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In Memoriam - Professor Jim Davis

Prof Jim DavisIt is with a very heavy heart that we write to let you know that Professor Jim Davis passed away on Saturday 4th November following a stroke. Everyone who had the pleasure of encountering Jim will appreciate that this is a huge loss for his family, friends, colleagues, collaborators and the wider research community. He was a fantastic scholar and unwavering champion for the discipline and theatre historiography. He was such an important part of the Theatre and Performance family at the University of Warwick and will be missed for his leadership, mentorship, friendship and unfailing sense of fun and mischief.

Jim Davis joined Warwick in 2004 as Head of Department (2004-2009) after eighteen years teaching Theatre Studies at the University of New South Wales in Sydney, where he was latterly Head of the School of Theatre, Film and Dance. In Australia he was also President of the Australasian Drama Studies Association and member of the Board of Studies of the National Institute of Dramatic Art. Prior to leaving for Australia he spent ten years teaching in London at what is now Roehampton University. He co-organised many conferences including for the International Federation of Theatre Research (IFTR) in New South Wales and at Warwick. He convened Historiography Working Groups for both IFTR and for TaPRA. He served as an editor for the journal Nineteenth Century Theatre and Film.

He published widely and with considerable critical acclaim in the area of nineteenth-century British theatre. His most recent bookComic Acting and Portraiture in Late-Georgian and Regency England (2015) won the TaPRA David Bradby Prize for Research in International Theatre and Performance in 2017 and was shortlisted for the 2015 TLA George Freedley Memorial Award. His other publications include Theatre & Entertainment (2016), Dickensian Dramas: Plays from Charles Dickens Volume II (2017) and European Theatre Performance Practice Vol 3 1750-1900 (editor, 2014). He was also joint author of a study of London theatre audiences in the nineteenth century Reflecting the Audience: London 1840-1880 (2001), which was awarded the 2001 Theatre Book Prize. He contributed numerous chapters including essays on nineteenth-century acting to the Cambridge History of British Theatre and on audiences to the Cambridge Companion to Victorian and Edwardian Theatre. He also published many articles in Theatre Journal, Theatre Survey, Theatre Notebook, Essays in Theatre, Themes in Drama, New Theatre Quarterly, Nineteenth Century Theatre, Theatre Research International and The Dickensian. He was also responsible for many of the theatrical entries in The Oxford Readers' Companion to Dickens and contributed to the Oxford Encyclopaedia of Theatre and Performance, The Cambridge Encyclopaedia of Stage Actors and Acting and the New Dictionary of National Biography. For several years he wrote an annual review of publications on nineteenth-century English Drama and Theatre for The Year's Work in English Studies.

An event to celebrate Jim’s life and work was held on 6 January 2024 12pm-4pm in the Studios in the Faculty of Arts Building on the University of Warwick's campus.

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Social Movements, Performance and Democratic Practices (Indo-Canadian Dialogue): A Conference

Conference Schedule (Canadian Standard Time)

Day 1: March 25th, Thursday (CST: 10 am–1 pm; IST: 7:30 pm–10:30 pm; UK time: 2- pm–5pm)

Session I (CST: 10 am- 11:30 am): Key Note

Welcome Address by Dr. Prachi Kaul, Director, SICI

Key Note: De-Centering Leftist Theatre across Cultures: With Brecht from the GDR to India, by

Joerg Esleben, Professor, Associate Professor, Department of Modern Languages and Literatures, University of Ottawa


Anuradha Kapur, School of Culture and Creative Expressions, Ambedkar University, New Delhi

Prateek, Dept. of Humanities and Social Sciences, Birla Institute of Technology and Science, Pilani, Rajasthan

Session II (CST: 11: 30 am – 1 pm): Alternative Routes of Performance Exchanges


Milija Gluhovic, Theatre and Performance Studies, University of Warwick

Sumangala Damodaran, Development Studies, Ambedkar University, New Delhi

Ameet Parameswaran, School of Arts and Aesthetics, Jawaharlal Nehru University


Day 2: March 26th Friday (CST: 10 am–1 pm; IST: 7:30 pm–10:30 pm; UK time: 2- pm–5pm)

Session I (10 am – 11:30 am): Politics & Poetics of Everyday Life: Biography, Gender, Political Engagement


Silvija Jestrovic, Theatre and Performance Studies, University of Warwick

Urmimala Sarkar, School of Arts and Aesthetics, Jawaharlal Nehru University

Session II (11: 30 am - 1 pm): Theatre/Performance and the Affective Registers of the Political


Yana Meerzon, Department of Theatre, University of Ottawa, Canada

Mallarika Sinha Roy, Centre for Women’s Studies, Jawaharlal Nehru University

Anika Marschall, School for Communication and Culture, Aarhus University


Day 3: March 27th, Saturday (CST: 9:30 am–1 pm; IST: 7:00 pm–10:30 pm; UK time: 1:30 pm–5pm)

Session I (9:30 am- 11:30 am): Theatre/Performance and the Space(s) of Resistance


Dragan Todorovic, Writer and Multimedia artist; Faculty of Creative Writing, University of Kent

Bishnupriya Dutt, Theatre and Performance Studies, School of Arts and Aesthetics, Jawaharlal Nehru University

Anupama Roy, Centre for Political Studies, Jawaharlal Nehru University

Adrian Kear, Performance Arts, Wimbledon College of Arts, UK

Session II (11:30 am – 1 pm): From Disasters to Pandemics: Aesthetics and Politics of Performance

Nivedita Menon, Centre for Comparative Politics & Political Theory, Jawaharlal Nehru University

Dialogue with Artist: Conversation with Rahul Varma, Playwright, Artistic Director, Teesri Duniya Theatre, Canada, conducted by Yana Meerzon and Ameet Parameswaran


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