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This collaborative research project examines theatre spectacle and spectatorship in the nineteenth century by considering it in relation to the emergence of a wider trans-medial popular visual culture in this period.
The project answers to the increasing need to bring together scholarship in political and social sciences that reconsiders the idea of the Left.
This innovative project facilitates research, debate and encourages the dissemination of creative practice produced by female creative practitioners living in Africa.
An Embodied Documentation & Mapping of the Changing Uses and Tempers of Urban Place (A Practice-based Case-study of Coventry)
