Skip to main content Skip to navigation

Theatre & Performance Studies News

In Memoriam - Professor Jim Davis

Prof Jim DavisIt is with a very heavy heart that we write to let you know that Professor Jim Davis passed away on Saturday 4th November following a stroke. Everyone who had the pleasure of encountering Jim will appreciate that this is a huge loss for his family, friends, colleagues, collaborators and the wider research community. He was a fantastic scholar and unwavering champion for the discipline and theatre historiography. He was such an important part of the Theatre and Performance family at the University of Warwick and will be missed for his leadership, mentorship, friendship and unfailing sense of fun and mischief.

Jim Davis joined Warwick in 2004 as Head of Department (2004-2009) after eighteen years teaching Theatre Studies at the University of New South Wales in Sydney, where he was latterly Head of the School of Theatre, Film and Dance. In Australia he was also President of the Australasian Drama Studies Association and member of the Board of Studies of the National Institute of Dramatic Art. Prior to leaving for Australia he spent ten years teaching in London at what is now Roehampton University. He co-organised many conferences including for the International Federation of Theatre Research (IFTR) in New South Wales and at Warwick. He convened Historiography Working Groups for both IFTR and for TaPRA. He served as an editor for the journal Nineteenth Century Theatre and Film.

He published widely and with considerable critical acclaim in the area of nineteenth-century British theatre. His most recent bookComic Acting and Portraiture in Late-Georgian and Regency England (2015) won the TaPRA David Bradby Prize for Research in International Theatre and Performance in 2017 and was shortlisted for the 2015 TLA George Freedley Memorial Award. His other publications include Theatre & Entertainment (2016), Dickensian Dramas: Plays from Charles Dickens Volume II (2017) and European Theatre Performance Practice Vol 3 1750-1900 (editor, 2014). He was also joint author of a study of London theatre audiences in the nineteenth century Reflecting the Audience: London 1840-1880 (2001), which was awarded the 2001 Theatre Book Prize. He contributed numerous chapters including essays on nineteenth-century acting to the Cambridge History of British Theatre and on audiences to the Cambridge Companion to Victorian and Edwardian Theatre. He also published many articles in Theatre Journal, Theatre Survey, Theatre Notebook, Essays in Theatre, Themes in Drama, New Theatre Quarterly, Nineteenth Century Theatre, Theatre Research International and The Dickensian. He was also responsible for many of the theatrical entries in The Oxford Readers' Companion to Dickens and contributed to the Oxford Encyclopaedia of Theatre and Performance, The Cambridge Encyclopaedia of Stage Actors and Acting and the New Dictionary of National Biography. For several years he wrote an annual review of publications on nineteenth-century English Drama and Theatre for The Year's Work in English Studies.

An event to celebrate Jim’s life and work was held on 6 January 2024 12pm-4pm in the Studios in the Faculty of Arts Building on the University of Warwick's campus.

Show all news items

Young Artist Programme - Applications for Creatives

Waterperry Opera Festival is inviting emerging Directors, Conductors and Creative Producers to join our Young Artist Programme in 2020. Our Young Artist Programme is a fully funded development programme for emerging performers and creatives looking to gain experience in opera.

The programme has been created to develop the skills and experience of emerging creatives, offering a stepping-stone to further study or starting a career in opera. We specifically encourage applications from those who haven't, for any reason, had access to career opportunities or professional development. We are looking for candidates who will significantly benefit from the programme and the opportunities on offer. This is an unpaid, educational opportunity. There is no age restriction to apply.

Details

Successful participants will receive training and development opportunities including:

Young Artist Director

- One-to-one mentorship and development sessions

- A short observership at a major opera company

- Assisting in a professional environment

- Direct their own work as part of the 2020 Festival

Young Artist Conductor

- One-to-one mentorship and development sessions

​- Coaching from WOF Music Director Bertie Baigent

- A short observership at a major opera company

- Assisting in a professional environment

- Conduct their own work as part of the 2020 Festival

Young Artist Creative Producer

- One-to-one mentorship and development sessions

- Produce the Young Artist production of 'Greed' (Jonathan Dove)

- Training in producing, project management, development and marketing

- Assist the Senior Management Team in delivering the 2020 Festival

If successful, you will be required to attend full time rehearsals in London from 13th July 2020. The culmination of which is an 8-day full-board residency at Waterperry, Oxford, in the Waterperry House, from 9th – 16th August 2020 during the festival. All other one-off sessions will be scheduled in accordance to your schedule.

We are committed to accessibility & inclusivity in all our work. There is financial provision to support young artists on our programme; we want to make these opportunities available to as many as possible. Please do get in touch if you have any questions ahead of apply.

Apply

To apply, please send a CV and ​application form (at the link below) to Rebecca Meltzer at rebecca@waterperryoperafestival.co.uk. Interviews will take place in London on Sunday 29th March 2020. The deadline for applications is 5pm on 16th March 2020.

http://www.waterperryoperafestival.co.uk/opportunities.html

* Can all Conducting applicants also please send a video of them conducting if available.
Fri 06 Mar 2020, 14:51 | Tags: Student Undergraduate