From the Indian cottons that were traded around Asia and Africa in the Middle Ages, to the global dominance of the blue-and-white pottery of Jingdezhen, and new approaches to the global history of science, in this blog the founding director of the GHCC, Professor Maxine Berg, speaks to Benedict King about five books that transformed our understanding of the past millennium and stand as significant milestones in the development of the vibrant field of global history.

Every Tuesday evening in August, Oxford-based orchestra Instruments of Time & Truth in collaboration with Warwick's Global History and Culture Centre and Early Modern and Eighteenth-Century Centre presents a digital series of performances and talks exploring the lives of musicians and their patrons in eighteenth-century London. The series will premiere on Youtube on 4 August at 7pm. This blog post features an historical essay accompanying the concert series by Professor Maxine Berg, detailing the rich musical culture of eighteenth-century London and Britain more generally and its historic links to empire, slavery, and changing global patterns of consumption.

On 21 February 2020, the Global History and Culture Centre hosted a workshop to celebrate the career of Professor Maxine Berg. Focused on the question "Why Does Economic History Matter?", the event concluded with the presentation of a volume of essays written and edited by Maxine's friends and colleagues, titled Reinventing the Economic History of Industrialisation (McGill-Queen's University Press: 2020). In this guest blog, Professor Tirthankar Roy (LSE) responds to the book and the central place of Berg's scholarship in shaping the field of global economic history.

On Friday 7 June 2019 the last of three V&A Salons took place as part of the AHRC-funded Global Microhistory network, with the theme of 'Information, Writing, and Cultures of Correspondence'. Organised by Maxine Berg along with Warwick-colleagues Jo Tierney and Guido van Meersbergen, this third salon session took place at the V&A stores at Blythe House, London, under guidance of the V&A's curator of South Asian textiles, Avalon Fotheringham. In this blog post, Guido van Meersbergen reports on the event accompanied with a slide show of spectacular photos by Adrianna Catena.

The AHRC Network: A New Global Microhistory Pathway (Warwick, Oxford, EUI and V&A) held the second of three late evening public discussions in ‘The Globe’ at the V&A on Friday 8 March 2019. Organised by professor Maxine Berg and focused on the theme 'Diplomacy and Gifts', this event brought together curators and (art) historians on a spectacular tour of the museum's South Asian, Islamic Middle East, and Medieval & Renaissance Galleries. The evening was concluded by way of a roundtable discussion in the 'Globe' space in the Europe 1600-1815 gallery, a recording of which can be found here.