Global Commodities: Planning Workshop
Department of History, University of Warwick, 13 April 2011. |
Overview
How was materiality interpreted in different parts of the world? What were their social and cultural associations? This stands aims to create a dialogue between history of art, architecture, literary scholars and historians. This preliminary meeting will discuss the methodologies, themes and outcomes of the Network
The research objectives of the ‘Global Commodities’ network include:
• the combination of the methodologies of global history and material culture to analyse the role of material artefacts in establishing and developing global connections;
• to encourage scholars who specialize in individual area studies and/or disciplines to engage in transregional, global and interdisciplinary research;
• to promote intercultural dialogue and understanding through the historical study of material culture.
Programme
- 10.30-11-00 Arrival and coffee
- 11.00-12.30 Introduction by Anne Gerritsen and Giorgio Riello and general discussion
- 12.30-14.00 Lunch
- 14.00-15.00 Presentations by Karina Corrigan, Glenn Adamson and Suraiya Faroqhi
- 15.00-17.00 General discussion on aims, outcomes, activities and scholars in the network
- 17.00-18.00 Reception
- 18.00-20.00 Dinner
Participants
Glenn Adamson |
Victoria and Albert Museum |
|
Marta Ajmar |
Victoria and Albert Museum |
|
Maxine Berg |
University of Warwick |
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Zoltán Biedermann |
Birkbeck, University of London |
|
Karina Corrigan |
Peabody Essex Museum |
|
Craig Clunas |
University of Oxford |
|
Rebecca Earle |
University of Warwick |
|
Suraiya Faroqhi |
Bilgi University, Istanbul |
|
Margot Finn |
University of Warwick |
|
Anne Gerritsen |
University of Warwick |
|
Christine Guth |
Victoria and Albert Museum |
|
Jessica Harrison-Hall |
British Museum |
|
Deborah Howard |
University of Cambridge |
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David Lambert |
Royal Holloway |
|
Luca Molà |
European University Institute |
|
Giorgio Riello |
University of Warwick |
|
Susan Stronge |
Victoria and Albert Museum |
|
Jan van Campen |
Rijksmuseum, Amsterdam |
|
Verity Wilson |
University of Oxford |