Theatre and Performance Studies News
TOP STORY: TaPRA 2025 Conference to be hosted at Warwick
We're delighted to announce that the annual Theatre and Performance Research Association (TaPRA) conference will be hosted by Theatre and Performance Studies at Warwick between 27 and 29 August 2025. The conference will mark both the 20th birthday of TaPRA and the 50th anniversary of Theatre and Performance Studies at Warwick. Our conference keynotes, plenary panels, artistic activity, conference dinner and programmed events will speak to the themes of milestones and markers, focussing on celebrations, festivities, spectacle and joy. We'll look forward to welcoming you to Warwick next year!
To keep up to date with the conference plans, please visit our dedicated TaPRA pages here.
'On Protest', new double issue of Performance Research edited by Julia Peetz and Andy Lavender, is published
On Protest, a new special double issue of Performance Research edited by Julia Peetz, Leverhulme Early Career Fellow in Performance and Politics at Warwick TPS alongside former Head of School Andy Lavender, has been published. The issue includes an extended editorial by the two.
ONLINE SYMPOSIUM: THEATRE AND DEVELOPMENT PARTNERSHIPS - 23rd SEPTEMBER 2021
- What are the implications of the recent 'global turn' in development studies for those of us involved in theatre and performance projects that relate to development outcomes?
- Might the renewed focus 'global partnerships', as outlined by the Sustainable Development Goals, offer new possibilities to work together? Or is it just more of the same empty rhetoric?
- In terms of attempts to create more equal and mutually beneficial projects, what might success look like?
Call for papers: Cultures of the Left in the Age of Right-Wing Populism - Manifestations and Performances - Keynote Speaker: Professor Chantal Mouffe
Monday 15th- Wednesday 17th April 2019
Warwick University in Venice
Palazzo Pesaro Papafava
Keynote Speaker: Professor Chantal Mouffe
This event is the culmination of a substantial period of research funded by the British Academy Partnership and Mobility grant (2016-19) that brought together an interdisciplinary group of scholars from Warwick University (UK) and Jawaharlal Nehru University (India) as well as researchers, artists and activists from other European and overseas institutions and places. We are asking how could both the historical legacy of the Left and its current manifestations and performances contribute to formulating an aesthetic of resistance not only as a reactive practice, but as a way to sustain the politics of inclusion, equality, care for the commons and social justice? The concept, coined by playwright Peter Weiss against the backdrop of raising fascism in the 1930s—asserts that art and culture, by formulating an aesthetic of resistance, are the means of finding new modes of political action and new forms of social understanding. The urgency of this project is to explore the politics and aesthetics of these forms as means of dissent, but even more importantly, as strategies of sustaining the progressive political agenda both against the backdrop of the alarmingly rising Right and on its own term.