Elizabeth Goldring-Chapters in Books

'The "Queens Limner": Nicholas Hilliard and Elizabeth I,' in Artists and Female Patrons at the European Renaissance Courts: Rewriting the History of Art Patronage, edited by Noelia García Pérez (Brepols, forthcoming).

'Making New Connections: Miniatures in Context,' in Love's Labour's Found: Elizabethan and Jacobean Portraiture, exhibition catalogue, edited by Lawrence Hendra and Emma Rutherford (Philip Mould & Co., 2021), pp. 16-19.

'Patronage and Art Collecting in Shakespeare's England,' in The Oxford Handbook of the Age of Shakespeare, edited by R. Malcolm Smuts (Oxford University Press, 2016), pp. 704-23.

'Heraldic Painting and Drawing in Early Modern England,' in Painting in Britain,1500-1630: Production, Influences, and Patronage, edited by Tarnya Cooper, Aviva Burnstock, Maurice Howard, and Edward Town (Oxford University Press for The British Academy, 2015), pp. 262-77.

'The Sidneys and the Visual Arts,' in The Ashgate Research Companion to the Sidneys, 1500-1700, edited by Margaret P. Hannay, Michael G. Brennan, and Mary Ellen Lamb, 2 vols (Ashgate Press, 2015), vol. 1, pp. 297-315.

'Princely Pleasures: The Cultural Patronage of Robert Dudley, Earl of Leicester,' in The Elizabethan Garden at Kenilworth Castle, edited by Anna Keay and John Watkins (English Heritage, 2013), pp. 47-56.

'The Langham Letteras a Source for Garden History,' in The Elizabethan Garden at Kenilworth Castle, edited by Anna Keay and John Watkins (English Heritage, 2013), pp. 59-64.

'The Politics of Translation: Arthur Golding's Account of the Duke of Anjou's Entry into Antwerp, 1582,' in Writing Royal Entries in Early Modern Europe, edited by Marie-Claude Canova-Green and Jean Andrews, with Marie-France Wagner (Brepols, 2013), pp. 225-43.

(co-author) 'Shows and Pageants,' in The Oxford Handbook of Holinshed's Chronicles, edited by Paulina Kewes, Ian W. Archer, and Felicity Heal (Oxford University Press, 2013), pp. 319-35.

'The Art, Architecture, and Gardens of the Early Modern Inns of Court,' in The Intellectual and Cultural World of the Early Modern Inns of Court, edited by Jayne Archer, Elizabeth Goldring, and Sarah Knight (Manchester University Press, 2011; paperback edition published 2013), pp. 127-37.

‘“So iust a sorrowe so well expressed”: Henry, Prince of Wales and the Art of Commemoration’, in Prince Henry Reviv’d: Image and Exemplarity in Early Modern England, edited by Timothy Wilks (Paul Holberton Publishing, 2007), pp. 280-300.

‘“In the cause of his God and true religion”: Sir Philip Sidney, the Sequitur celebritas and the Cult of the Protestant Martyr’, in Art Re-formed: Re-assessing the Impact of the Reformation on the Visual Arts, edited by Tara Hamling and Richard L. Williams (Cambridge Scholars Publishing, 2007), pp. 227-42.

‘Portraiture, Patronage and the Progresses: Robert Dudley, Earl of Leicester, and the Kenilworth Festivities of 1575’, in The Progresses, Pageants and Entertainments of Queen Elizabeth I, edited by Jayne Archer, Elizabeth Goldring, and Sarah Knight (Oxford University Press, 2007; paperback edition published 2013), pp. 163-88.

‘The Funeral of Sir Philip Sidney and the Politics of Elizabethan Festival’, in Court Festivals of the European Renaissance: Art, Politics and Performance, edited by J. R. Mulryne and Elizabeth Goldring (Ashgate Press, 2002), pp. 199-224.