorial Board
(nostalgia)
Jim Hillier
Ma Nuit chez Maud
Jim Hillier
Issue 4 (2013)
Only Yesterday
Charles Barr
The Wonderful Country
Pete Falconer
A Robin Wood Archive (2)
Mashed Marlowe
Robin Wood
Controlling the Situation
Robin Wood
Poet of the Cinema
Robin Wood
Mad Smile of a Hollow Civilisation
Robin Wood
A Matter of Life and Death
Robin Wood
Issue 3 (2012)
The Fritz Lang Dossier, Part 2
Rush to Judgement: Imperfect Justice in Fury (1936)
Stella Bruzzi
You Only Live Once (1937)
V. F. Perkins
Going Straight: The Past and the Future in The Return of Frank James (1940)
Edward Gallafent
The Woman in the Window (1944)
Mark Rappaport
Guess-Work: Scarlet Street (1945)
Adrian Martin
The Big Heat: Acts of Violence (1953)
Peter William Evans
Human Desire (1954)
Deborah Thomas
Lang With Lacan: The Power of the Gaze in Moonfleet (1955)
Peter Benson
Issue 2 (2011)
The Fritz Lang Dossier, Part 1
Notes on Metropolis
Michael Walker
M: Leading the Blind
Douglas Pye & Iris Luppa
Das Testament des Dr Mabuse
Michael Walker
Psychoanalyse de Psycho / Psychoanalysis of Psycho
Robin Wood
Attitudes in Advise and Consent
Robin Wood
In Memoriam Michael Reeves
Robin Wood
Sense of Dislocation
Robin Wood
Signs and Motifs
Robin Wood
Moments of Release
Robin Wood
Call Me Ishmael
Robin Wood