Sound, Voice, and Music
VENUE: Faculty of Arts Building (FAB), 6.02
Working Group Session 1
Wednesday, 27th August, 13.00-15.00
Voicing Space, Place and Borders
Chair: Maria Kapsali
Ben Macpherson The build and the blur: A cappella voice as sonic interface in music(al) theatre.
Olivia Lamont Bishop Sonic Borders: Sound as an Interface for Migration in Performance.
Ximena Alarcón Díaz INTIMAL: Interfaces for Relational Listening (listening for place and tele-presence).
Luka Douridas Interfacing the Analog: Emulation, Authenticity, and the Digital Mediation of Sound.
Danny Scott Trans*auditioning voice: The pitch-shifter as an inter-facing and trans-facing technology in Wet Mess’ TESTO.
Working Group Session 2
Thursday, 28th August, 09.00-10.30
Voicing Histories
Chair: Henry McPherson
Hippolyte Broud The Sonic Interface: Reimagining Vocal Training Through Archival Imprints.
Kate Holden FEMME VOCAL GHOSTING: Queering Roy Hart Voice Work in Performance Practice Research.
Andrew Lennon ‘Filling the Silence’ – Documentary Practices and Musicals.
Working Group Session 3
Thursday, 28th August, 15.30-17.00
Sounding Bodies
Chair: Melinda Szűts
G Douglas Barrett [online] Laetitia Sonami’s Lady’s Glove and the Hand as Digital Interface.
Catherine Laws Touch Transmission (or: what and who are we touching when playing the piano?). (N.B. This is co-authored work between Catherine Laws and Teresa Brayshaw).
Maria Kapsali Kinesonic Embodiment: a common ground for interfaces for sound and movement interaction?
Working Group Session 4
Friday, 29th August, 13.00-15.00
Sounding Culture and the Social
Chair: Henry McPherson
Roxanne Korda and Daniel Blanco Albert [shut] for business: Performing Transience in a Bankrupt City.
Shezad Khalil Stepping Forward: The Representation of the Female Vernacular through the Qawwali Dialogue.
Thom Andrewes Singing "Happy Birthday to You".