Losing Ground: On holes and other absences
Bringing together social scientists, architects, artists, filmmakers and others, the event is perhaps the first of its kind in attempting to analyse the occurrence and subject of holes through a truly multi-disciplinary lens. We hope to foster conversations on bullet holes, potholes, sink holes, black & white holes and other lacks and potentialities through a dedicated workshop and an art exhibition.
The workshop, held on the first day (19 May), featured a series of inter-disciplinary panel discussions and a number of art installations.
Recordings of workshop presentations
Panel I: Sinkholes and Orifices
Panel II: Chris A. Wright, Introduction to "Alice in Covland", "Alice in Covland", Q&A
Panel III: Aya Sabry, Dimitris Panayotopoulos, Aya Nassar, Q&A
Panel IV: Lucy Finchett-Maddock and Q&A, Maria Audi Kiskowski-Byrne, Japhy Wilson, Q&A
The workshop was held in parallel with an art exhibition and a roundtable (20 May). The latter featured segments of Heide Fasnacht’s Suspect Terrain and Jenny Perlin’s One Hundred Sinkholes (both from the New School), and roundtable discussion with Dr. Divya P. Tolia-Kelly (Durham University) and Prof. Teresa Stoppani (Leeds Beckett/ London South Bank University). The event is part of a larger effort to make holes relevant as a subject and site of learning, research and wonder.
We also have a frequently updated blog.
The event was organised by Marijn Nieuwenhuis and Aya Nassar, and is funded by the IAS International Visiting Fellows scheme, the New School and PaiS.
Recordings of the exhibition and roundtable
Introduction by Marijn Nieuwenhuis
Heidi Fasnacht "Everything I make is a sinkhole"
Jenny Perlin's Performance lecture