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Dr Ian Farnell

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Teaching Fellow in Theatre and Performance

Director of Undergraduate Studies
Office: FAB1.43



I am an award-winning teacher leading on modules across the Theatre and Performance Studies undergraduate programme.

As a member of the Warwick community, I am passionate about protecting and preserving the natural world around us. I work in collaboration with the university's sustainability team to promote the importance of nature to our students, and I am working with colleagues from across multiple disciplines on climate change-related projects.

Beyond this, my existing research explores the intersection between theatre and science fiction. Following a monograph on this subject, I am editing collections on theatre, performance “the fantastic”, including fantasy, horror, the gothic, folklore, and other non-realist popular forms.

Finally, having spent over a decade working in retail before academia, I am interested in how customer service can be understood through the lens of performance.

Publications

Monographs and edited collections

2025: Science Fiction and Contemporary British TheatreLink opens in a new window. London: Bloomsbury

Forthcoming: Theatre, Performance and the Fantastic Vol. 1: Stages and Scripts. London: Bloomsbury

Forthcoming: Theatre, Performance and the Fantastic Vol. 2: Practices and Politics. London: Bloomsbury

Articles

2021: 'Theatre, Science Fiction, and Care Robots: Embodying Contemporary Experiences of CareLink opens in a new window'. Theatre Journal 73 (3): pp.373-389.

2020: Science, Science Fiction, and Nick Payne’s Elegy: A Conceptual Third WayLink opens in a new window’. Studies in Theatre and Performance 40 (2): pp. 206-223.

2019: Science Fiction and the Theatre of Alistair McDowallLink opens in a new window’. Contemporary Theatre Review 29 (2): 121-137.

2019: ‘In space, no one can hear you say you didn’t “get” it: theatre, science fiction, and genre snobbery’Link opens in a new window. Contemporary Theatre Review Interventions July 2019.

2017: Utopian dreams, dystopian realities in Lucy Kirkwood and Anne WashburnLink opens in a new window’. Foundation: The International Review of Science Fiction 46 (128): 38-47

Book chapters

2025: 'Contemporary Theatre and Medical Science Fiction'. The Edinburgh Companion to Science Fiction and the Medical Humanities, ed. Gavin Miller, Anna McFarlane and Donna McCormack. Edinburgh: Edinburgh University Press

2019: ‘Alistair McDowall’s X: Science Fiction Theatre’. Sci-Fi: A Companion, ed. Jack Fennell. 2019. Oxford: Peter Lang Publishing

Spring at Warwick: Birdwatching on campus

Teaching

Undergraduate modules 2024/25

Theatre and Performance in Context

Study Skills for Theatre and Performance

Wildwork: Theatre, Performance and the Natural World

Playwriting

Events and engagement

2025: Organiser, Wild WarwickLink opens in a new window. Covered by BBC Coventry & WarwickshireLink opens in a new window

2024: Core team member, Museum of Climate Stories

2023: Conference organiser, Performing the Fantastic in Contemporary CultureLink opens in a new window, University of Warwick

2019: Organiser and panel chair, “Staging the future”, British Science Festival

Awards

2025: £2000 research grant, Institute of Advanced Study (Wild Warwick)

2024: Highly Commended, Warwick Awards for Teaching Excellence

2023: £1280 research grant, Institute of Advanced Study (Performing Customer Service)

2023: Associate Fellowship, Institute of Advanced Study

2022: Winner, Warwick Awards for Teaching Excellence

2021: Finalist, Warwick Awards for Teaching Excellence

2020: Associate Fellowship, Advance HE