Emeritus Professor Louise Campbell will be giving a paper on Sussex University on 15 June at the Oxford Brookes conference 'Architecture Citizenship Space: British Architecture from the 1920s to the 1970s'. The paper is entiltled "'A background sympathetic to young and energetic minds': forming modern citizens at the University of Sussex".

We have been rated as one of the top three departments teaching History of Art in the country. The rankings are based on official data collected by the Higher Education Statistics Agency (Hesa) and the National Student Survey (NSS). Find out more in the Guardian University Guide 2018.

During May, Lorenzo Pericolo has been a Fellow at the Center for Advanced Studies at the Freie Universität, Berlin, working with the research group BildEvidenz. History and Aesthetics. The Fellowship ran from May 9th to May 16th 2017.

On May 20th, Amanda Sciampacone will be presenting a paper on '"Injurious Impregnations of the Air": Medical Climatology in the Victorian Visual Imagination' at the NAVSA/AVSA conference to be held at Villa La Pietra in Florence.

Professionalization Workshop. 15th to 17th and 21st May.

On the 26th of April 2017, Art History PhD student and lutenist Adam Busiakiewicz presented a public talk on Ter Brugghen's Lute Player at the National Gallery in London.

The lute was used by painters to express various ideas in their works, apart from the obvious allusions to harmony and discord. The musical associations with Orpheus, the melter-of-hearts, would not have been lost on the contemporary audience of this painting. Various symbolic links to notions of youth, flippancy and the transience of life and worldly pleasures are also all associated with the mythology of the instrument and its music. Paintings such as Ter Brugghen’s Lutenist allow us to open up a world of understanding how music was appreciated and consumed in the past.

The talk was accompanied by several live performances of lute music relevant to the period and themes of the painting.

Louise Campbell has been awarded a Leverhulme Emeritus Fellowship for 2017-19 to prepare a book for publication called Studio lives: artists at home and at work in twentieth-century Britain.

Rosie Dias has contributed to the British Library’s research project, Picturing Places, recently published as a web-based resource exploring the Library’s vast topographical collections. Her two articles, “Recording and Representing India: The East India Company’s Landscape Practices” and “A Map of Kolkata in 1785” draw upon her current research on the East India Company and visual culture, and focus upon works in the British Library’s India Office Collection and King’s Topographical Collection.

Amanda Sciampacone will be presenting a paper on '"Animalized Atmospheres": Climatology and Disease in Victorian Britain' tomorrow at the Midlands Interdisciplinary Victorian Studies Seminar (MIVSS) on Victorians and the Environment to be held at Birmingham City University. The MIVSS is a group for scholars working on any aspect of nineteenth-century culture in the Midlands. MIVSS meets twice a year to have a day of themed discussion and to share research.

History of Art Associate Tutor, Dr. Ann Haughton, has been nominated for a University Staff Award for her 'Outstanding Contribution'. This award category celebrates individuals who have made an exceptional contribution to Warwick’s overall performance and reputation. The winners will be announced at an evening event in the Butterworth Hall on Friday 12 May.

Dr.Jenny Alexander (Warwick) and project partner Professor Terryl Kinder (Pontigny) have taken a break from their fieldwork at Pontigny Abbey church to give an interview to local radio station France Bleu Auxerre. The team are continuing their study of masons' marks at this Cistercian building, a project which is providing valuable information about the history of the building as well as exploring a significant new method of research.

Amanda will be presenting a paper entitled "Dirty Father Thames" and the Microscopic Grotesque: Cholera and Water after John Snow at the Northern Nineteenth-Century Network's Water Conference at Leeds Trinity University next month.

We are pleased to announce that Carlo Avilio has passed his viva voce examination for his dissertation on the subject of Naturalism and the Picaresque in Jusepe de Ribera's Work supervised by Dr Lorenzo Pericolo. The photograph shows Carlo with internal examiner Professor Michael Hatt.